photo expedition

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Much of my art practice since the later 1980’s has been photo-based. I have often expressed in these pages my desire and need to go on photo expeditions to build up my image library, and the more exotic and archaeologically interesting the better.

In the meantime, it’s amazing what one can find around the places we live and work. For years I’ve eyed the concrete floor in the printmaking studio with its rough textures such as embedded metal rings, cracks from former wall joints, and general rough patches left behind as traces from its previous life as an industrial shop of some kind.

A couple of months ago when I had our older digital camera with me in the studio, on impulse I took a number of photos of the floor markings. I wasn’t entirely happy with the results, though the idea still attracted me. Today, I took in our new camera which I’m still learning to use, and took lots of shots. Hey, most of them are really great, like abstract paintings with textures, some even show the patches of colour from various accidents. These images may well appear in some new prints in the future. It was a good day.

Later: I’ve been doing some housecleaning in the older entries, eliminating a strange diamond shaped icon with a question mark inside it that has peppered itself here and there. I was intrigued to reread this one on creativity, centred on a wonderful post by Beth of Cassandra Pages. It seems to fit in with what I was doing with the camera today, don’t you agree?

The Couple I

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Veils Suite: The Couple I
monotype (oil-based inks) and watercolour pencil drawing
57 x 76 cm.

about these monotypes

more Petra

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Petra, Jordan, 1998 Photograph by Annie Griffiths Belt

Reclining on a rooftop carved two millennia ago, a Bedouin surveys the realm of the Nabataeans, whose ancient capital beckons from the sands of southern Jordan. Forgotten for centuries, Petra still echoes with mysteries of the past; this immense building, Al Deir (the Monastery), was probably a Nabataean shrine. –From “Petra: Ancient City of Stone,” December 1998, National Geographic magazine

In September 2004 I first mentioned my great interest in Petra especially when I found out about the exhibition at the Cincinnati Art Museum exhibition Petra: Lost City of Stone (and it’s still online!).

It was later to be presented at the Glenbow Museum in Calgary, Alberta but I forgot to post about it. The exhibition ended last month:

Widely recognized as the backdrop in the 1989 film, Indiana Jones and the Last Crusade, the city of Petra was carved from the red sandstone in the harsh desert cliffs of southern Jordan over two thousand years ago. Petra was the trade crossroads from the 2nd century B.C. through the 3rd century A.D., linking the great civilizations at that time – Greek, Roman, Near Eastern and Egyptian. Located south of the Dead Sea, Petra was unmarked on modern maps until it was rediscovered in 1812. Premiering in Canada at Glenbow Museum in October 2005, Petra: Lost City of Stone was one of only two Canadian venues for this groundbreaking exhibition. Bringing together over 200 objects, including colossal stone sculptures and architectural elements travelling from Jordan for the first time, visitors were able to examine the history and culture of Petra in the most comprehensive exhibition ever presented on this ancient city.

I was reminded of this when mirabilis recently had a great post on Petra, with many exciting new links to explore. If you haven’t already seen them, do go look! Isn’t it great how all this is available to us online?

Toronto’s Lord of the Rings

lotrwallpaper_thumb.jpgThe much-anticipated musical theatre version of The Lord of the Rings made its formal début in a gala première in Toronto on Thursday evening, and the reactions of the audience suggested that the massive production would not be leaving town very soon.

From the Finnish point of view Toronto’s The Lord of the Rings production is particularly interesting, with its strong Karelian-tinged songs composed by the Finnish folk group Värttinä.

“Just as in Tolkien’s original work, music has a greater role in the stage adaption than it had in Peter Jackson’s highly successful film trilogy. The “Finnish connection” is not altogether a coincidence: Tolkien often referred to his own personal debt to the myths of the Finnish national epic Kalevala.” (from Helsingin Sanomat International*)

I’ve been waiting to hear more about this since first reading about the Finnish connection, and then learning that the debut would be in Toronto. Well, it has received mixed reviews in both the CBC* and the Globe and Mail*. I wonder if the expectations might be too high after the films, even the book.

Still, I wish I was closer to Toronto to go see this production. And that reminds me, I still haven’t seen all of the films and I must reread the book after 20 years or so. Ah time, time…

ADDENDUM March 28th: Here’s more from Helsingin Sanomat*: “Finger of fate pointed Lord of the Rings music towards Finland; Värttinä discovered largely by chance to compose the music for Toronto production”.

* Updated 27.08.2015 – expired links removed

openings tonight

I’m getting ready to go to a couple of art openings this evening:

1. RETURN, prints by Hannamari Jalovaara and Taiga Chiba at Malaspina Printmakers Gallery, opening 7 – 9 pm.

2. IN CONTRAST – ceramic sculpture by Mary Kim and paintings by Yang Hong at Capilano College Art Gallery in North Vancouver, opening 6 -8 pm. I only learned about this one yesterday – it’s on March 20 – 31st. I knew Yang as a young man in the same high school my daughters attended but haven’t seen him since he graduated from Emily Carr Institute, Vancouver’s art school. He’s done very well – check his website! I look forward to seeing him again.
I will report back on these later!

LATER:
RETURN is an excellent print show, and its amazing how well the two artists works showed well together thematically. I had fun chatting in Finnish with Hannamari, whom I’ve met a couple of times before several years ago. Her work includes some text in English, Finnish and Latin. I had a chuckle with her that we are the only ones in the room who could read Finnish! Sorry I forgot to take photos in the rush but do visit the links in my earlier announcement of RETURN.
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IN CONTRAST features Yang Hong’s very large predominantly black paintings, the Rivet Series, and 24 very small panels called Absence (photo above with Yang) in predominately white, all done in polyurethane and oil. (I was in error thinking the small paintings were Mary Kim’s when I saw the show yesterday – so corrected the earlier statement above.)

