Nick Bantock exhibition

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“URGENT 2ND CLASS”: The Art of Nick Bantock and Book Launch for his new book, Urgent 2nd Class (Raincoast Books) – opening tonight Tuesday, September 7th and continuing until Sept. 26th at the Ferry Building Gallery, West Vancouver, BC

Nick Bantock is a favourite author of mine, with his delightful hands-on collages in the Griffin & Sabine books melded with romance and mystery. This I will not miss, though I’ll pass on the opening, sure to be packed in this charming little gallery by the sea. I recommend it to anyone in the Vancouver area, though it will also tour.

There have been several articles recently about this upcoming show by this successful West Vancouver author. Here’s an excerpt from the North Shore News:

His show at West Vancouver’s Ferry Building Gallery will feature more than 60 pieces including a couple of paintings that were done before he moved to Canada. “It’s going to be a very full show,” he says. “I wanted to do this in a way that was a bit like the old academy where it’s very heavily stacked with lots of different kinds of work. I wanted to create something that people could go into and they could spend an extended period of time in there like an old-fashioned museum – with lots of things to bury yourself in.

The exhibit consists of a wide range of material including originals from the Griffin and Sabine series as well as other work that has never appeared anywhere.

Along with the display of his work the Ferry Building will host a book launch for his latest publication, Urgent Second Class, in which Bantock takes readers on a magical mystery tour through his means and methods. He’s quick to point out it’s not a how-to book – more like suggestions of how people can create their own art.

If you don’t know this unique artist and author, read more about him in the Vancouver Sun, the Straight as well as Nick Bantock’s website.

UPDATE: Sept.10.04 – I went to see this exhibition today and I must say it was very visually stimulating and inspiring. His early drawings reveal his skill as a draughtsman and the early paintings already hint at the mystery and eclecticism of his later collage work. The textures, rich colours including shining gold, and the many partially obscured little images surprise and delight. Many of the works are reproduced in his books, but the originals have to be seen!

man and beast engravings

Eliane at Sellotape Files pointed to Bezembinder who has featured a gorgeous online version of Le Brun’s System on Physiognomy by Morel d’Arleux (after Charles Le Brun).
“The present exhibition concerns a rare and astonishing album of engravings first published in 1806, finely reproducing the set of Charles Le Brun’s physiognomies – comparative drawings of human and animal faces – that had been made over 135 years earlier.”
Hope you enjoy these as much as I do! (thanks, Eliane)

the artist in a gift economy

I am really going to have to get my hands on this book: The Gift – Imagination and the Erotic Life of Property by Lewis Hyde**. I am very intrigued and find the quotes really resonate with me as a lifelong artist who creates because of an inner need, rather than a need to sell (although of course I am happy when I do), and as an artist who blogs to share my thoughts and passions.

Chris Corrigan has been reading and writing about this book periodically since July 20th. On July 26th Chris refers to the introduction of The Gift where Lewis Hyde is writing about how we receive the fruits of artistic gifts:

The spirit of the artist’s gifts can wake our own. The work appeals, as Joseph Conrad says, to a part of our being which is itself a gift and not an acquisition. Our sense of harmony can hear the harmonies that Mozart heard. We may not have the power to proffer our gifts as the artist does, and yet we come to recognize, and in a sense receive, the endowments of our being through the agency of his creation…When we are moved by art we are grateful that the artist lived, grateful that he labored in the service of his gifts.

On August 5th, Chris writes also about bloggers’ gifts:

Bloggers offer immense gifts of time, reflection, engagement with each other’s ideas. My own thinking gets continually pushed and stretched by reading others and trying to respond to them. This quality of gift exchange provides a beautiful and powerful foundation for the community of people who share ideas freely on a myriad of subject areas. When bloggers form communities, it is around the cohesion of those who contribute to each other’s thinking. Don’t miss reading the thoughtful comments to this post.

Read more for yourself about Chris’ analysis of “The Gift” in the posts of July 21st, July 23rd, July25th, and July 29th.

