gallery date night

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Vancouver Art Gallery at Robson Square

It’s a lovely day and I’ve got a date! I’m picking up husband from work and we are going to visit several exhibitions late this afternoon and into the evening. We really love walking about in the vibrant downtown on a nice evening.

First we will see the Finnish Design exhibition at the Pendulum Gallery that I’ve already written about. I noticed that the gallery now has the media release with lots of photos on their site, so go have a look at that.

Then we are going to the Vancouver Art Gallery to take advantage of their Tuesday night’s pay-by-donation entry. As usual we are squeaking in near the end of two major shows by two very different BC artists – the Takao Tanabe retrospective, and the survey exhibition of hot artist Brian Jungen.

I will write more about Tanabe and Jungen after seeing the exhibitions.

Grad exhibition

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The entire Studio Art building at Capilano College is undergoing a major transformation this week into a gallery showcasing the works of this year’s graduates of the Studio Art program. The show opening is on Thursday, April 13 from 6 to 9 p.m. Thereafter, the show will run Monday to Friday until May 3 from 10 a.m. to 4 p.m. If you are in the area, do come out and see these works in a wide variety of media by another strong group of emerging artists, many of whom go on to further studies at other art schools around the country. Congratulations to the grads who have been working incredibly hard!
Capilano College is at 2055 Purcell Way in North Vancouver.
For directions see Google maps.

The Couple IV

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Veils Suite: The Couple IV
monotype (oil-based inks) and watercolour pencil drawing
57 x 76 cm.

Read about these monotypes

sun fading of art works

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Most people are probably aware of the power of sunlight in fading the colours of carpets, upholstery and drapes. I wonder how many realize the sun’s effect on the art work on the walls. Now we can see for ourselves in this very revealing article by Thomas Crossland: Sun-Fading and UV-Glass Experiment.

Thanks to Julio at BarenForum, a woodblock printmakers’ group blog, for pointing out this link.

I have been told that plexiglass offers some protection. I have a print of my own framed with plexiglass on a wall that does get some sun on it in the late afternoon some times of the year, and it has faded in the decade it’s been there. I think now there is a better grade plexiglass available, which may be more protective. It would be very interesting to see this kind of test to prove out the claim. Have you noticed how many museums display very old works under very dim lighting?

If you want to know more about caring for the art on your walls, including photographs, check out my earlier piece as well as the excellent Wilhelm Imaging Research.

Finnish Design exhibition

More Finnish stuff, dear readers! Friends of Finland recently sent out a notice to members about a very interesting travelling exhibition of Finnish design coming to Vancouver. (Links and photos are my additions.)

SCHOOL OF COOL – FRESH FINNISH DESIGN
 
Finnish architecture and furniture design appropriately collide in this two-in-one exhibition at Vancouver’s Pendulum Gallery from April 10-28, 2006. Arctic exoticism and Finnish icons – Alvar Aalto and the cheerful 1960s fabrics of Marimekko among them – combine with fresh youthful talent to showcase a dynamic evolution of Finnish design.

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Sonera Offices in Helsinki by SARC Architects

The first of the two exhibits, Helsinki Contemporary Urban Architecture, photographed by Jussi Tiainen, is an internationally touring photo exhibit of over 50 recent architectural projects throughout the Finnish capital. Buildings range from a small sleek sauna to international landmarks such as Heikkinen & Komonen’s new Vuotalo Cultural Centre.

Architectural enthusiasts and urban design buffs alike will be impressed by Tiainen’s ability to capture the lightness, tactility and reflectivity of each structure, while at the same time demonstrating each building’s ultimate place in the cityscape. Most recently the Washington Post dubbed Tiainen “the chronicler par excellence” of one of Europe’s best-designed cities. This exhibit is a compelling testament to the deep love for architecture and city planning in design-savvy Helsinki.