Mary’s works are the installation of ceramic rats “Plead” (photo below). Both Mary and Yang are recent MFA grads of the Nova Scotia College of Art and Design in Halifax, Nova Scotia. It was wonderful to see Yang again and to meet Mary and congratulate both on their achievements and their thoughtful and well done art work.

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A Portrait in Profile III

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Veils Suite: A Portrait in Profile III
monotype (oil-based inks) and watercolour pencil drawing
76 x 57 cm.

about these monotypes

RETURN

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(left) Hannamari Jalovaara: Identical Witness intaglio 30 x 60 cm.
(right) Taiga Chiba: My Return to the Cambrian Sea-16 monotype 52 x 77cm.

RETURN is an exhibition of etchings and monotypes by Hannamari Jalovaara and Taiga Chiba at Malaspina Printmakers Gallery on Granville Island, Vancouver from March 21st to April 16th. Everyone is welcome to attend the Opening Reception on Thursday, March 23, 7 to 9pm.

Here’s the exhibition statement: Visual metaphors of hidden worlds is the common theme for both artists here as they recall places they have resided in physically and how these different worlds still reside within them mentally. The results are rich colourful layers, playful and delicate compositions, all seeming to tell a story. Each image deriving from deep within these two artists’ senses, perhaps even allowing them to ‘…return whilst being away.’

Japanese-Canadian Vancouver-based artist Taiga has been mentioned here many times, most recently regarding his other exhibition presently on at Dundarave Printmakers.

Hannamari Jalovaara was born in Finland, and spent her formative years in France, Ireland, Singapore and Thailand. She currently resides in Vancouver and works at Malaspina’s print workshop and continues to exhibit in Finland and internationally. Learn more about Hannamari at moon gecko.

UPDATE March 22nd:
Taiga is also having a slide presentation at Malaspina. He will show some slides from Bhopal, where he did an artist residency last fall.
Slide presentation by Taiga Chiba
The Bharat Bhavan Artist in Residency in Bhopal, India
Malaspina Printmakers Gallery, Granville Island
March 30th, 6 PM.

spring!

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Some spring flowers from my garden to you, dear readers, on this first day of spring!

Well, this year the vernal equinox was gorgeous in Vancouver! Three days of glorious sunshine after a long cold and wet spell, quite the opposite of last year. We’ve been outdoors every day, walking and taking photos with our new camera. Yesterday and today we’ve also been doing garden cleanup. Ooh, our backs are sore but we feel great from all the fresh air and physical work. We made the most of the first days of spring for tomorrow the rains return. Happy Equinox!

troubles and treats

Saturday morning I had a major shock on opening my blog and finding a commercial page on it and my own contents gone! It’s been hacked and stolen, I think! My email was also down, though the alternates on different servers still worked. My site manager said it seemed my domain had expired, an oversight by the server. It was corrected in a few hours, thankfully, but it was most interesting to note the major dip in my stats, and my own anxiety level which revealed my addictive dependence on my blog! Apologies to readers who might have tried to visit my blog yesterday morning.

Hopefully this event is the last of some technological glitches that have occurred the past few days – things happen in threes, right? On Thursday at the studio, I was preparing to print on the wide-format printer, but there were problems with the newer computer CPU that had been set up to work with the printer. After much time and frustration, the older CPU was put back temporarily while the IT person was going to “fix” the newer one, and I was able to print a couple of proofs.

At home, later that evening, I finally decided to upgrade to Tiger, the latest Mac operating system that has been out for awhile and the rest of the family had already installed months ago on their machines. All seemed well. Friday I decided to do some scanning. As I mentioned before, our scanner is an old model which is connected to an old computer which I access through the network via a piece of software called Apple Remote Desktop. Well, Mac told me it was not installed! Turns out that version is too old for Tiger and I would have to buy a new one – argh! That’s why I hate upgrades!

Anyway, back to Saturday – the rest of the day was blessed. Glorious and much-missed sunshine tempted us out to enjoy spring. The highlights of the day centered around art and a lovely walk around a garden and a lake.

Burnaby Art Gallery is always a favourite place for us because of the lovely old heritage house converted to gallery that features a lot of print shows. This time up we viewed 30 x 30, contemporary small prints from Malaspina Printmakers downstairs, and upstairs were older works from 1977 from Malaspina’s first archives that are in the BAG collection. Interesting to compare the years’ works and an interesting history lesson for me, as a past Malaspina member, is that the workshop originally started right on these grounds at the Burnaby Art Centre (now Shadbolt Centre of the Arts) in 1975.

Afterwards, as always it’s such a pleasant treat to go for a walk on the grounds. We enjoyed the daffodils and spring perennials though it was a little too early for the numerous huge rhododendrons. And there was a very colourful wedding party having photos taken here. My husband managed to capture the scene below before we headed down to the trails by Deer Lake.

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Later in the early evening we went to Dundarave Printmakers on Granville Island for the opening of Tomoyo and Taiga’s Made in India exhibition of prints. Beautiful new prints by very prolific artists, mostly etchings by Tomoyo and monotypes by Taiga – do go see these if you’re in the area!

Happy St.Patrick’s

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Irish smiles to Bizarro.com