death of film

J.T. Kirkland at thinking about art wrote a review of James W. Bailey’s photography exhibit “The Death of Film”, showing at the Fisher Gallery in the Schlesinger Concert Hall & Arts Center, Alexandria, Virginia. Bailey’s work, coined “Rough Edge Photography,” concerns itself with the demise of film photography. His process incorporates the violent manipulation of unexposed film, developed negatives and prints. The results are unique images that can not be duplicated: each “Rough Edge Photography” piece is an original work of art.

James W. Bailey responds, mainly on the issue of his framing. I think Bailey speaks very honestly about his unique work, and why he uses this process, thus giving us a better understanding. Very interesting reading!

Somewhat related previous articles on the state of photography:
end of photography?, Hockney’s view and about “big” digital prints.

rock art photography

Wood s Lot has linked to Alain Briot’s beautiful rock art portfolio.

Have you seen my earlier posts on the rock art of Utah, the US Southwest, and their damage by acts of vandalism?

If you looked at the links to some of these already beautiful photos, you will see that Briot’s are exceptionally brilliant in comparison. I think that they have been digitally enhanced to bring out the details and colours of these ancient works. The whole site is wonderfully inspiring – enjoy exploring it! (Thanks, Mark!)

more Spiral Jetty photos

Last week I wrote about Smithson’s Spiral Jetty re-emerging and about Todd Gibson’s visits there. Hope you have had a look at his series of articles and photos at From the Floor.

Today he came across some photos at While Seated that were taken ten weeks earlier! Have a look at these gorgeous photos and see the difference in the water levels: #1, #2, #3, #4, #5, #6.

Thanks Todd for finding them and sharing.

Phonecam photo art

This is very interesting! Pinseri* (in Finnish, from the land of Nokia!) writes (my translation): “If you belong to the group always dreaming of a more expensive and superior digital camera, take an example from Henry Reichhold. He snaps piles of photos with a cellphone camera and assembles them to create fantastic panoramas.”

Read the BBC News article. Note the comparison of pixels to pointillism. Then look at the panorama gallery*. My favourite panoramas are the Icelandic scenes!

More about the art and the artist Henry Reichhold.

*expired links have been removed

Inuit Places of Power

This is a beautiful and moving site that I came across yesterday in my web research on the art of Canada’s Northern people: The Canadian Museum of Civilization exhibition Places of Power, Objects of Veneration in the Canadian Arctic.

This online version is a selection of the 36 photographs taken by Norman Hallendy, showing extraordinary places and objects in the Canadian Arctic revealed to him by Inuit elders. The images celebrate ‘unganaqtuq nuna’, the Inuit expression meaning ‘a deep and total attachment to the land.’ These incredible sites were revered for countless generations by the Inuit — the Arctic’s first known inhabitants.

From the introduction:

These places are numerous and varied, and include ‘inuksuit’, the stone structures of varied shape and size erected by Inuit for many purposes. The term ‘inuksuk’ (the singular of inuksuit) means ‘to act in the capacity of a human.’ It is an extension of ‘inuk’, human being. In addition to their earthly functions, certain inuksuk-like figures had spiritual connotations, and were objects of veneration, often marking the threshold of the spiritual landscape of the ‘Inummariit’, which means ‘the people who knew how to survive on the land living in a traditional way.’

Enjoy and admire the photographs.

Addendum: Some time later I found this beautiful book:
Inuksuit: Silent Messengers of the Arctic
by Norman Hallendy.

Finnish Rock Paintings

Finnish rock paintings are an unique link to the world of the Stone Age people. The paintings are made 6000- 3000 years ago in vertical rock surfaces. The nearby lake was an important waterway, These pages introduce some of the over 90 rock painting sites in Finland. The photographs are digitally retouched to make the paintings more visible. In nature they are much weaker.

This is the introduction to Ismo Luukkonen’s extensive site of photographs of Finnish rock paintings with accompanying text in both Finnish and English. Ismo Luukkonen is an award winning photographer and teacher with a passionate interest in the ancient marks of Finland’s early people.

Click on the place names in the left navigation area to view the many sites of the paintings. Read about their possible meaning, and how he digitally retouched his photographs to enhance the images, shown with lots of detail! A great site that has captured some of the spiritual feeling of these places!

(Ismo Luukkonen’s site was updated in early 2005, so above links have been adjusted accordingly.)

Edward Burtynsky

Toronto photographer Edward Burtynsky, who has made a specialty of capturing the terrible beauty of destruction, was declared the fourth and last winner of the Roloff Beny award at a reception last night at the Royal Ontario Museum. His book, an exhibition catalogue titled Before The Flood, was chosen the best photography book published last year… Burtynsky took home $50,000… [The book contains] the striking images Burtynsky took of the Three Gorges Dam in China, the world’s largest hydroelectric engineering feat, as it was being built. Read more in the Toronto Star.

