Creswell Crags cave art

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An overdrawn photo of the stag engraving in Church Hole (Photo: Sergio Ripoll).
Found at Zinken, where it may be viewed much enlarged.

For over a year I’ve been reading with great interest about the rock art finds in the caves of Creswell Crags, a limestone gorge in Nottinghamshire, northern England. Further surveys revealed that one cave called Church Hole contains about 80 carvings of animals, dancing women, and geometric patterns, perhaps the most elaborate Ice Age cave-art ceiling ever discovered. The finding proved for the first time that early dwellers of this region were capable of producing artwork similar to that of their Paleolithic (early Stone Age) counterparts on continental Europe, and that cave art is spread across a much wider geographical area than originally thought. Now reports confirm their date as more than 12,800 years old – isn’t that quite amazing?

And to me it proves again what sophisticated artists existed already so very long ago. One day I must go on that dreamt-about archaeological and art tour of the UK (and France and Spain and…) !

Here are several articles about this find but photos do not seem to be widely available yet. If any readers have found more, please let me know in the comments.

BBC, more links provided
Art Daily includes a photo
Creswell Crags homepage
Creswell Crags Virtual tour – I found it disappointing that the rock art itself is not shown.
Discovery News – more photos
National Geographic News August 18, 2004
Guardian April 15, 2004 article ‘Dancing girls and the merry Magdalenian’

interactive digs

Thank you, everyone, for all the lovely get well wishes, I do appreciate them very much. A bad week was followed by another one, still battling bronchitis now with some antibiotics, but I think it can only get better now.

When I started the blog I said to myself I would not talk about politics, religion or health. Broke one out of three, in trying to explain my absence, but I’ll try not to let it happen again.

Did you visit plep today? He lists some interesting interactive digs to the Maya Underworld, at Sagalassos,Turkey and at Pompeii. Have fun!

teaching archaeology

Stone Pages Archaeo News is on my regular reading list. The article below piqued my interest and the wish to share it. It’s copied in its entirety because their articles are not hyperlinked.

Teaching British children archaeology
A Decade ago they would not have known what the word meant, but programmes such as Time Team have filled today’s youngsters with enthusiasm. Wiltshire (England) children as young as five will soon be studying archaeology as part of their school curriculum – and the county’s world-famous landmark, Stonehenge, will help them.

     The Government says Key Stage 2 pupils can go back as far as the Egyptians to learn about history, and in Wiltshire many schools have decided to make use of the ancient treasures on their own doorstep. 22 teachers from around the county took part in a day-long session at Salisbury Museum and were given ideas on how to teach the wonders and mysteries of Stonehenge and archaeology in general. Children will also learn about the King and Prince of Stonehenge, who were laid to rest with their possessions, including fabulous gold earrings or hair clasps, 4,300 years ago. Their discovery near the stone circle at Boscombe Down three years ago was hailed as one of the most important finds of recent decades. Field trips to Salisbury and other Wiltshire museums are also likely, and children in other parts of the county may focus on sites nearer their schools, such as the Avebury circle.

     Amanda Feather, Stonehenge World Heritage Site educational co-ordinator, said: “Children these days are knowledgeable about techniques they have seen on TV and very interested in the whole concept of uncovering the past. They like the idea of becoming detectives and trying to solve the mysteries of the past. Many of them want to be archaeologists.” Last year a Stonehenge Scheme of Work was trialed at Amesbury primary school to support the teachers’ use of Stonehenge in their lessons. Ms Feather said: “This year we are launching the initiative to support all schools in Wiltshire.” Source: Western Daily Press (18 March 2005)

I would love to be in these classes if I were a schoolchild again! Does it seem that there’s a huge growth in archaeology and public interest in its findings? With education through schools, museums and through the internet, hopefully there will be more committment to preservation against vandalism and encroachment by developers. On the other hand, why do looters seem to have a very lucrative market?

Becoming Human

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Are you a bookmarker like me? When I come across some interesting web sites that I don’t have time to read in depth at that moment, I’ll save it into a temp folder. The list gets rather long, so now and then I go through a few of them. Some get saved into properly named folders, some discarded, and some are great to share, like this one – Becoming Human: Paleoanthropology, Evolution and Human Origins. It’s a very well done interactive flash documentary that tells the story of our origins. There is even a section on Culture about our ancestors’ great creativity, their rock paintings, engravings and sculpture.

