Ihaya and Chang at RAG

Another intriguing exhibition opening this week!

Richmond Art Gallery presents two exhibitions that explore what it means to be a citizen in a global world where identities are ever-changing and fluid.
 
Amy Chang: Donated Organ and Tomoyo Ihaya: Water, Rice and Bowl 
Exhibit Dates: April 26 – June 1, 2008
Opening reception Friday, April 25, 6:30 – 9:30pm.
Artist Talk: Saturday, May 24, 2pm
Curator Talk & Tour: Thursday, May 1, 6:30pm

This exhibition is accompanied by a RAG publication by Ann Rosenberg

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Amy Chang, Organ

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Tomoyo Ihaya, Sketches for Water, Rice and Bowl
 
Amy Chang’s Donated Organ and Tomoyo Ihaya’s Water, Rice and Bowl consider the meaning of global citizenship in a world where elements of basic human survival have become commodities. Chang’s ceramic works take the shape of severed human organs, and call to mind the anonymous and often destitute people who are preyed upon to supply the constant demand for organ transplants. The ceramic organs are also signifiers of life and its cycle, and the tubes that connect some of the organs point to the interconnectedness of human lives. Ihaya’s combination of mixed media works and a documentary film show how water is collected drip by drip, and used in daily rituals such as cooking and washing by families in Ladakh, India. This process of collecting water and its thrifty usage are a reminder of the preciousness of water, which is an essential resource that is increasingly becoming scarce these days.
 
Amy Chang received a Bachelor of Business in Taiwan in 1980. She found a passion for art while working for the Cloisonné Company for eight years, and studied ceramics in a private pottery studio. She received a Diploma of Studio Art from Capilano College in 2003, and completed a BFA from Emily Carr Institute in 2007.
 
Tomoyo Ihaya  received a BA in German Literature at Rikkyo University before attending Mount Allison University’s Fine Arts Program. She received an MFA at the University of Alberta in 2002. She has shown internationally for a decade and has received numerous awards, grants, and residencies. Her work is in collections in Canada, the United States, Italy and Thailand.

Tomoyo and I have known each other many years. With her busy exhibition schedule, she’s been featured in these pages several times.

Michiko Suzuki exhibition

An exciting exhibition featuring the printmaking of Michiko Suzuki is coming up this week!

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Michiko Suzuki: Floating World 1 (Time Like Air)

FLOATING WORLD
April 24th to May 24th, 2008
Opening reception Thursday, April 24th, 6 – 8:00 pm
Bellevue Gallery
 2475 Bellevue Avenue, West Vancouver, BC

These excerpts from the invitation brochure say it best:

Michiko Suzuki is a Tokyo based artist active in Japan since 1975. In 2002, she was invited as a visiting artist in the Printmaking department at the University of Alberta, and then in 2003 was invited as the first artist-residence in the printmaking department of Capilano College, N.Vancouver, BC. There she worked on a collaboration with printmaking faculty Wayne Eastcott. They exhibited the results in 2003, 2005, and 2006 in Tokyo, Japan and Vancouver, Canada.

She immigrated to Canada in 2006 (permanent residence status) and is living and working in Greater Vancouver. This is her first solo exhibition at a commercial gallery in Canada.

This exhibition’s title “Floating world” comes from the Japanese UKIYO-E (referring to Japanese traditional wood cuts). It means “Picture of the present”. UKIYO literally translates as, “Floating world”. Therefore, the theme is “Present life looks like a transient dream.”

Suzuki’s work is based on her perception of a world in which the sense of space and distance is shrinking, not only in the physical world but also in terms of the mental space that people tend to inhabit in a fast-paced urban society. She considers that the demands of contemporary life leave too little space for meditation, or the possibility of contemplating the present moment, resulting in humans being out of balance. As a response to this condition Suzuki incorporates empty space within much of her recent works. (Richard Noyce)

For that reason, Suzuki composes works that include elements of the past, present and future. She also employs another dimension (surreal image) that fits well with her work’s space, and deals with the connection between Reality and Illusion.

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Michiko Suzuki: I Am Suddenly Transported Here

More examples of Michiko’s work may be seen on the Bellevue Gallery site under ‘Gallery Artists’.
Michiko is a friend and a fellow artist working in the same printmaking studio. She has been a subject of several blogposts here regarding her collaborations with Wayne Eastcott:
August 2004
October 2005
September 2006
October 2006

snow artist

It seems that winter, even in mid-April, is still hovering here on the westcoast, for we are in for some freezing temperatures and snow this weekend. It’s been the coldest spring since 1969 and our farmers are worried.

But this inspiring story about a snow artist in northern Finland cheers me.

