Norway’s rock drawings

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It has been a little while since I visited Arkeo.net**, a Finnish (no English) archaeological web portal written by Marjukka M&#228kel&#228. It is a wonderful resource on the activities and research mainly into Finnish and some Russian and Scandinavian archaeology. The latest news points to a great photo site on Norway’s Rock drawings. Just look at those fabulous details of wonderful Viking-like ships! The text is in Norwegian only, which I can’t read, but there are numerous interesting photos. There are further links to images to explore at the bottom of the page for Denmark and Sweden, like the Tanum site, and still more in Norway. Enjoy!
** Sadly Arkeo.net no longer exists.

Rock Art: Siberia and Alps

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Erkki Luoma-aho* presents his photographs of petroglyphs at Siberia’s Tom and Jenisei Rivers and at Valcamonica in the Italian Alps, taken during his travels in 2000 and 2001. The site is in Finnish, but it consists mostly of photos.

An interesting point that he makes is that in Scandinavia many of the petroglyphs were painted originally to bring out the details, but these have weathered and worn off with time. Luoma-aho has also “painted” these images, digitally of course, to bring up the details. To view, begin at the list and click at a link. Click on the image so you can compare it with and without the digital enhancement – notice how some of these are barely discernible. (Under the image are three red icons for navigation: the left hunter takes you back one image, the center one back to the list, and the right one forward to the next photo.)

Now that was just an introduction! There’s lots more to explore, such as his fascinating journey to Siberia presented in English.

UPDATE Jan 2014: *Sadly his site is no longer accessible and/or the other links are no longer available, so have been removed. Try a search, if interested as he has published some of his photos.

Petra

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Petra, Jordan has long been on my dream wish list of places I’d love to visit and use in my artwork.

Now Art Daily reports that the Cincinnati Art Museum will feature Petra: Lost City of Stone, the most comprehensive exhibition ever presented on the ancient city of Petra and its creators, the Nabataeans. I like it when museums have a website like this: a QuickTime tour of Petra and lots of interesting information to browse through, though short on photos of the collection…makes up for not being able to visit in person, doesn’t it? Check the FAQ’s to find out how come the Museum has so much work by the Nabataeans, and learn that Petra is a Greek word that literally means “rock”.

National Geographic magazine had a wonderful article on Petra in their December 1998 issue, and some of those photos can be seen on their site.

rock art photography

Wood s Lot has linked to Alain Briot’s beautiful rock art portfolio.

Have you seen my earlier posts on the rock art of Utah, the US Southwest, and their damage by acts of vandalism?

If you looked at the links to some of these already beautiful photos, you will see that Briot’s are exceptionally brilliant in comparison. I think that they have been digitally enhanced to bring out the details and colours of these ancient works. The whole site is wonderfully inspiring – enjoy exploring it! (Thanks, Mark!)

Art Daily is back

Zinken posted about a report on the fascinating Creswell Crags, which I have been reading about with great interest for some time, and which led me to the newly returned Art Daily – thanks!

I wrote with some sadness about their closing two months ago, so now I’m pleased to welcome Art Daily back!

Flying stones of Lapland

I have been having an interesting email correspondence with Vyacheslav Mizin, a Russian in St. Petersburg who found my site and wrote to me about his interests and research into Arctic stone cultures. His research trips around the St. Petersburg region, Murmansk region and Karelia are the subject of a report he is preparing for the Russian Geographical Society in St. Petersburg and for a book he is writing. Vyacheslav sees many parallels between the northern European Saami and Canada’s Inuit and hopes to put together a website on this.

He has kindly allowed me to share some of his writing and photos here in the hope that these Russian Arctic megaliths will be of interest outside Russia. (By his request, I have edited the English, but only minimally and I hope correctly.)

“Flying stones of Lapland”: Northern megaliths of Russian Arctic Region.