So get a cup of tea, a comfortable chair, turn up the volume and enjoy! (or bookmark it for future reading, like me!) And sorry, I don’t remember where I found it but thanks to whomever shared it, perhaps another bookmarker.

Australian rock art

Linden Langdon, a printmaker living in Tasmania, has chimed in with a lovely comment on last week’s post Anniversary & Rocks. She writes: “I have put together a flash file of a few photos my mum has taken while she has been travelling in the outback (Australia), which I thought you may be interested in seeing. It is always so stunning to see such similarities and also diversity in such ancient art work – no internet to let each other know what they were doing!”

So over to her blog I went, as I do almost daily, to read about her family’s interest in rocks and rock art (February 8, 2005)* and Linden’s kind mention of my blog. The Flash presentation of Outback Australian rock art is beautiful! Thank you, Linden, to both you and your mom for sharing, and for the compliments!

One of the very great pleasures of blogging for me are the interesting people who have written to me from around the world and shared their similar interests and sometimes their own research and photos, like Linden has today, and also Vyacheslav Mizin of St. Petersburg, Russia. The world has shrunk indeed.

I haven’t really researched Australia’s Rock Art yet, but here are a few links that I have bookmarked if you are interested. If any readers have suggestions and would like to share them, I can add them to the list.

The Bradshaw Foundation has been mentioned before for their excellent work around the world. Check out the “Bradshaw Paintings” for Australia’s art.
Steve Lonker’s page
Auranet, Australian Rock Art Research

*Linden no longer has this blog. She can be found here but the above links no longer exist, sadly.

anniversary & rocks

Well, today is this blog’s first anniversary and what a wonderful ride it has been. Many thanks to all you faithful readers and commentors and the still growing numbers of visitors who have been and are still making this new adventure such a pleasure for me!

It’s like receiving a birthday present to find an email this morning from artist and keen rock art researcher-explorer Loit Joekalda of Tallinn, Estonia. He writes that Finnish photographer Ismo Luukkonen has updated his web site of rock art photos taken in Finland, Sweden, Norway and Portugal.

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Alas stenar, Kaseberga, Skana, Sweden by Ismo Luukkonen

Some of the navigating is a little confusing but this page gives additional direction. New pages include the Traces of the Ancients which “introduces the layered landscape of south-west Finland. In the cultural landscape of the 21st century lie also marks of the prehistoric ages.”

Especially wonderful are the photographs of standing stones in Sweden at Two Tours, one of which I have borrowed above. I’m amazed to learn that there are so many in Sweden. You may also enjoy his other subject matter as well, like the touches series.

Some long-time readers may remember that I wrote about Luukkonen’s site last summer, and about Norway’s petroglyphs with links to some Swedish and Danish ones as well. If you missed them, have a look!

Aztec Empire exhibit

Charles Downey has visited The Aztec Empire exhibit at the Guggenheim Museum in New York (lucky guy!). I highly recommend you read his excellent review if you are interested in the Aztec culture as I am. As he says “For someone who has not yet visited any of the great Mesoamerican sites…”, I’m pleased to see some of these works online, and I envy New Yorkers and visitors who get to see the real thing!

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“Catalogue # 17, fragment of an anthropomorphic brazier, Aztec, fired clay and pigment, 18 by 22 by 9 centimeters, circa 1300 A. D., Museo Universitario de Ciencas y Arte, UNAM, Mexico City.”

Note how immense in scale it seems, yet it is actually quite small, less than life size.

Amongst the additional links that Charles Downey always provides is Michele Leight’s essay for The City Review, from which I captured the above image which is my favourite, (like Downey’s’). Here’s an interesting quote to perk your interest:

The show at the Guggenheim is biased towards the most pleasing aspects of Aztec civilization and it is noticeable that there are far fewer sacrificial daggers and references to human sacrifice in the Guggenheim exhibit than there were at Burlington House; gory as it seemed back then in the tender teenage years, the daggers got and maintained my attention for life, so my only criticism of this show would be the down-playing of the ritual violence that was ever-present in the lives of this particular ruling elite.

