Victoria Day

Laburnum

We’ve just had a long weekend here in Canada. Victoria Day is a Canadian Statutory Holiday celebrated on the Monday on or before May 24 in honour of both Queen Victoria’s birthday and the current reigning Canadian Sovereign’s birthday. While Victoria Day is often thought of as a purely Canadian event, it is also celebrated in some parts of Scotland where it is also a public holiday.

And what did we do? Lots of puttering about the home front, mainly gardening until the rains came to give us and the parched plants some relief from last week’s heat, then a much-needed start at clearing out husband’s cluttered and sawdusty workshop so that it can at last be finished properly with drywall and storage cupboards. Not a holiday per se… Looking at the archives, I was reminded that we were working pretty hard two years ago. Do you see a pattern here?

beauties vs beasts

03 Finland Left 2006
(Lordi – Photo from Eurovision)

The first that I ever heard of LORDI was in an email about two weeks ago from fellow-blogger Anna in England: “Lordi lordi, whatever next? I really think that you should do a piece about these guys…we are  about to be deeply shocked apparently.” I wrote back, “I’m missing something here… what guys? what’s shocking?” Then Anna sent me this link. Ohh!

So, Lordi is the monster heavy-metal band that is representing Finland in this year’s Eurovision song contest. I must say I’m not a fan of heavy-metal rock. I first heard their entry Hard Rock Hallelujah at BBC (via Pinseri). The Lordi members are from Finnish Saame (Lapland) and credit Kiss for their inspiration. They have never appeared without the heavy grotesque makeup and costumes nor revealed their true identities.

What got me interested in them initially is this mystery, a hint of Lord of the Rings, the “Arockalypse” (as they post on their homepage) and the pyrotechnics in their huge performances – is it clever marketing? The huge media coverage Lordi is getting seems to indicate success, just look at the blogs, online news in Finland, the UK and Canada including the CBC, and print news such as even our conservative Vancouver Sun with two articles “Monster-rock band has even fellow-Finns feeling horrified” and “Euro songfest’s easy-beat challenged”. (That’s enough links already, eh!)

Lordi was voted in as one of ten finalists, a first ever for Finland, both elating and upsetting many conservative Finns. The finals of this 50 year old contest are presently underway as I write this, and I’ll be back as soon as I know the final results of the voting.

UPDATE 3:45 pm PDT – FINLAND WINS! Learned first at Pinseri, then Finland for Thought (great photo here). The Eurovision site is slow updating, guess the Finns have been watching TV into the wee hours!!

LATER: BBC has a report and list of runner-ups.

ADDENDUM: May 21st: Lordi is now in Wikipedia in English and Finnish. (Thanks to blogisisko)
AND the feedback from Helsinki’s main newspaper: Helsingit Sanomat where there are also some great photos

May 24th: Lordi-mania is still humming away, though I said to myself that I wouldn’t write anymore about this. However an interesting article about lead Tomi Putaansuu and his labour of love is too good not to share. Also, read the comment and question from Anna Amnell below – anyone have an answer?

art that excites 2

Ninety Five Figures from the Crowd of One Thousand Ninety Five Figures

Magdalena Abakanowicz: detail from the Ninety Five Figures from the Crowd of One Thousand Ninety Five Figures

Anna L. Conti of San Francisco writes a very focused and intelligent blog about her own art practice and about other artists. She is a prolific reader and gallery visitor and this comes out in her interesting posts. The other day she posted a wonderful quote from one of my favourite artists along with a fabulous new-to-me website of her work: Magdalena Abakanowicz.

Abakanowicz’ work has always excited me. As I’ve mentioned before, the first time I saw her work about 20 years ago in a book, her fibre sculptures of figures were burned into my mind as my heart beat with excitement. I was working on my Veils Suite series of wrapped figures at the time, so her work was a powerful connection and inspiration for me. I wish I could find images of those early works of hers.

Amongst the work shown on this site, Space of Unknown Growth reminds me strongly of ancient standing stones which, as regular readers know, are of deep interest to me.

Do read the thought-provoking quote (from a book I must get), of which I’ve copied the last paragraph:

To have imagination and to be aware of it is to benefit from possessing an inner richness and a spontaneous and endless flood of images. It means to see the world in its entirety, since the point of the images is to show all that which escapes conceptualization.

