computer art

caveart.jpg

Got a little time? Get a cup of your favourite brew and a biscotti and relax with these entertaining though time-consuming links that are all about using the computer to create art.

1. Brian Eno’s 77 Million Paintings. ” … it raises questions about the concept of the ‘original’ in art… Millions of Brian Eno originals will be created and then disappear only to be replaced by millions more.” Thanks to Hydragenic.

2. Argentinian software artist Leonardo Solanas’ Dreamlines ” is a non-linear, interactive visual experience. The user enters one or more words that define the subject of a dream he would like to dream. The system looks in the Web for images related to those words, and takes them as input to generate an ambiguous painting, in perpetual change, where elements fuse into one another, in a process analogous to memory and free association.
I tried “cave art” (above image), “Leonardo da Vinci” and my own name – cool to recognize suggestions of familiar pieces transformed and transforming! Thanks to Tuumailua (a Finnish blog).

3. William Zauscher’s videos on YouTube are highy entertaining and very funny, sometimes to the point of pain (don’t choke on that biscotti!). View his renditions of Bach and some operatic pieces. Thanks to Ionarts.

A little later – I hope everyone had a great Boxing Day, or St. Stephen’s Day, or Tapanipäivä, depending what country you live in! We went for a long vigorous Nordic pole walk with a short stop in a local gift shop for some very nice half-price gifts to add to our gift bag for friends we are seeing on the weekend. No crowded mall, no parking hassles, no gas, just fresh air and exercise to burn off some of those extra calories. Cheers!

winter story 2006

winterstory2006.jpg

I’m very proud to share my grand-daughter Lael’s 4th annual Winter Story, done with a little help from mommy and daddy, of course. It’s now on a special blog so you can see the past winter stories as well, should you be a new reader. Enjoy!

Our family will soon be gathering together in our home. We will have our Christmas Eve feast followed by carolling by the piano while we await Santa’s arrival. He always comes to the homes of Finns and Germans first, you know.
Merry Christmas everyone! Iloista Joulua kaikille!

love, peace & joy

xmas2006web.jpg
To all my readers
Happy Christmas, Hauskaa Joulua,
Frohe Weihnachten, Joyeux Noël and Happy Holidays!
Love and light, peace and joy this season and always.
If you are travelling over the holidays, keep safe and warm.

the longest night

newgrange-ab3-2004.jpg
Photo from inside the chamber at Newgrange, Winter Solstice of 2004, by Alan Betson

Once again in the northern hemisphere it is the winter solstice – the shortest day and longest night of the year, the first day of winter. It amazes me how very many cultures around the world have celebrations around this time. If I were able to choose a special and ancient way to celebrate, I’d go to Newgrange.

Instead I’ll be happily continuing preparations for Christmas here at home, looking forward to Joulu (Finnish for Christmas). I baked Christmas bread yesterday, and today I’m making two kinds of cookies. Then there’s the house to clean and food to restock and prepare for the feasts. We take immense pleasure in the lights of candles, wood fires and Christmas light strings to brighten these long dark nights.

Happy winter solstice to all, however you may celebrate!

(See my previous posts on the solstice in 2005 and 2004)

Christmas favourites

xmascard99.jpg

‘Tis the week before Christmas and we’re all busy getting ready. To sustain the anticipation, one of the things I’ve been doing is looking at some of my favourite posts on this blog from the last two years. I thought I’d share them with you by linking them here, rather than repeating myself, especially for newer readers. Isn’t Christmas partly about traditions and happy memories? Here’s a short list of a few of my favourites about this favourite holiday season of mine (though a few links within have expired):

On my favourite things
About Joulukuu, the Finnish name for December
About Joulupukki, the Finnish Santa in Lapland
– and this delightful new-to-me page The Night Before a Printmaker’s Christmas by printmaker David Bull, who lives in Japan and works in traditional Japanese woodblock printmaking. Be sure to turn on the audio and listen to him reading it!
– above image is one of a Christmas card that I designed in 1999

Enjoy the week!

