exhibiting in Hungary

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Many printmakers around the world have developed a strong sense of community that is enhanced in part by their participation in some of the many international juried print biennials and triennials.

One of the best and largest is the Krakow Print Triennial held in Poland. They do a tremendous amount of work, from selecting by jury from hundreds of art works submitted by artists from around the world, and organizing the many exhibitions in numerous venues, including travel to other cities and countries. A very good catalogue is published and given to each participating artist.

The photo is showing my two prints Nexus IX and Nexus X as printed in the 2003 Triennial catalogue. Canada did very well with 19 artists taking part and especially with the Grand Prix being awarded to Canadian Davida Kidd.

As I mentioned a year ago, the main triennial show which included my work travelled to Oldenburg, Germany. Recently I learned that this exhibition continued on to Gyor, Hungary for November-December 2004. Now it is in Budapest in several venues. I think my prints have been seeing more of the world than I have!

Unfortunately the Krakow Print Triennial’s website has been undergoing a total reconstruction and most of my previous links in the older posts are now broken, and I will have to go back for some repair work when they have finished. I do hope they will bring back much of the excellent material they had about the past triennials.

Prints from Newfoundland

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Guide and Protector of All the Children (detail), Jerry Evans, lithograph, 2000
(scanned from Burnaby Art Gallery invitation)

The Burnaby Art Gallery has been featuring quite a few print exhibitions this past year and this one sounds the most exciting yet: The Power of Place – 30 Years of Printmaking in Newfoundland is on from January 14-February 27, 2005.

This exhibition includes 50 prints and one artist’s book by 13 artists selected from the archives of the St. Michael’s Printshop in St. John’s, Newfoundland. It is curated by Patricia Grattan, director of the Art Gallery of Newfoundland and Labrador and organized and circulated by that gallery.

The Printshop’s spring 2003 newsletter on their website states:

The Power of Place opened at the Art Gallery of Newfoundland and Labrador on March 14 to explore the role that St. Michael’s Printshop has played in the development of Canadian printmaking practice and to mark its 30th Anniversary. In attempt to select the work for the exhibition from the over 2000 works in the printshop archives, curator Patricia Grattan “chose to focus on individual artists from Newfoundland and elsewhere.” She wanted to show “artists whose work and art practice have been shaped by St. Michael’s, or artists who have helped to shape its operations and objectives (and the influence often has gone both ways). They include its primary founders, visiting master printers, Newfoundland artists who have gone on to earn their master printer chops, artists who also served as shop co-ordinators, board members, and some who are acknowledged as leading Canadian printmakers and print innovators.
… (from Patricia Grattan’s curatorial text.)

St. Michael’s Printshop has played an important role in the development of printmaking in Canada. It was founded in 1972 by artists Heidi Oberheide and Don Wright. At the time, there were no accredited art teaching programs in St. John’s and the studio quickly became, and continues to be, and important element in the development of professional and experimental artists.

The Visiting Artist program is internationally well-known and sought out, and some of my printmaker friends on the Westcoast have taken that opportunity, such as Taiga Chiba and Manuel Lau in 2003.

I am really looking forward to viewing the works of these important printmakers who live or have worked for a while in Newfoundland, on the very far away opposite coast of Canada. For my away-from-Vancouver readers, I’ve found links for all the artists so that you can see some examples of their work, since the exhibit itself, sadly, has no web page and the Burnaby Art Gallery’s listing is very minimal. if you are interested in learning more about printmaking and the history of St. Michael’s Printshop, do visit their website.

The artists: Anne Meredith Barry, Sylvia Bendzsa, Jerry Evans, Helen Gregory, Don Holman, Harold Klunder, Christine Koch, Heidi Oberheide, Sharon Puddester, William B. Ritchie, Otis Tamasauskas, David Umholtz and Don Wright

ADDED: Please see my post with photos about our visit to this show

Tomoyo Ihaya

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Art Beatus is presenting Fountain, a special collection of prints and mixed media works by Tomoyo Ihaya from January 14 to March 11, 2005. The opening reception is on Friday, January 14th from 3 to 6 pm. in the Nelson Square Tower at 108 – 808 Nelson Street, Vancouver.

Tomoyo and I met and became friends some years ago at the Art Institute, Printmaking at Capilano College. Later she went on to do her Masters in printmaking at one of the best printmaking schools in Canada, at the University of Alberta in Edmonton. Tomoyo has won many awards for her work, including the Ernst & Young Great Canadian Printmaking Competition. To see more of her work, have a look at this award-winning piece (pdf). If you are in Vancouver, I hope to see you at the opening!

UPDATE Jan.15.05: I did make it to the opening yesterday afternoon and was glad I went. Tomoyo’s work is always appealing and poetic. Her venture into a new medium with the “little people” installations succesfully melded thematically with her works on paper. Lots of people there. Congratulations, Tomoyo!

a printmaker’s blog

This is why I don’t want to shut off the comments against nasty spammers. Recently Linden Langdon*, a new visitor to my blog, wrote in a comment. I am excited because she is also a printmaker who has a blog. From Hobart, Tasmania (Australia) she has written about the challenges of her final year of art schooI doing lithography and etching. It’s an attractive site with much information on her processes and project. I suggest a visit!

Update: Linden’s original blog no longer exists but she has a lovely website, so the link above has been changed to direct you there.

William Blake

William Blake (1757-1827) “was an artisan in the truest sense: his craftsmanship played a role in every creative aspect of his poetic and prose works. William Blake thought, wrote, prepared, designed, engraved, and printed all pieces his name would grace.”

An impressive collection of 174 of William Blake’s artwork – drawings, watercolours, tempera, etchings and engravings for his famous bookmaking and illustrations can be viewed on Tate Online. These include interesting biographical, historical or technical notes. I’m particularly interested in his printmaking so I’ve selected a few highlights below. (Navigation is a bit slow to get directly to a particular image.)