Three Figures II

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Veils Suite: Three Figures II
etching, drawing, watercolour (unique)
76 x 57 cm.

art that excites

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Brad J. Goldberg: Coral Eden
 
When I see art that excites me, that draws a reaction out of me, that makes me really take notice, that stirs my emotions, it becomes a memorable and almost a spiritual experience. And when I see or read about viewers who react this way to art, I’m extremely gratified.
 
Bill Knight, one of my commenters (who should have a blog), often writes with this kind of excitement when he shares his discoveries of art works on the web. Recently he wrote in the comments in one of my posts about the work of Brad J. Goldberg. Here’s what Bill wrote:

I’d like to share with you a site just put up by a very thoughtful and accomplished artist working in stone. It is interesting to note that he does not try to document his work exhaustively, but rather he gives fragmentary glimpse combined with a paragraph of his thoughts and motivations. I think he is saying, “See the work in person!”
 
You might especially enjoy his photographs of stonework around the world. As he says in his “Thoughts” section, he is very world, cultural and social-minded. Interesting man. He does some very large works, often with the help of large machines and factories, but however large the work, he always finishes the pieces with his own two hands.
 
The guy is incredible. What a career. I think his son has done the web-site though I am not sure. It is the perhaps the best sculpture site I have been to with such great visual documentation from pencil drawing to boulder outcrop to finished artwork. He is only fifty or so. What a career. I don’t know of anyone like him when it comes to creating public space with stone.
 
[…] it’s humbling, awsome, and expansive. He makes the possibility of what stonework can do and can be. He seems to always be looking outward. Rake lines of a Japanese sand garden turn up in a large urn. Circuit chips make an appearance as well as handprints as seen in ancient rock art paintings and chippings. His evocation of coral is brillant. Stonework does not usually bear such explicit textural connotation and signiture of organic intelligence. Overiding all is a sharp situational and social awareness of stagecraft and elocution. Clarity is achieved. Simplicity is molded from sensibility.

From Brad J. Goldberg’s site:

Brad Goldberg is an artist whose work is centered on developing a fusion between sculpture, landscape, urban design, place, culture, and community. It is an art that aspires to escape categorical definitions, restrictions or limitations Each new project generates a unique response encompassing the total aspect of a specific place or circumstance. This response may include sculpture, architecture, landscape, water, furniture etc.”
 
“As artists, our life orientation is focused on the creation of beauty and a search for meaning. We strive to create work that abounds in hope, creates a sense of continuity, belongs in time and to a place, and responds to people’s innate need for beauty, soul, and community. Our lifestyle, as well, is a reflection of these ideas, focusing on our love of family, friendship, the integrity of our work, a strong sense of belonging to a place, a sense of our heritage as people, and the discovery of new ideas and places that fuel the next steps in our creative ventures.

Do look through the Portfolio of projects. My favourites are Coral Eden, Place of Origin, and Liturgy. Click on the little arrow next to the the project title to see more views of the works in progress.
 
Thanks, Bill, for finding this artist’s website and sharing your excitement.

Mother’s Day birthday

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A very happy and beautiful Mother’s Day to all moms and their families!
Mukavaa ja kaunista äitienpäivää kaikille äideille ja perheille!

The weather is glorious here this weekend. Our three daughters, two granddaughters and partners are gathering here Sunday afternoon for backyard play, a BBQ and a cake to celebrate a very unusual Mother’s Day. Youngest daughter Erika was a special Mother’s Day gift 21 years ago (actually on May 12th, which was Mother’s Day then). So, Happy Birthday to our baby!

Have a peek at Mother’s Day 2005 which includes a powerful Mother’s Day Proclamation, plus more about Mother’s Day at Wikipedia.

Norman McLaren

This interesting news item about the late great Canadian animator Norman McLaren (1914-1987) brings back a lot of wonderful memories for me:

The films of National Film Board animation pioneer Norman McLaren will be the subject May 22 of the 2006 Cannes Classics programme, an annual tribute that profiles a great filmmaker whose work is currently undergoing digital restoration.

This guy is as innovative today as he was when he came out, except that he did it with his hands and with his fingers and by drawing on film,” explains Bensimon who says the Cannes Classic event is a double tribute to the NFB, since McLaren is the first Canadian, and the first animator, ever to be so honoured.