In the Karelia and the Murmansk region of north-west Russia are many ancient places of power with sacred stones from pre-historic ages. The Saami (Lapps), who are the most ancient Finno-Ugric people of northern Europe, named these stones “seidas”. Their weight can be up to 20 tons, some lie singly, some are in complexes of hundreds of stones. One of the riddles concerning seidas is their similarity with dolmens of Western Europe, Canada and Korea. If these stones were not in the Arctic but instead in England, they would be named dolmens. Near seidas there are often other megalithic forms – stone circles, stone heaps, square “altars”.

In Russia the known seida complexes are on Mount Vottovaara, in the national park of Paanajarvi in the Kuzova Islands in the White Sea. On the mountain seidas were put on other rocks, on marked tracks and in water, and in some places are in lines and circles. Some are located among contorted dead trees and this place is a “place of power”, the centre of an ancient earthquake and with a bad reputation.
Lapland has legends that seidas could fly – that has given it the second name Laplandia – “country of a flying stone”. Another Saami legend is when the spirit departs from a stone, the stone shatters.

Photos by Vyacheslav Mizin:

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left: Note the delicate balance where the top stone actually keeps the lower ones from falling.
centre: A plateau of seidas in the hundreds in the Murmansk region
right: This Vottovaara seida weighs more than 10 tons.

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left: UFO-like seida in the Murmansk region
centre: Vottovaara trees, a Karelian place of power
right: Line of seidas in the Karelian woods on Vottovaara

I also have thought about these connections between the seidas of the Sami in NW Russia & Finland and the inuksuit in northern Canada. I was surprised that Korea was mentioned so he has provided this Korean site. The expression “places of power” seems to be common in discussions of the sacred rock art of the north!

Related to this is an earlier post I wrote on Karelia’s rock art, which has a page on seidas, including these Vottovaara photos (the top right photo here is Vyacheslav’s).

Visit Vyacheslav Mizin’s interesting site which has more photos, but unfortunately for now has little English and is very slow to download, and this site. Thank you for sharing!

Addendum Aug.28.04. Vyacheslav has just sent this newly translated page on Russian places of power.

Addendum Sept.17.04. Still more English pages on arctic megaliths.
(thanks Erika for helping me with the photo placement! )

Rock Art defaced

News from Stone Pages: Rare Rock Art defaced in Utah

Utah archeologists are fuming with the discovery that ancient art has been vandalized. The Buckhorn Pictograph in Emery County (U.S.A.) has been defaced with charcoal and chalk. The Bureau of Land Management is already putting up a $1,000 reward for information on suspects, and plans to try and remove the vandalism this weekend.

The Buckhorm panel is believed to be anywhere from 2,000 to 4,000 years old; the rock art was created by Native Americans in the San Rafael Swell. Now the art has been defaced, someone has written with chalk, “I love you Wendy” it stretches nearly six feet long. In another area someone has used charcoal to inscribe the name Sherrie next to another pictograph.

The rock art is some of the most accessible site for the public to see and is very rare. The vandalism is extremely disappointing for land managers. This site was recently cleared of vandalism in 1995 during a project to restore the rock art. Now the same rock art conservator, Constance Silver is being flown in from New York City this weekend so she can attempt to remove the vandalism without ruining the rock art. The BLM is asking for help in finding who is responsible and is offering that $1,000 reward.
Source: KSL News (4 August 2004)

Regular readers may recall I recently wrote about the fantastic rock art in Utah and the southwest US. I wonder if buckhorn wash* is the vandalized wall?

This kind of news makes me very sad and angry. Such vandals should be hung by their toes!

*link expired and removed

Inuit Places of Power

This is a beautiful and moving site that I came across yesterday in my web research on the art of Canada’s Northern people: The Canadian Museum of Civilization exhibition Places of Power, Objects of Veneration in the Canadian Arctic.

This online version is a selection of the 36 photographs taken by Norman Hallendy, showing extraordinary places and objects in the Canadian Arctic revealed to him by Inuit elders. The images celebrate ‘unganaqtuq nuna’, the Inuit expression meaning ‘a deep and total attachment to the land.’ These incredible sites were revered for countless generations by the Inuit — the Arctic’s first known inhabitants.