The young, who are wise and fooled by nothing, are fascinated by the less tolerant human tendencies in any given culture, and it would not have hurt this show to include more of that aspect of the Aztec ruling class.

As the young know from playground politics and the history books they are required to read throughout their schooling, all cultures have a violent artery, or less than perfect underbelly – not the least of which being the British who used hanging, drawing and quartering well into the 18th century to punish wrong doers and to entertain the crowds who flocked to these barbaric rituals as we might now go to the theatre or rock concerts – this was a good three hundred years after the Aztec empire. I studied the Tudors in depth – and therefore mentally endured many beheadings and gruesome executions – so I have no illusions. To my knowledge the Aztecs never beheaded a queen in public.

It was only recently that the electric chair was put aside as being an unnecessarily barbaric means of ending a convict’s life – but art, in the form of Andy Warhol’s lurid silkscreen images, reminded us of the barbarism inherent in our own civilization, as did those gruesome, jade handled daggers at The Museum of Mankind. They instantly connected my childhood sensibilities with the relentless obsession of all civilizations with death, ritual and punishment. So before anyone gets on their high horse about human sacrifice – which the Aztecs practiced to appease the gods, not as a punishment – check the history books.

Stonehenge book

Here’s an interesting tidbit about Stonehenge found in today’s Arts Journal: Daily Arts News:

Stonehenge Under Attack (For 150 Years) – Debate is roaring over a plan to redo the Stonehenge site to accomodate tourists. But photographs over the past 150 years show that successive generations have meddled with the site trying to make it more “user friendly.

This refers to an article in Guardian: Hundreds of photographs dating back 150 years show how the site has developed in new book: Stonehenge, A History in Photographs by Julian Richards. It is fascinating and appalling how much tourism has impacted on the site even so long ago.

I’d like to see these photos! And the numerous related links in this article will keep me busy. This is timely since a recent mention of Stonehenge in an article about endangered art.

archaeology & anthropology books

As my dear readers know, I’m fascinated by archaeology and anthropology. So, this article in the Guardian caught my eye:

Michelle Paver’s favourite books on archaeology and anthropology. All the listed books, some new to me, make me greedy for them. (Did you know I have a weakness for books, with bookshelves in almost every room in the house but no more bookshelf space?) I will look for these in the library and maybe put some on my wish list for Christmas and birthday, with Return to Chauvet Cave at the top (because I love picture books). But, aah, too many books, too little time!

I’m not familiar with Michelle Paver, who is the author of four historical novels. Her latest book, for older children, Wolf Brother, is the first in the Chronicles of Ancient Darkness series, set 6,000 years ago in the world of the Mesolithic hunter-gatherers.

This sounds remarkably like Jean M. Auel’s The Earth’s Children series. I loved these books. The author has done a tremendous amount of research into Mesolithic and Cro-Magnon civilization in central Europe which, along with her expert knowledge of herbs and plants, made for a fascinating saga of what life may have been like in that period. (Now the secret’s out – I’m also a fan of well-researched historical novels!)

endangered art

There are lots of news breaking stories of new archaeological discoveries around the world, especially in newly “opened” countries like Bulgaria and China, as evidenced on Stone Pages and Zinken for example.

Even in the British Isles, which seem to be one giant archaeological site, finds are still being unearthed. These are always heralded as important treasures to be studied and protected. Then why are we reading about long-existing and well-known sites like Stonehenge and Tara Hill, Ireland being threatened by freeways? Global outrage is mentioned, but it seems to me it isn’t loud enough.

Then there is the wear and tear and vandalism of unprotected sites, like in Africa.

Restoration of the temples in Malta has become a commendable governmental initiative, but why not include those on the island of Gozo?

War-torn nations like Iraq suffer looting of treasures that are turning up in wealthier (and greedy?) Western countries seemingly eager to accept the spoils. I could go on, but I’m getting depressed.

Have a look at Bradshaw Foundation’s gorgeous photos of African art and the temples of Malta, and feel the awe and then the outrage.

Some previous related posts:
rock art defaced
rock art threatened by gas exploration
on South African Art