The Big Storm

Our internet is finally back tonight after three days down, so now I can let you know what excitement we’ve had here!

We’ve experienced the worst windstorm in the 30 plus years we’ve lived in the Vancouver area. Of three storms last week – on Monday, Wednesday, and Friday – Friday’s was the worst of a whole month-long-of-storms. It was a massive hit in the early hours of Friday, December 15th. Our power went out about 3:30 a.m. Winds were at hurricane levels in some areas. I was quite fearful that our two very tall trees would be blown down on us. Thankfully they weren’t, while many others did suffer losses of homes, vehicles and boats because of falling trees.

We kept warm thanks to an old-fashioned fireplace insert with a cooktop, enabling us to boil water for tea and eggs, and heat milk for hot cocoa. We’ve lots of firewood from building scraps and logs from our own felled or pruned trees from over the years. Friday evening, we did go out for a hot meal. The normally quiet restaurant not far from us but outside the outage zone, was packed with people constantly coming in. The staff was kept hopping and finally had to turn away people because they were running out of food. Afterwards, back at home, we sat by the fire with candles, playing a game of cards and listening to Christmas music on the iPod/speakers – nice and cozy.

Overnight it snowed a bit and the house was quite chilly until we got the fire going again. Our power came back on Saturday around 11 a.m. here but many others were still without. We went for a walk to check out the neighbourhood and the park. We could not believe the numbers of huge trees uprooted, fallen down, or split halfway, with billions of branches littering the forest floor and paths. We frequently had to climb over these. (I wished we’d taken the camera!) Some of these massive trees had fallen over the main road early Friday morning, causing this local but widespread power outage. The wharf and floats were severely damaged, and we could see a half sunken barge. If this was immense damage, Vancouver’s Stanley Park would be far far worse, exposed as it is to the open sea. We’d heard that the Lions Gate Bridge was closed Friday due to fallen trees along the causeway through the park.

Hydro reported that we usually get three bad storms a year (with power outages), we’ve had nine and it’s not even winter yet! 250,000 homes, the most in history, were affected. The storm hit Washington and Oregon as well with four deaths reported.

Some curious thoughts while “surviving”:
– With all our technological wizardry – how come we cannot invent a manual startup for our heating systems, rather than being dependent on electricity to fire up? If many gas fireplaces have this option, why not furnaces and boilers?
– We were glad we’d hung onto our old rotary dial phones! Did you know that the “portable” phones need power? (We don’t have cell phones.)
-We were thankful we didn’t change out our old-fashioned fireplace insert with it’s small cooktop, BUT the fan is electrical for maximum heat output. We managed to keep warm anyway. Sometimes modern and sleek isn’t such a good idea.
-Our hot water tank is heated via natural gas and did not shut off like an electrical one would have been. Thankfully.
-How come our power lines are not buried underground like in many European countries and even places like South Africa?
– Many thoughts about man vs nature and city vs country survival skills. We’re pretty dependent on electricity and heat, and we sure missed the internet, spoiled city folk that we are.

Healthy Artist Guide

I blogged a couple of months ago about Toxic-Free Artists via the Toxic Nation E-News here in Canada. Today, I received the December issue. (Sorry, I see the whole online version doesn’t seem to be up on the web just yet, it’s coming up with the November issue). Most interesting and useful to artists is the follow-up The Healthy Artist Guide to a Less Toxic Studio. A must read!

In my many years of art practice as a student then artist, I’ve exposed myself to an alarming amount of toxic artist materials. In art school I worked with plaster for sculpture, with oil paints, varnishes and turpentine, and with etching acids and solvents to clean printing inks. Later I’ve worked with ceramic glazes, batiking dyes, acrylic and watercolour paints, glues and other items listed in the guide. Then as a dedicated printmaker I used more acids, darkroom chemicals and solvents. I’ve always used rubber gloves because of sensitive skin but haven’t always used masks, trusting the schools’ and studios’ ventilation systems if they were there at all or as good as they should have been.

