Mauricio Lasansky

Lasansky_daVinci.jpg
Mauricio Lasansky: da Vinci 1987 from LasanskyArt

Visiting wood s lot a couple of days ago, two powerful and familiar prints caught my eye immediately for I recognized them as the work of Mauricio Lasansky, even before seeing the name below each. Then I see that he has died this week at the remarkable age of 97 after an amazing life as an artist printmaker.

Lasansky was born in Argentina, and later emigrated to the USA where eventually, in 1945, he became professor (later emeritus) of art and art history at the University of Iowa, where he established a highly respected program in printmaking. He was a very highly skilled graphic artist who used numerous techniques and plates to create his huge prints.

As a printmaker, I’ve been a long time admirer of Lasansky’s work and certainly was influenced by his excellent drawing and graphic style. Some decades ago now, I enjoyed a fantastic monograph about him borrowed from a library; I’ve forgotten the name and must now look for it again. I still remember how very searing, disturbing, and haunting his work is as it dealt with so much of the worst of human conditions. Sadly, I’ve never seen any of his work in person.

Here are two obituaries: a family one in his hometown paper in Iowa and a professional one in the New York Times. To learn more about his art and achievements and see a catalogue of his work, visit his extensive website.

I have mentioned his name in two posts long ago, one regarding Original Prints vs. Reproductions, and one linking to PrintFreak, who wrote about him. I don’t know why I have not written more about this powerful artist before, perhaps because words are not enough.

mirror mirror

mirror.jpg

more play with some of the printed images from the last session in my studio,
now with a mirror… not sure where this is going yet but having fun with it

in the studio

Untitled2.jpg

Half of my studio table is covered with a pile of proofs from various prints as I never like to throw anything away. Today I played with some pieces of prints on paper layered with printed film. I rather like these two. I think of them as sketches that perhaps will see a new life in new work one day, as is or combined with other images and colours in larger works.

Untitled3.jpg

exhibition at CityScape

CityScapeInvite2012.jpg

CityScapeInviteBack2012.jpg

From the Press Release:

A diverse printmaking exhibition by members of the Art Institute of Capilano University that explores a microcosm of dynamic changes occurring in international print culture, especially with regard to the digital revolution.

The exhibition includes a variety of printmaking processes- everything from the classical etching, relief and silkscreen to the more modern photo and digital work, often in combination with each other. Through these processes, the artists explore the surfaces and possibilities of scale, embossments, enamels, rare Japanese Gampi papers and metallic surfaces.

The exhibition will showcase diverse images and concepts- every thing from environmental issues, technology and the human condition to the creative act, music and ecology.

The exhibiting artists are: Hans-Christian Behm, Katie Dey, Wayne Eastcott, Roger Fidler, Peter Frey, Orianne Johnson, Bonnie Jordan, Christel Kleinewillinghoefer, Marja-Leena Rathje, Linda Robertson, Joan Smith, Michiko Suzuki, Francis Tremblay.

Free Artist Talk and Demonstration: Saturday, February 11, 1-3 pm. An artist’s talk and demonstration on relief and intaglio printing plates and process. Please register: 604-988-6844 or exhibitions@nvartscouncil.ca

Everyone is welcome! Our group is excited to be showing in the lovely and spacious Cityscape Community Art Space at 335 Lonsdale Avenue in North Vancouver.

Added later: View these photos of the opening.

twelfth night

frottage3_5Jan12.jpg

inkjet print, frottage and drawing with conte 19.5 x 19.5 cm

Happy Twelfth Night!

Related: Twelfth Day post of 2006

today’s work/play

EtchedCopperplateFigures.jpg

Some readers were curious about the etching I used to make the rubbing yesterday. Here is the deeply etched copperplate, about 12.5 x 28 cm. You may have seen it before though I could not find more than a small section of it.

The etching was originally created for the Meta-morphosis VII group of prints and used again in Nexus Blue IV.

frottage1_5Jan12.jpg

Still inspired to play some more with rubbings and drawings, I did several more today with this copperplate, above and below are the best two. I think I like yesterday’s better – beginner’s luck!

frottage4_5Jan12.jpg

Print Sale 2011

PrintSale2011.jpg
It’s that time of year again, even at the Studio Art printmaking department at Capilano University’s North Vancouver campus. The ever-popular Annual Print Sale is next Monday, featuring intaglio, relief, silk screen and digital prints created by students, Art Institute members and faculty in the Studio Art program. If you live in the Vancouver area, please come and support the students and get some reasonably priced original artworks for some lucky people on your gift list, including yourself!
Here are directions to Capilano University in North Vancouver. Note also the campus and parking maps.
That’s on:

Monday, December 5th, 10 am to 4 pm.