Artist and University of Lapland Professor of Art Education Timo Jokela, 52, lives off snow and ice.

For Jokela, snow is a muse, a source of endless inspiration to his artistic imagination. “Free material.” Jokela sculpts, saws, and moulds snow and ice. His studios are anywhere in the world, on the fells of Finland, Sweden, and Norway, and most recently in the Austrian Alps, where he was invited by Salzburg’s Kunsthaus Nexus to create a snow installation. Winter art is a budding Finnish export item. Art museums from different continents have placed orders with Jokela at an increasing pace for ice and snow sculptures.

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Photo: Harri Nurminen for Helsingin Sanomat

But the most important thing for the artist[…] is to examine and create winter art as part of the psychosocial well-being of the world’s children. This winter Jokela travelled to the village of Lovozero on the Kola Peninsula, in Northern Russia, where along with his students and the local village schoolchildren he created an enormous snow-park, complete with a herd of grazing reindeer moulded from the snow.

This was a part of a larger Arctic Children project. I also love Jokela’s other beautiful environmental art installations on the spare northern land, so dramatic and making me think that he may be the north Finnish version of Andy Goldsworthy.

sanding disk

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Boogie Street’s Mr Zip, an artist and blog pal in the UK, wrote this on my previous post called rust circle:

Lovely piece of metal, and I can understand why you’ve kept it for so long. When at university I picked up a sanding disk with black patches and scraps of paint attached, which I found similarly attractive, and it’s been hanging on my studio wall ever since. I know it can be used in an artwork somehow, but have yet to find the right way. Meanwhile, I just enjoy it for its own sake.

And he kindly offered these images to me to put up here. Aren’t they gorgeous?! I can just imagine a future archaeologist excited by finds like ours.

Circles, especially man-made ones, have recently figured in some of my work, so maybe I was led to rediscovering my long-saved rust circle…. and receiving another from a reader! Anyone else have similar weathered treasures?

Anne Adams’ art

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Over the past three days, I’ve read two fascinating stories about Vancouver artist Anne Adams who died in 2007. First I read Boléro: Beautiful symptom of a terrible disease in the NewScientist.

Today, I’m looking at the Vancouver Sun’s page and a half feature on this remarkable woman. (The web version is a short one.)

It’s a tragic yet inspiring story of a former University of British Columbia scientist who came down with a rare brain disease later in life, a form of aphasia and dementia that produced spurts of artistic activity. She abandoned science for art, producing a large body of work, most notably Unravelling Boléro, a bar-by-bar representation Ravel’s Boléro (shown above).

Scientists who monitored the progressions of the disease found fascinating new details of how the brain rebuilds other areas to make up for damaged ones.

And here’s the jaw-dropper: Ravel is thought to have suffered from the same condition, which may have drawn him towards repetitive patterns such as the themes that cycle through Boléro. Adams was unaware of this, and of her own condition, while working on her painting.

We can find out more about Anne Adams and her work at her website, including the Book of Invertebrates which was honoured with a full page in the Sun. In addition the Patient Art Gallery website of the Memory and Aging Center of the University of Califormia at San Francisco has some lovely examples including the above image.

With some family history of dementia and Parkinson’s, I sometimes worry what might happen to me in my old age. If I were struck by this disease, will I turn from being an artist into a scientist? Seriously.

Mohsen’s Childhood Dreams

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I’m so pleased to learn that my friend Mohsen Khalili is having an exhibition of his Childhood Dreams series of mixed media works on paper. The opening is from 2 to 4 pm on Saturday April 5th, 2008 at the Jacana Gallery, 2435 Granville Street, Vancouver – a few doors north of Broadway on the west side of Granville Street. The exhibition will be up until April 20th.

Mohsen’s work may be viewed on the gallery’s pages as well as his own website.

You may be interested in reading more about this prolific artist in my earlier posts about his monoprints and his sculpture. I also found this fascinating interview.

I hope to be there on Saturday to congratulate Mohsen in person! I’ve always admired his passion and determination in spite of his serious health issues.

print artists

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Amie Roman: Justice (after Allward), relief print.

As a print artist, naturally from time to time I write about printmaking and about the work of other artists who make prints. (If you are new here, check out the archives under the theme of printmaking.)

For a few months now, I’ve been reading the blog of a printmaker who happens to live in the same part of this world as I do. Amie Roman is based here on the west coast of British Columbia, working mostly in relief techniques, and writes an interesting blog about her processes and inspirations at Burnishings. Have a look at her lovely work which, she writes, ‘reflects upon the natural world and the irony of progress.’ I love her crows, and her latest piece above which she has kindly let me put up here.