From the introduction:

These places are numerous and varied, and include ‘inuksuit’, the stone structures of varied shape and size erected by Inuit for many purposes. The term ‘inuksuk’ (the singular of inuksuit) means ‘to act in the capacity of a human.’ It is an extension of ‘inuk’, human being. In addition to their earthly functions, certain inuksuk-like figures had spiritual connotations, and were objects of veneration, often marking the threshold of the spiritual landscape of the ‘Inummariit’, which means ‘the people who knew how to survive on the land living in a traditional way.’

Enjoy and admire the photographs.

Addendum: Some time later I found this beautiful book:
Inuksuit: Silent Messengers of the Arctic
by Norman Hallendy.

Southwestern US Rock Art

A few days ago I wrote about the endangered rock art of Nine Mile Canyon in Utah. One of the links for sites of images was that of Doak Heyser. While browsing elsewhere, I found a link to Heyser’s Southwestern US Rock Art Gallery, which includes the Nine Mile photos. I also found John Campbell’s Petroglyphs & Rock Paintings. These impressive galleries of numerous high quality photographs of some of the most beautiful artworks on rock have left me enthralled and awed and wanting to share them with readers – enjoy!

Nine Mile Canyon, Utah

News from Stone Pages (July 24.04): Court backs natural gas probe of Utah’s Nine Mile Canyon

A federal judge gave the go-ahead Wednesday for a company to search for natural gas near Utah’s Nine Mile Canyon, renowned for its ancient rock art, ruling that the work would not threaten the ancient etchings. U.S. District Judge Emmet G. Sullivan dismissed the challenge by the Southern Utah Wilderness Alliance to the exploration plans in redrock slot canyons adjacent to Nine Mile Canyon, saying it failed to prove that damage would be done by the gas work.

Seismic exploration, using sound waves to penetrate the earth and search for gas deposits, is already under way in portions of the 57,000-acre project area. If the tests show a likelihood of gas in the area, then the company will file the necessary paperwork to develop the gas reserves. Diane Orr, a Salt Lake City photographer who has climbed and hiked Nine Mile Canyon photographing the rock art panels, said she already can see the difference in the area from the traffic that the exploration has spawned.

In May, the National Trust for Historic Preservation named Nine Mile Canyon area one of its most endangered places in the country because of the proposed gas development. The Bureau of Land Management says Nine Mile Canyon has more than 10,000 American Indian images etched into the canyon walls, making it the richest collection of rock paintings in the nation. Source: Salt Lake Tribune (22 July 2004)

The National Trust site, which has some images of the petroglyphs, states National Trust named Nine Mile Canyon one of America’s 11 most endangered historic places…Located in a remote part of Utah, Nine Mile Canyon is often called ‘the world’s longest art gallery’ as it contains more than 10,000 images carved onto canyon walls by Native Americans. This area is actually 40 miles long. These petroglyphs and pictographs are attributed to the Archaic, Fremont and Ute people begun about 1700 years ago.

The Religion & Ethics Newsweekly has an interview about how the drive for new energy development collides with the obligation to protect a sacred place.

Larry Sasputch, a spiritual leader of the Ute Indian tribe said: They call it rock art, because that’s all it is to them. It’s just like looking at our dances and stuff, that’s entertainment — it’s art, and that’s as far as they carry it. They don’t understand the symbolism. They don’t understand the spirituality. All they understand is what they see…. It’s really how native people think. Everything is connected to the Creator. This here is our church. These cliffs, they’re as high as any cathedral. They’re all natural. They’re what God put here. All those other churches and cathedrals — that’s man-made. This is already here.

Jerry Spangler is an archaeologist who has written a new roadside guide to the sacred sites of Nine Mile Canyon. Like others, he worries that the rumble from the seismic testing and the trucks and the dust will damage the carvings and drawings. He says,’ I think the risk to Nine Mile is too great. [It] is unlike any other place I’ve ever read about, let alone known about. We know of approximately 1,000 sites in Nine Mile Canyon today. We think we have maybe 5 percent identified; that’s absolutely amazing.

More images of the rock art:
by Max Bertola
by D.Heyser
Utah Outdoors