Studio Art Building, Room 104

Capilano University
2055 Purcell Way, North Vancouver, BC

San Severa’s Pinwheels

SanSeveraPinwheelsPhoto.jpg
from photo

SanSeveraPinWheelsPlate.jpg
to copperplate, deep etched

SanSevera'sPinwheels72.jpg
to print

Recently I was rummaging through some of my old etched copperplates and came across this old favourite (centre image). That sent me looking for the few remaining prints that I still have from the edition. I had neglected to document it in my book as it was one of those small prints I would very occasionally make for print sales and for gifts so I had to search in old sketchbooks to recall when I’d made these. It was in the late 90’s during the period I was working on the Paths series.

This sent me on another path to the photo album of our trip to Italy in the fall of 1993 to find the original photo from which the image was created. It was taken on the grounds of an interesting and inspiring Etruscan castle we came across quite serendipitously, San Severa on the west coast north of Rome.

So, I thought some of my curious dear readers might enjoy seeing how a photograph ended up as an etching. If you are interested in a bit more technical information on the process of transferring the image to the plate, please visit this note. When the plate was ready, I inked it in the intaglio and relief method. The dark red-brown ink was rubbed into the deeply etched areas and top face or relief was wiped clean. Then with a hard roller the blue-green colour was rolled on the relief areas. Finally it was hand printed on an etching press onto paper.

Marijke Nap: Life Works

MarijkeNap_Untitled1999.jpg

detail: Marijke Nap: Untitled, 1999
collagraph and silkscreen
image 21 x 32 cm on 40.5 x 50.5 cm paper

While on vacation recently I received a group email about a printmaking exhibition of works by Marijke Nap. How very shocked I was to read “late artist”. I had not seen Marijke in a few years but knew from mutual friends that she had been ill but had not been told of its seriousness or of her passing earlier this spring.

I first met and became friends with Marijke at the Art Institute at Capilano College (now University) many years ago before she moved on to work at other places, lastly at University of British Columbia’s art department. So, this is a fitting memorial to a vibrant and beautiful artist and printmaker who was very involved in the larger printmaking community in Vancouver. She will be sorely missed.

Unable to find a suitable image of Marijke’s vibrant work online to feature here, I chose the above from my collection, the First Folio, a portfolio of prints by several artists (including myself) created in 1999 at the Art Institute at Capilano. Each artist received one portfolio plus there were a few for exhibitions and sales to collectors.

Unfortunately I missed the opening but plan to see the exhibition before it closes May 28th. Please read about Marijke’s life and work and the exhibition, and if in the area visit the show:

Marijke Nap: Life Works
AHVA Library Gallery, Room 112 Koerner Library,
1958 Main Mall, UBC Vancouver
Exhibition runs from May 11 – 28th, 2011, Wednesday to Saturday 12-4pm.

Added much later: a lovely note by Katie Dey at the BIMPE site.

Roger Fidler exhibition

FidlerInvite.jpg

It is my pleasure to introduce friend and fellow printmaker and photographer Roger Fidler. Roger has an exhibition of his photographs, photo-etchings and photoworks opening next Sunday at the Havana Gallery. Everyone is welcome to the opening, details below:

Opening Sunday May 1st, 4 pm – 7 pm
Havana Gallery at the Havana Restaurant
1212 Commercial Drive, Vancouver, BC
The exhibition continues to May 14th
Hours: Sun 10am -11pm, Mon – Thurs 11am – 11pm, Fri 11am – midnight, Sat 10 am – midnight

RFidler_Artichokes.jpg

Here are some of Roger’s words about his work:

Most of my work is photographic in some way. My real interest in photography began some 40 years ago when I lived in the Peace River region of British Columbia. The landscape inspired me to buy my first SLR camera, and I have been taking pictures ever since.

My preference has always been for black and white photography. The graphic image, a step further away from reality has always appealed to me. I often experiment with alternative techniques, and over the last year I have been learning to become a printmaker. I specialise in photo-etching.

The subject matter has changed over the years. My current portfolio falls roughly into three groups: still life, classical sculptural detail, and larger more experimental works.

RFidler_Sculpture-I.jpg