Amie is doing an amazing amount of work gathering together information for another site that she calls Squidoo – All about Printmaking. Included is a growing list of blogs and sites by artists who are either printmakers or who discuss printmaking.  If you’re a printmaker and you’re not on this list yet and would like to be, she’d be pleased if you contact her with your link to your site (either a blog or a website).

Congratulations and a big thank you for all your hard work for the printmaking community, Amie. Happy printing!

Sunday afternoon in Burnaby

Yesterday we headed out to Burnaby (a city next to Vancouver) and the Scandinavian Centre where we enjoyed a recital of songs sung in Finnish, Swedish and Italian by a beautiful, rising talent, Finnish-American singer Maria Männistö. Here’s the announcement we received (hyperlinks mine):

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Canadian Friends of Finland, Vancouver presents Finnish-American soprano Maria Mannisto in a recital of songs by Finnish composers Jean Sibelius, Toivo Kuula, Oskar Merikanto and Erkki Melartin.  The program also includes two arias by Giacomo Puccini.

For the second half of the program, Maria will be joined by double bassist Scott Teske performing a selection of beloved Finnish folksongs and tangos.

Winner of 2007 Finlandia Foundation Performer Award of the Year, this talented young singer has performed to great acclaim in numerous cities across the USA, including Washington DC, Chicago and San Francisco.  Maria is director of the Finnish Choral Society in Seattle and organist and music director of the Finnish Lutheran Church.  She is studying operatic performance at the University of Washington under Thomas Harper and recently auditioned for the Metropolitan Opera in New York.

We loved all of it, the Puccini arias the most of course, as well as hearing the Finnish language in song. My husband commented that my late father (a keen amateur singer) would have loved this, I agreed saying my parents were very much in my thoughts. The first half of the program, accompanied at the piano by Terhi Miikki-Boersma, consisted of the more serious music and showcased Ms Männistö’s beautiful voice and range of musical styles. The second half consisted of lighthearted popular Finnish and Swedish songs, with the singer accompanying herself at the piano and with Scott Teske playing a double bass, a curious guitar-like instrument we’d not seen before. It will be interesting to watch her career in opera take off.

Afterwards, because we were in the neighbourhood, we went to the Burnaby Art Gallery to see an exhibition of prints, drawing and paintings by Ron Eckert, recently retired from a long teaching career at Vancouver’s art school, Emily Carr Institute. We liked his looser drawings the most.

As always when we come here, we went for a walk around the lovely gardens and down along Deer Lake. As we returned it began to rain. We drove up to Burnaby Mountain Park. I wanted to revisit the Ainu sculptures, the Kamui Mintara (Playground of the Gods). I have written about them before, how remarkably similar they are to the Northwest Coast First Nations’ totem poles.

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To cap the afternoon, we had a wonderful dinner in the restaurant overlooking the park and sculptures and with a fantastic view west over Vancouver (except we could not see it because the rain turned to snow!). We shared a dessert of a most divine chocolate mousse with pecan crust, mmmm.

Elaine de Kooning

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Elaine de Kooning: Torchlight Cave Drawing 4, 1985
from a portfolio of eight aquatints, Crown Point Press

I’ve written before about Crown Point Press and founder Kathan Brown and their importance in the printmaking field with its famed studio and book publications. In fact, I purchased the book Magical Secrets some time later and have enjoyed it, as well as the accompanying website and blog.

Recently I discovered Elaine de Kooning and some work she had done at Crown Point over 20 years ago. Two things immediately excited me – first I did not know that Willem de Kooning (whose work I love) had a wife who was also an artist. Secondly, this beautiful series of aquatint etchings called Torchlight Cave Drawings is inspired by the cave paintings in southern France. (And you know that’s a subject dear to me!)

The point of departure for Elaine de Kooning’s etchings is the cave paintings near Les Eyzies in the Dordogne region of southern France. The paintings date back to Paleolithic times (10,000 to 30,000 B.C.) and the caves are thought to have been necromantic sanctuaries for the worship of the hunt. The primary subject matter is animals –bulls, stags, mammoth, and bison of a variety that have been extinct for thousands of years. When de Kooning first visited the caves she was captivated by the phenomenally lifelike appearance of the animals and inspired by the aura of magic in the underground enclaves.

More about Elaine de Kooning at Magical Secrets and at wikipedia

Theo Jansen’s Strandbeests

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These are amazing! Theo Jansen is a Dutch artist who creates lifelike kinetic sculptures called ‘Strandbeests’ (Beach Creatures) that move on their own. How come I’ve never heard of him before?

You can hear and see Jansen and his work on the always informative and educational TED website. There’s a good film on YouTube as well, plus an article in wikipedia. A fascinating artist, scientist and engineer all in one!

(Thanks to Erika for this!)