Norman McLaren’s films were the highlights of school days for me and many children. Later on, as an art teacher, it was a pleasure for me to share my love of his work with my students. It’s been a very long time since I’ve seen any of his films so I don’t remember many titles except for Neighbours, and Blinkity Blanka fine example of music creating image, the sounds you hear are mimiked it seems with the forms and flow of motion that is on the screen. From fireworks to Egyptian forms and birdcages, over a blue surface , the images being etched directly onto the cell print we are taken on a five minute voyage with basoon, trumpet, clarinet and drum.

So, the upcoming DVD that is being made of some of McLaren’s collection will definitely be on my wish list!

Links:
National Film Board of Canada and Norman McLaren
– Norman McLaren in Wikipedia
– The source of this news is The Globe & Mail but darn, the link is now only available to registered readers – I should have copied the whole thing while I had a chance!
Cannes Film Festival
– UPDATE: Toronto Star has the full story!

UPDATE 2 – May 14th, 2006: Check on NFB’s activities at Norman McLaren Year. Thanks to Pat Dillon of the NFB for emailing me this information!

fungus in Lascaux Caves

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Image from The Painted Gallery

This is disturbing news. After reading it, I had to go and revisit the online Lascaux Caves site to marvel over the great art, such as the image above.

A pernicious white fungus has spread “like snow” in the caves of Lascaux in France where the fabulous rock art has been described as the “Sistine Chapel of prehistory”.

The fungus is believed to have been introduced after contractors began to install a new air conditioning system that was meant to preserve the precious 17,000-year-old cave paintings from the heat and humidity generated by their many visitors.
The historical importance of Lascaux is immeasurable and any damage to its art would have serious repercussions given the cave’s status as an evolutionary icon for the development of human art and consciousness.

The figures are so modernist in design that when Picasso emerged from the cave soon after it was first discovered in 1940 he exclaimed: “We have invented nothing.”

Read more in The Independent.

Related links: Time magazine and Lascaux Caves replica, an earlier post.

Art Daily returns

As Sam plays ‘As Time Goes By’ once again, Ignacio Villarreal announces the return of Art Daily, like the phoenix arising! He writes movingly of overcoming health and financial problems and bringing back his 10 year old pet project and passion.

I enjoyed reading the world’s art news on Art Daily and frequently linked to their articles, as I wrote when they first closed in June, 2004 and again on its return a few months later. It really sounded like the final death notice last December, so now let’s happily say ‘welcome back’ to Ignacio and Art Daily and ‘may you both live long’!

The current art feature, Rembrandt and Caravaggio at the Van Gogh Museum is interesting – click on the big image and compare the works of the two masters. Now I wish I could fly to Amsterdam!

(Thanks to Art News Blog for the good news.)

seven wonders

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On our visit to the Hermitage in 2002

Sarah Milroy has written an interesting travel article with a focus on art, in Saturday’s Globe and Mail, called Seven wonders of the world: Art. Milroy raves about the best great art museums she’s visited (actually more than seven!):

Musée Rodin in Paris, Metropolitan Museum of Art in New York, the Venice Biennale and the Gallerie dell’Accademia in Venice, Museo del Prado in Madrid, Chianti Foundation in Marfa, Texas (surprise), the Sistine Chapel in the Vatican City, Cappella Scrovegni (Arena Chapel) in Padua, The State Hermitage Museum in St. Petersburg, and the biggest surprises – the Vancouver Art Gallery and Haida Gwaii Village here in BC.

As always, one reads these kind of articles through the filters of one’s own experiences. So it is most interesting for me, one who hasn’t been to many great museums in the world, to note that we’ve been to just a few of these. We were in Venice once for a day but very disappointingly could not get into the museums because of flooding. We’ve been awed by the Sistine Chapel and marvelled over the vast riches in the Hermitage Museum. But what is amazing is that Milroy includes the Vancouver Art Gallery in this list, and of course I do plan to see the upcoming Haida exhibition that she writes about. One day we will also visit the Haida Gwaii, up the coast from here, though it’s a difficult and expensive trip because you have to use guides and travel by seaplane or boat to get to that village. And maybe one day we’ll visit the other “seven wonders”!