Cool Dozen is an energetic and innovative sample of the best of Finnish chair design and textile prints highlighting over 50 years of design. Among the 12 chairs is Alvar Aalto’s iconic Paimio 41 chair (1932) by Artek and current prototypes by Finland’s coolest contemporary designers including Hannu Kähönen and IMU Design Group. Marimekko textiles, past and present, are paired with each chair design. The Cool Dozen exhibit suggests a threaded evolution of Finnish furniture design – the history, icons and myths of this design-conscious nation give way to the new fresh ideas of young rising stars.

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Alvar Aalto’s Paimio 41 chair (1932)

“Finland is a country that shares with us similar hues in its green forests, blue water and snow-covered terrain. Vancouverites will find inspiration in the exhibits’ vibrant urbanity, materiality and design,” states Laura Arpiainen, architect at Hughes Condon Marler Architects, who grew up in Finland and is a graduate of Helsinki University of Technology.

Together these two exhibits form an irresistible showcase of a city and a nation’s long love affair with architecture and design.

Vancouver’s Pendulum Gallery is in the HSBC Building, 885 Georgia St. Guided tours are available Wednesdays at noon; Thursdays at 7 p.m. and Saturdays at 3 p.m.

Related links:
this exhibition was in Toronto and Ottawa, now coming to Vancouver before moving on to Beijing

Vancouver Sun announcement which included an exhibit photo (in the paper only) of Sonera Offices in Helsinki by SARC Architects

Aalto’s stacking stools and bent laminated birch chair with textile webbing

Aalto’s many chairs

Alvar Aalto Museum in Jyväskylä which we visited in 2000. It has a wide-ranging permanent exhibition of Aalto’s work on show, including the methods he developed in laminating the bentwood for his chairs.

my entry on Sacral Spaces, an earlier Finnish architecture exhibition here in Vancouver, also organized by Hughes Condon Marler Architects

my entry on Marimekko

ORIGINS Centre

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One example of the rock art in the Wits University collection, which is probably the largest in the world (Image: Origins Centre)

From the City of Johannesburg comes this exciting news for archaeology and anthropology fans like me: Origins Centre traces history of mankind, written by Ndaba Dlamini.

My summary: On March 7th, 2006 President Thabo Mbeki officially opened the University of the Witwatersrand’s Origins Centre, the world’s only museum dedicated to exploring and celebrating the history of modern humankind. The first phase of the museum showcases the origins of humankind as well as an extensive collection of rock art from the Wits Art Research Institute. Many of the diverse exhibits bring to life the heritage of the San, whose DNA contains the earliest genetic print, linking this hunter-gatherer to the Homo sapiens who lived 160,000 years ago. For the first time in South Africa, archaeology had been brought to people to appreciate and no longer would people regard rock art as “crude”, Mbeki said.

Very unique is that the Origins Centre is inviting South Africans and international tourists to have their DNA tested to determine their ancestry – and have the results exhibited alongside those of Nelson Mandela. Read more about it in Are you related to Mandela? Fascinating!

If I was traveling to South Africa, the Origins Centre would be on top of the list of places to visit. Their website appears to be still under development, but there is more at South Africa Info including great links including the fabulous Rock Art Gallery.

More related links and images:
Rock Art Research Institute
Bradshaw Foundation
my earlier page on South African rock art
Met Museum

The Couple II

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Veils Suite: The Couple II
monotype (oil-based inks) and watercolour pencil drawing
57 x 76 cm.
About these monotypes

April First

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“It’s snowing”, he whispered into my ear. My eyes opened instantly, then I remembered…

The maple syrup’s full of ants. A mouse is creeping on the shelf. Is that a spider on your back? I ate the whole pie by myself. The kitchen sink just overflowed. A flash flood washed away the school. I threw your blanket in the trash. I never lie. APRIL FOOL!

Myra Cohn Livingston
Happy April Fool’s Day
Hauskaa Aprillinpäivää

Have you heard about these major April Fools’ hoaxes?

