art, trees & birds

Qeparktree

One lovely day last week, after an appointment in the vicinity, I went to see a couple of art exhibitions on Granville Island that I’ve mentioned here earlier. The first one was the exhibition of fibre art by Kaija Rautianen & Hanna Haapasalo at Crafthouse Gallery. Their computer-aided tapestry technique is fascinating and the works are beautiful. You can still see them until July 2nd.

Vancouver’s own BIMPE IV, an international mini-print biennial exhibition, was most interesting to me personally as a printmaker. (No, I’m not in it as I rarely work this small.) The numerous works (100?) were all very intriguing in many different techniques and kept me occupied looking at them all for quite a while. I recognized some friends and some names and there were works from around the globe. Have a look at the updated BIMPE website for images of the works by the prize winners. (This will be up for until end of July but moving to another location so check the links for info.)

Then husband, taking the afternoon off work, joined me and we had a little picnic lunch on a bench overlooking the boats in False Creek. Lovely! Afterwards we headed over to Queen Elizabeth Park to see the Abakanowicz sculptures (watch for another post dedicated to that!) and to have a walk around the lovely gardens built around a former quarry.

Qepine&Palms

For the first time in all the years we’ve lived here, we went into the Bloedel Conservatory, which amazed us how huge it is. What a wonderful atmosphere in there, full of tall tropical trees reaching to the top of the dome, trees such as figs, palms, and a lovely African Fern Pine with its very soft needles (left of the palm in the photo above) plus gorgeous flowers, and many colourful tropical birds. One beautiful blue and yellow macaw(?) displayed a big temper – he did not like my husband making some bird whistle and so he squawked so loudly that it echoed throughout and set off a multitude of other birds. Only when his human caretaker came to take him onto her shoulder did he calm down. Oops!

Qebirds

Seeing all the huge old trees in the park and the tropical ones inside the conservatory inspired us to take some photos of them and share them with Dave Bonta’s Festival of the Trees.

Dad’s day

Happy Father’s Day to all dads out there! Happy Father’s Day to the father of our children!

I can’t think of anything better than reposting this wonderful poem written by our eldest daughter and designed by our youngest for their father two years ago on Father’s Day.

Click on image to view larger.
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Poem © Anita Rathje
Design © Erika Rathje

self-portrait 2

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Here is my second self-portrait conribution to the self-portrait marathon. As a late-starter because I was away, I’m trying to catch up just a little and must say I’m having fun.

Do go have a look at the fantastic variety of work as more and more are coming in.

thirteen cent pinball

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Photo © Erika Rathje

Our youngest and very talented daughter has caught the blog bug! I am proud to introduce Erika’s blog thirteen cent pinball. Erika is a web and graphic designer and student entering her last year of studies at Emily Carr Institute this fall – have a look at her portfolio. She writes about a wide variety of subjects and offers interesting links such as the very neat one animator vs. animation. Welcome to blogistan, Erika!

In case you missed them, a few months ago I introduced the blogs of daughters Anita and Elisa. I’m very proud of our talented family!

Cornelia Oberlander

7 271 Gerdesphot22

“PICTURING LANDSCAPE ARCHITECTURE”
Projects of Cornelia Hahn Oberlander as seen by Etta Gerdes
Elliott Louis Gallery
West 2nd Avenue, Vancouver
June 6 – June 25, 2006 – Preview: June 6th & 7th
Opening Reception: Thurs. June 8, 6:30 – 8:30 PM

Touring Canada and Germany and presented by the Goethe-Institut Montreal, is an exhibit of photographs by Etta Gerdes detailing the work of acclaimed landscape architect Cornelia Hahn Oberlander.

Oberlander was born in Germany and lives in Vancouver. I recall reading articles about this fascinating woman and her groundbreaking work, particularly her visions of roof gardens on city highrises. Have a look at examples of her work on the gallery pages. Read more about her in Art Daily and about her work in the archives at the Canadian Centre for Architecture. (The same exhibition is being presented there until July 30th, with additional material from their archives.)

Above – Etta Gerdes photo: Lunch break, Robson Square, Vancouver

art in fibre

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Left: Kaija Rautianen, “Birch Landscape”
Right: Hanna Haapasalo, “Great Blue Heron”
Both handwoven Jacquard tapestry, photo credit Ken Mayer Studios

An exhibition by two Vancouver-based Finnish fiber artists is opening tomorrow:

Between the Hand and the Loom – Works by Kaija Rautianen & Hanna Haapasalo
Exhibit: June 1- July 2, 2006
Opening Reception: Thursday, June 1, 2006, 6-8pm
Crafthouse Gallery, 1386 Cartwright St., Granville Island, Vancouver, BC
Artist’s Talk: Thursday, June 15, 2006, 7-8pm,
Carousel Theatre, 1411 Cartwright St., Granville Island, Vancouver
Free Admission. Please register at 604-687-6511

For this exhibition Kaija and Hanna are going to create textiles woven on a computer assisted Jacquard loom. The purpose is to explore and share with the public the possibilities of new technology in hand weaving and to give exposure to cutting edge works in fibre. The pieces will be mostly wall and window hangings with both abstract and realistic imagery drawn from nature.