As home renovators too, we’ve used various paints, varnishes, drywall and wood fillers and nasty cleaning products. I shudder at all my exposure to toxins – it’s no wonder I was tested to have heavy metals in my body! Nowadays ventilation and safer materials and their use in educational institutions have improved greatly. I don’t do printmaking or painting at home. I’m fortunate that I am able to do digital printmaking, by working initially at my home computer and then printing at the studio. Instead of etchings, I now make collagraphs and I may do some drypoints again sometime. The studio now has the less toxic ferric chloride in use in the event that I succumb to a temptation to etch. I still have to use solvents minimally for cleaning but do so under very good ventilation. Awareness is now key.

If you are an artist, craftsperson or even a home decorator, I recommend looking at this checklist. What changes have you made to reduce your exposure to toxic materials?

ADDENDUM Dec.17th, 2006: I just remembered an interesting article about oil paints I’d read from a brochure once, which I don’t have, but this article has some of that information. It might be helpful to those of you who paint with oils. They may be safer than acrylics if you use the safer solvents. I suggest searching the Gamblin site if this interests you.

Happy St. Lucia Day!

st.Lucia.jpg

This young maiden dressed in white with a red sash and a wreath of candles on her head brings light to the northern darkness! I wrote about this Swedish-Finnish tradition a year ago, so if it’s new to you, please visit that post.

Finnish blogger-friend and writer Anna Amnell posted photos of the Santa Lucia parade in a rainy (!!) Helsinki. Note the girl with a crown of candles on her head representing Santa Lucia. Anna also wrote an article about Lucia that Finnish readers will enjoy.

Another blogger-friend Dave Bonta has a unique and beautiful view of the saint of light with some incredible photos of light patterns! Don’t miss this one.

savouring

FinnCrafts.jpg

writing letters and cards, until cross-eyed
watching high winds tossing our huge trees, worrying
admiring the little garden lights in the early darkening
listening to favourite Christmas music, heart singing
putting out a few Christmas decorations each day, savouring
looking at charming Finnish Christmas pages*, remembering

*link expired and removed

trial proofs

I’ve had several readers express an interest in seeing the development of a print after I wrote about my excitement when the first proofs came through the wide format inkjet printer. This feeling is true no matter what type of prints one works on, from the wooden-spoon-rubbed linocut one does in grade school to the finely etched copperplate, and other printmaking media. Proofing is an essential process as I hope you will see in the following descriptions and photos. The photos are of the same piece shown in detail in the above linked post.

SMwos1proof1.jpg
The first photo shows the first trial print that I took of a collagraph that I made to be printed on top of an inkjet print. This one is printed on plain white art proofing paper.

SMwos1proof2.jpg
The second photo shows the collagraph printed over the top of the first proof of the inkjet print of the rocks, done on non-coated art paper. The inkjet print looks washed out.

SMwos1proof3.jpg
For the third proof, I switched to a coated inkjet paper for the rock print. Do you see how the colours just pop out and the blacks are deep and velvety (okay, the photo isn’t that great.) I printed the collagraph on top of this, paying a great deal of attention to how it’s inked and wiped, compared to that first proof.

I’m quite excited by this one. In fact, I realized that it is a complete piece without a printed transparency layer over it which I’d originally planned to do (and have been doing with the earlier Silent Messenger pieces). The work spoke to me just the way it is, and I had to respond to it, rather than forcing my initial plan on it.

Because I was having problems with the inkjet paper tearing a bit on the embossings in the collagraph, I’ve been doing numerous tests to figure out how long the inkjet printed paper had to be soaked in water, the ink consistency, and the pressure of the printer roller. Of course, us artists are always the first to try something different with new material, in this case to subject papers meant for inkjet printers to the rigours of a highly embossed collagraph and a traditional printing press!

Today, I had a breakthrough, so now I will be able to carry on and edition the first two of the series that are ready. That may not be until January as I will be taking a break from the studio over the holidays.

Readers, I do hope this gives some understanding of the process. Please feel free to ask questions!