Image 21-” He developed a technique for integrating both text and image onto a single etching plate for printing. This reflects the intimate relationship he saw between image and text, each being a comment upon the other.”

Image 22-” Blake’s invention of a method of printing in relief from etched plates, first used in 1788, gave him control over the style, production and publishing of his own books. By 1794 he had begun applying coloured pigments to his printing plates and then, as a further development, printing some of the designs in his books as separate coloured images.”

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Newton – 1795/circa 1805 Colour print finished in ink and watercolour on paper – from Tate Online

Image 27 (above) – “The complexity and quality of the colour-printed areas of the rock, and the high degree of hand-finishing applied to Newton’s flesh and hair, show the great technical proficiency he had acquired through his colour-printing experiments from the mid 1790s.”

Images 74 to 107 – Blake “experiments with a new medium; he had never engraved on wood before. Even at the age of sixty-four he wanted to make further explorations in his art.”

Image 152 – “Blake produced about a hundred drawings and watercolours to illustrate the Divine Comedy, and had intended to make engravings of these designs. However, at the time of his death, in 1827, he had completed only seven engravings. These were published later by John Linnell… This is one of the seven engravings.”

More on Blake’s Life as man, artisan, writer, thinker, and on his method of etching & engraving.

Lots of links on Blake’s writing at Wood s Lot, Nov.28th, 2004 – thanks for the Blake at the Tate link!

Taiga Chiba at Baker Lake

Mark your calendars. Master printmaker Taiga Chiba will discuss his experiences teaching printing techniques to Inuit artists in the Canadian North. A slide presentation will be followed by a guided tour of the exhibition Experimental Prints from Baker Lake.

This is at the Marion Scott Gallery, in its new location in Gastown at 308 Water Street, Vancouver, BC on Saturday, December 11th from 2:00 to 3:00 pm. Refreshments will be served.

Do look at the online gallery to see the delightful results of these Inuit artists’ experiments with new techniques. The exhibition is on until January 5, 2005.

Steven Dixon

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Steven Dixon: Mine Site No. 17
photogravure 58 x 70 cm

Master printer, teacher and friend Steven Dixon just let me know that some of his photogravure prints are on exhibition at Lando Gallery in Edmonton, Alberta until December 11th. If you are in the area, you must see them; if not, the gallery website gives us a good look.

Photogravure is an old technique that has had something of a revival, and Steven has mastered it superbly. If you are interested in learning more about photogravure Steven has two sites to recommend:

Kamakura Print Collection is a bit long but has good reproductions and good information.

Lothar Osterburg’s site is good, not quite as detailed but easy to understand.

You might recall Steven’s name because I’ve posted about some of his exhibitions this year as well as the “Traces” exhibition that Steven, Bonnie Jordan and I presented in Pohjanmaan Museum in Vaasa, Finland in 2002.

Annual Print Sale

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The Studio Art printmaking department at Capilano College is holding their always popular Annual Print Sale, featuring intaglio, relief, silk screen and digital prints created by students and faculty members in the Studio Art program. Do come and support the students and get some original artworks for some lucky people on your Christmas list!
That’s on Tuesday, December 7th, 10 am to 4 pm.
Studio Art Building, Room 104
Capilano College
2055 Purcell Way, North Vancouver

monotypes and monoprints

Some of my work in the Veils Suite, such as Child’s Play II, Child’s Play III & Child’s Play IV are made using a printmaking technique called monotype.

The monotype is a singular and unique print that takes its image by painting, drawing, rolling, brushing, wiping… directly on a flat surface such as a metal plate or Plexiglas. This printing element is used to create a new image each time it is passed through the press.

The monoprint is frequently used as an alternative name for the monotype; both are singular and unique prints. However, the monoprint is a unique inking of a printing element with a fixed matrix, such as an etched plate or woodblock.

As Monoprints.com says, they are “known as the most painterly method among the printmaking techniques”. The looser and quicker way of working can be more fun and expressonistic compared to the more laborious and time-consuming traditional printmaking processes. Visit this site for some interesting information and history if you’d like to learn more.

The Smithsonian American Art Museum also has several pages on monotypes, with a focus on American artists. I recommend looking at the quicktime video presentations of the variety of techniques that can be used to produce monotypes. The videos sometimes skipped and stopped for me but the information is still useful, especially for novices to the process.

Also, you might like to revisit my entry about Mohsen Kahlili and look at some of his monoprints.

Jean Morrison & Setsuko Piroche

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Artists Jean Morrison and Setsuko Piroche invite you to their exhibition of print media and objects entitled “the diverse earth”. The opening reception is on Wednesday, November 17th, 2004 from 4:30 to 7:30 pm. The exhibition runs from Nov.15 – Dec.3. Gallery hours: 9 am-4 pm Mon-Fri. At the Studio Art Gallery, Capilano College**, 2055 Purcell Way, North Vancouver, BC

Mark your calendars! If you are in the Vancouver area, do come and see their excellent work. Check back here for updates such as a show description, hopefully.

Read about Jean’s work in this recent post. I hope to do an article on Setsuko’s work very soon. Added later: here it is

(P.S. Isn’t this a gorgeous invitation incorporating images from Jean’s and Setsuko’s work? It was designed by artist Bonnie Jordan, our most super technical assistant at the Art Institute, Printmaking. Bonnie was one of the artists with me in our exhibition in Finland two years ago.)

Update Nov.17.04:
Exhibition Statement:
Our choice of media combines diverse print techniques with the use of natural objects.
Our viewpoint is to celebrate the diversity of life in this world.
Our concern is the world wide human impact keeps lessening the natural diversity on this planet.
What are your thoughts?

**has since become University