Edward Burtynsky has an excellent website showing his works and impressive exhibition history. I really like his artist statement:

Exploring the Residual Landscape

Nature transformed through industry is a predominate theme in my work. I set course to intersect with a contemporary view of the great ages of man; from stone, to minerals, oil, transportation, silicon, and so on. To make these ideas visible I search for subjects that are rich in detail and scale yet open in their meaning. Recycling yards, mine tailings, quarries and refineries are all places that are outside of our normal experience, yet we partake of their output on a daily basis.

These images are meant as metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear. We are drawn by desire – a chance at good living, yet we are consciously or unconsciously aware that the world is suffering for our success. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. For me, these images function as reflecting pools of our times.

an artist’s retreat

Last week my husband and I went to our favourite retreat on the west coast of Vancouver Island, staying in a small, rustic oceanfront cabin near Pacific Rim National Park and Tofino. It had the basic necessities of a small kitchen and bath but no TV, phone or internet. Between many walks on long sandy beaches and rainforest trails, we sat at a table by the window, or outside when sunny, and gazed at the ocean and how it reflected the changes in weather, tides and even a glorious sunset one evening.

In perfect harmony with all the eye candy, we listened to hours of our favourite music, mostly classic, that we had downloaded from our CD collection to our iPod, a Christmas gift to each other. It provided music during our drive, through the car’s speakers, and in our cabin through the cutest portable little speakers (a birthday gift for each other!) with wonderful sound, the Altec Lansing inMotion.

Lots of reading of an eclectic variety kept our minds stimulated and spurred some interesting read-aloud moments and discussions, including:

1. Douglas Todd’s articles in the Vancouver Sun (no longer available) about “A Nobel Gathering in Vancouver”, the visit of the Dalai Lama, Desmond Tutu, Shirin Ebadi, Jo-Ann Archibald, Salman Schachter-Shalomi and host Michael Ingham which included a gathering of Buddhists, Christians, Sikhs, Jews, Muslims, First Nations and others. This was organized by the Vancouver Multi-faith Action Society to allow many to hear the wisdom of these elders who “will offer insights on courage, happiness, community building, liberation, terrorism, ecological survival and the Iraq war” and “how to integrate heart and mind”.

2. Common Era, Best New Writings on Religion, Volume I: is about interfaith dialogue, sexuality and spirituality, ecology and the soul, post-modernism and politics, women’s spirituality and mysticism, by many different authors including Vaclav Havel, Bill Moyers and Allen Ginsberg.

3. Amriika, a novel by M.G.Vassanji, about an Indian-East African student who comes to America in the late 60’s and is caught up in anti-war demonstrations, revolutionary lifestyles, and spiritual quests. The Vietnam era sounded remarkably similar to our current Iraq war era!

4. Sightlines: Printmaking and Image Culture, edited by Walter Jule, is an excellent collection of images and word, gathered in conjunction with the international Sightlines symposium in Edmonton, Canada in 1997, about the printmaker and the print from many angles and in many countries.

We found amazing connections between all these, almost like synchronicity because our choices were spontaneous, unplanned selections from the local public library and home.

Then, there was this ongoing project for this technically challenged photo-based printmaker to learn the complexities (ie. beyond “automatic”) of the digital camera with the help of my very technically minded husband, and I did do some trial shots, but I’m still more comfortable with our old but good SLR! But here’s one of my photos of kelp in the sand, and one of his of the sunset.

kelp.jpg
sunset2.jpg

We also visited a couple of petroglyph sites on Vancouver Island, but I will write about these in another post!

So, the week was a real treat and retreat, good for mind, body and soul.

photography and art

Coincidences posted an interesting article about “Big Prints, the Art-Making Impulse, and Time-Motion Panoramas” that has prompted me to add some comments on his blog and here.

The extra large digitally printed photographs that we now see in galleries have become possible with the growth of very large, high quality archival inkjet printers at a more reasonable price (though still not cheap) compared to the original giclee printers of a few years ago. It has really opened up immense possibilities for artists as well as photographers.

As mostly a photo-based printmaker, I find I am more interested in the photographers that have a unique way of “making” their images, whether it’s with an unusual camera technique or with PhotoShop or something else. While I don’t question the artistic vision of many realistic photographers, my own personal aesthetic, perhaps now a little old-fashioned, is to see the hand of the artist at work in some way, using the camera as a tool amongst many others.

Hmm, this has led me back to some recent discussions about “true” vs. manipulated photography.

Thanks to Coincidences for mentioning my blog regarding conversations about the art-making impulse.

ADDENDUM April 25.04:
Talking about Big Prints, Caryn Coleman wrote a great commentary in The Art Weblog about whether big prints are better….recommended reading!

Hockney on photography

Yesterday I wrote about the Death of Photography debate sparked by David Hockney.

Today I came across MAeX Art Blog’s entry on this same subject and the link for the Hockney interview in Guardian Unlimited.

It really is an interesting debate that concerns all artists who work with photographs, including myself. As a printmaker, I have used dark-room or “wet” process to prepare the negatives or positives for the photo-etchings I created. Later the computer replaced this process and allowed a greater ability to manipulate the image even further. Artists in every medium have always “manipulated” their imagery to portray their own visions.