hands, still

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detail from ARKEO #1

Dave Bonta’s The Animators is an amazing dream story of cavemen creating images of their hands on rock walls. It’s given me an inspirational push to finish a post that’s been on my mind for a while.

I keep thinking a lot about hands and what they do. Hunt, plant, gather and eat food. Cook, clean, sew, build. Touch, hold, caress, massage, love. Hold tools to make, write, create, play. And print and paint hands on rock walls.

As regular readers know, I’m fascinated and inspired by the art of early humans. I’ve written about how common hands in rock art are in many parts of the world, including in Borneo.

In recent weeks, I’ve been also astounded by images of disembodied puppet hands at the Marionettemuseum in Salzburg, Austria, hands of the puppeteer (scroll down the page to see Tina Modotti’s photo), some gloved mannequin’s hands and a digital stop sign with a hand.

In my own work, I’ve experimented with scans of my own hands and have made collagraphs of them to use in one of my prints. Eventually I even printed my own hands directly on prints. And finally, there are the most recent examples using my own hands again in ARKEO #1 and ARKEO #2.

ARKEO series

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detail from ARKEO #2

My latest completed work may now be viewed in my gallery** – please have a look at ARKEO.

Regular readers may find the first one looks familiar. Now titled ARKEO #1, I had posted about in its earliest form, then in a later state. You may find it interesting to compare its development.

I work mostly in series and I usually wait to complete the whole series before I come up with the title. This time I have only three completed pieces to start with but the title came to me readily. However I hesitate to write too much about it in case it will limit the directions that future pieces in the series may take.

As always, I struggle with the words summarizing my work. It’s particularly challenging for me to do so in one or two sentences, such as for this ‘gallery’*. A huge thank you goes to my visiting daughter Anita, a writer and editor, for brainstorming with me last night, helping me to clarify what my work is about and guiding me to a concise way to say it. This morning, it was clear to me that I’m still continuing to explore variations on the same themes as I did in my earlier series going back over more than a decade: messages (Silent Messengers series), connections (Nexus series), paths (Paths series), and transformation, deterioration (Meta-morphosis series) in the context of past, present and future. (See, this is wordy. Hope you like the one in the gallery much better.)

* this newest gallery does not have any statements about the work.
** UPDATE again, re latest 2012 gallery: The ARKEO series may now be viewed in my new GALLERY (link also found on the top of the left bar)

November’s flower

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Assemblage X

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Silent Messengers: Assemblage X

Collagraph on paper and archival inkjet on mylar layers
Layers attached together at top edge
A unique assembled print
28.5 x 35 cm.

Assemblage IX

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Silent Messengers: Assemblage IX

Collagraph on paper and archival inkjet on mylar layer
Layers attached together at top edge
A unique assembled print
35 x 28.5 cm.

Assemblage VIII

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Silent Messengers: Assemblage VIII

Collagraph on paper and archival inkjet on mylar layer
Layers attached together at top edge
A unique assembled print
35.5 x 28.5 cm.

a muddle

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I seem to be putting up a lot of photos that I have used in my prints (such as above from Hornby Island), or think about using in future work. For awhile I’ve been thinking that I should have been putting them into their own special category, instead of having them scattered in various places. One reason is to make them more accessible for me in terms of reference, ie. have I put this one up before and what did I title it? I want them to be separate from garden, travel, visited exhibitions and other photos that I put up here. Sometimes there’s the tricky question of the fine line between what’s an “arty” photo and “just” something pretty – really about it’s future purpose, if any.

After over three years of blogging, I think of better ways I could have organized everything instead of being stingy with my list of categories. But how does one know in advance what category one will be needing? This blog has evolved and grown from a child into an ungraceful teenager. Or, like an overstuffed chaotic closet or granny’s attic that needs to be re-organized. However the digital version feels more overwhelming a task than than that closet or attic. Is there an easy, simple way to add a new category to past posts after the fact without going through each and every post and going mad with the confusion?

Ah, that’s the moaning and groaning of an insomniac. Two hours of sleep does colour one’s world a bit grey. I like things to be organized and when they are not, they come and bite me when I’m too tired. Time for a nap.

Assemblage VII

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Silent Messengers: Assemblage VII

Collagraph on paper and archival inkjet on mylar layer
(Layers attached together at top edge)
A unique assembled print
35.5 x 28.5 cm.

Assemblage VI

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Silent Messengers: Assemblage VI

Collagraph on paper and archival inkjet on mylar layer
(Layers attached together at top edge)
A unique assembled print
35 x 28.5 cm.

Assemblage V

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Silent Messengers: Assemblage V

Collagraph on paper and archival inkjet on mylar layer
(Layers attached together at top edge)
A unique assembled print
28 x 30.5 cm.