In Jacquard weaving the image and the structure are locked together and the relationship of the two affects the overall content. The understanding of the structure, materials and the scale is crucial before a visual idea can become art in fibre.

View some examples of Kaija’s work here and here. Kaija is a friend and I’ve seen her wonderful weavings in the past. I highly recommend seeing this exhibition. Unfortunately I won’t make it to the opening to greet Kaija and meet Hanna. Best wishes, Kaija and Hanna!

Jungen at Tate Modern

Some readers may recall an article I wrote about Brian Jungen’s exhibition at the Vancouver Art Gallery earlier this year.

The artist received a great deal of media attention including a mention that he was going to have his work showing at the Tate Modern. Art Daily has a report on that.

Now, thanks to Zeke’s Gallery for pointing to a fascinating interview of Jungen, that to me reveals much more about Brian Jungen’s thoughts and process than anything else I’ve read. Jessica Morgan, the Curator of Contemporary Art at the Tate Modern conducts the interview.

UPDATE: JUNE 11th – Today, reading posts by several bloggers including qB, leslee and Dave who recently got together in Montreal, I also learned that Jungen has an exhibition at the Museum of Contemporary Art in Montreal as well!! How come Zeke did not mention it?

Abakanowicz here!

Magdelenainstallation

This is exciting news, though a bit late – Magdalena Abakanowicz was here in Vancouver last week!

On May 25th one of the preeminent sculptors of our time, Polish artist Magdalena Abakanowicz will unveil the installation of Vancouver Ancestors, her latest work consisting of twenty iron cast, 9 foot tall headless figures. Created specifically for the 2005/2006 Vancouver International Sculpture Biennale, Vancouver Ancestors (shown above) will be the 21st of 23 sculpture installations for the eighteen-month event.

I wish I’d known earlier and I would have been at the unveiling. However her work will be up for almost a year in beautiful Queen Elizabeth Park, and I’m greatly anticipating seeing Abakanowicz’ work in real life for the first time! As regular readers know, she is one of my favourite artists, whom I wrote about only just recently.

The inaugural Vancouver Sculpture Biennale: 2005/2006 will highlight Vancouver’s public spaces with an 18-month installation of major public art sculptures scheduled to begin in June when international works of art from around the world will be installed throughout Vancouver’s public spaces.

Check out the map and the list of participating artists from around the world along with images of their works. Included along with Abakanowicz, are such well-known artists as Yoko Ono, Dennis Oppenheim, and the late Bill Reid. The Biennale continues until April 2007, and is accessible 24/7, 365 days per year and is free for all to enjoy. Did I say I am excited? More to come later…

Arts news in Canada

Fairly new on my daily net reading list is the excellent Arts News Canada*, “a digest of national arts news collected from Canadian sources and updated every weekday”. An exciting item today is about Montreal’s designation as City of Design by UNESCO. In addition to the arts news, on the right side is a long list of very useful arts and culture links.

Furthering the arts theme and providing for an attractive page is the presentation of an image of a work of art by a featured Canadian artist. This changes daily, rotating through the submitted works. There’s a generous offer, free to any visual artist living and working in Canada, to have samples of work posted here. Just submit images according to the submission guidelines*. Recently, I submitted an image for a start, and I’ve just learned that it will appear tomorrow. Now I must send in a few more images.

Founder and editor Marianne Lepa deserves a huge thank you from the Canadian arts community for this great service!

Edited 3Jan2014: noticed that I had forgotten to note that Arts New Canada retired some years ago. Links removed.

art that excites 2

Ninety Five Figures from the Crowd of One Thousand Ninety Five Figures

Magdalena Abakanowicz: detail from the Ninety Five Figures from the Crowd of One Thousand Ninety Five Figures

Anna L. Conti of San Francisco writes a very focused and intelligent blog about her own art practice and about other artists. She is a prolific reader and gallery visitor and this comes out in her interesting posts. The other day she posted a wonderful quote from one of my favourite artists along with a fabulous new-to-me website of her work: Magdalena Abakanowicz.

Abakanowicz’ work has always excited me. As I’ve mentioned before, the first time I saw her work about 20 years ago in a book, her fibre sculptures of figures were burned into my mind as my heart beat with excitement. I was working on my Veils Suite series of wrapped figures at the time, so her work was a powerful connection and inspiration for me. I wish I could find images of those early works of hers.

Amongst the work shown on this site, Space of Unknown Growth reminds me strongly of ancient standing stones which, as regular readers know, are of deep interest to me.

Do read the thought-provoking quote (from a book I must get), of which I’ve copied the last paragraph:

To have imagination and to be aware of it is to benefit from possessing an inner richness and a spontaneous and endless flood of images. It means to see the world in its entirety, since the point of the images is to show all that which escapes conceptualization.