Arno Rafael Minkkinen

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Arno Rafael Minkkinen, Self-portrait, Dead Horse Point, Utah, 1997, 20″ x 24″

I first became acquainted with Arno Rafael Minkkinen, an internationally known Finnish-American photographer through Art Daily some months ago. His works affected me deeply, and I bookmarked it for a future blog post. Now, many months later, I happened on it again, so now it’s time to share my admiration for his work.

Minkkinen was born in Finland, moved to the US as a child and now lives in Massachusetts. Since 1988, he has been a Professor of Art at the University of Massachusetts, Lowell. He has had numerous exhibitions around the world. Recently he was the subject of a mid-career retrospective at DeCordova Museum.

Saga: The Journey of Arno Rafael Minkkinen, Photographs 1970-2005 is a 120-print traveling exhibition accompanied by a new large publication.

Since the early 1970s, Minkkinen has been photographing his unclothed body in a wide variety of landscape and interior settings, from Finland to New England, from the American West to sites in Italy and France. These unmanipulated surreal and timeless black and white photographs are astonishing in the way Minkkinen maneuvers his body so that it echoes or seems to become part of the land formation. As A.D. Coleman, one of the curators of the exhibition writes, Minkkinen’s “…images comprise an account of an epic journey–both a physical adventure in the natural and urban world and a psychological voyage of the lone human spirit.”

I hope you enjoy browsing through Arno Rafael Minkkinen’s site as much as I do!

Kaija Saariaho, opera composer

Charles Downey of Ionarts wrote today:

Tonight was the big night in Paris, the world premiere of Kaija Saariaho’s new opera, Adriana Mater, at the Opéra national de Paris. It was to have been the jewel in the crown of a challenging and adventurous season of opera, the Opéra national de Paris’s commission of a new opera by the Finnish composer, whose L’Amour de Loin was such a sensation at the Salzburg Festival in 2000.

Unfortunately the premiere has been cancelled because of a strike. So, instead of commenting on the expected reviews, Ionarts wrote about the composer’s earlier works.

Thanks to this piece, I became inspired and curious to find out more about this famous Finnish woman composer that I knew very little about. Virtual Finland’s article* states that Kaija Saariaho was born in 1952 in Helsinki, and received her music education at the Sibelius Academy. She has composed numerous works since 1982 and concerts of her work have been performed at the Savonlinna Opera Festival, London, Paris,Vienna and Jakarta. She was winner of the Prix Italia, 1988 and of the Recording of the year award from the Finnish Broadcasting Company, 1993. In 2003 she was the winner of one of the world’s biggest prizes for composition, the Grawemeyer prize for 2003. Worth $200,000 US, Kaija Saariaho won it for her first opera L’Amour de Loin.

The prize means a lot because with L’Amour de Loin I stepped into a new area, after which my life and my music changed, said Saariaho in a statement. I have found from within the world of opera in all its glory. Interestingly her earlier work involved “electronics, with computer-analyzed sonorities shifting imperceptibly into new ones”, so it is indeed a big shift. Writing opera has certainly catapulted her to great fame and demand. What an amazing woman!

Now I must find me some of her recordings – L’amour de Loin sounds wonderful.

By the way, Charles Downey is quite the admirer of Finnish music, especially opera, which he has attributed to Finland’s excellent music education.

UPDATES:
April 4th, 2006: The news in Helsingin Sanomat today: Adriana Mater opera’s world première is big success in Paris. The opera premiered last night after being postponed from last Thursday.

April 5th: Ionarts reports on the mixed reviews in the French press.

April 15th: A very interesting interview with the production’s conductor, Esa-Pekka Salonen (by Shirley Apthorp, Bloomberg News). Despite an enthusiastic response from the public, the French press response was not glowing. “Everything is political in Paris,” Salonen says. “To damn this opera is to take a swipe at Mortier. And here you had a Lebanese librettist, a Finnish composer and an American director coming to Paris to do an opera at the country’s national house . . .”

Thanks again to ionarts!

* link has expired and has been removed