Anna L. Conti also wrote about and highly recommended this book along with another one by Hyde called Trickster Makes This World: Mischief, Myth and Art** (Aug 10th entry). Here are some excerpts:

A few years ago Margaret Atwood wrote a terrific review of these books for the LA Times […]: ‘The artist belongs primarily to the gift economy; without that element of creation which arrives uncommanded and cannot be bought, the work is unlikely to be alive. The Gift is the best book I know of for the aspiring young, for talented but unacknowledged creators, or even for those who have achieved material success and are worried that this means they’ve sold out. It gets at the core of their dilemma: how to maintain yourself alive in the world of money, when the essential part of what you do cannot be bought or sold.’ (Read Atwood’s full review)

Lewis Hyde starts with the premise that a work of art is a gift and not a commodity, and goes on to explain the uneasy nature of the artist’s position in a marketplace economy. He leads the reader slowly and carefully to his surprising conclusion that “gift exchange and the market need not be wholly separate spheres.

Thanks to both Chris and Anna!
(**Available through Abe Books )

Inuit Places of Power

This is a beautiful and moving site that I came across yesterday in my web research on the art of Canada’s Northern people: The Canadian Museum of Civilization exhibition Places of Power, Objects of Veneration in the Canadian Arctic.

This online version is a selection of the 36 photographs taken by Norman Hallendy, showing extraordinary places and objects in the Canadian Arctic revealed to him by Inuit elders. The images celebrate ‘unganaqtuq nuna’, the Inuit expression meaning ‘a deep and total attachment to the land.’ These incredible sites were revered for countless generations by the Inuit — the Arctic’s first known inhabitants.

From the introduction:

These places are numerous and varied, and include ‘inuksuit’, the stone structures of varied shape and size erected by Inuit for many purposes. The term ‘inuksuk’ (the singular of inuksuit) means ‘to act in the capacity of a human.’ It is an extension of ‘inuk’, human being. In addition to their earthly functions, certain inuksuk-like figures had spiritual connotations, and were objects of veneration, often marking the threshold of the spiritual landscape of the ‘Inummariit’, which means ‘the people who knew how to survive on the land living in a traditional way.’

Enjoy and admire the photographs.

Addendum: Some time later I found this beautiful book:
Inuksuit: Silent Messengers of the Arctic
by Norman Hallendy.

alphabet books

Abecedarium* is an online exhibit of lovely hand-made alphabet books by the Guild of Book Workers.

Given only the ‘alphabet’ theme, each participant has created a unique interpretation of the letterform, delivering two- and three-dimensional works in a plethora of materials, from acrylic to cloth, paper to leather, buttons to mylar and other unusual materials. Representing the many facets of the world known as ‘the book arts’, this exhibit includes calligraphy, typography, bookbinding and papermaking in both unique and traditional forms.

Note some of the additional links such as 26 Words by Peter D. Verheyen & Thorsten Dennerline who lithographically printed their illustrations from hand-drawn plates. Their site includes descriptions of several printmaking processes.

(Thanks to plep.)

Actually, when I first read the caption “alphabet books”, I expected to see something like this very first reader (in Finnish) from my childhood:

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*Sadly, this site no longer exists and link has been removed.

ancient pages

A few days ago when visiting Mysterium*, I found this treasure: the Diamond Sutra, a Chinese Buddhist scroll printed in 868 that is the world’s oldest, dated, printed book…. yes oldest! It is featured in the British Library’s website Turning the Pages.

This is a gorgeous site showcasing many precious old manuscripts like Leonardo’s Notebook, some medieval illuminated manuscripts like the beautiful Luttrell Psalter, and my favourite of these, Sforza Hours, a Renaissance masterpiece. All handmade, written and illustrated books or scrolls that are precious works of art… highly recommended viewing!

Admiring all these gorgeous old manuscripts sent me searching in my bookshelves for my own treasure, though only a reproduction, but a good one: The Tres Riches Heures of Jean, Duke of Berry, the 1969 edition, like this one. Here are some pictures from it, as well as some of the story behind it, and still more images at The Web Gallery of Art.

* sadly, Mysterium no longer exists…link is removed

the artist’s childhood

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As a child I loved reading books and fairy tales were my very favourite. My first books were in Finnish written by Finnish authors, but most loved were the tales collected by the Grimm Brothers. This edition, a very well-worn almost 500 page Finnish translation, was the most beloved of them all, perhaps that is why I still have it. One old house that my family lived in for a few years had an attic where I had my very own little artist’s garret, with my papers and pencils and paints and books and my daydreams by the little window overlooking the street.

Grimm Brothers Homepage

(Thanks to Amy at ever so humble* for inspiring this little trip into the past.)

*sadly, this blog no longer exists.

an artist’s retreat

Last week my husband and I went to our favourite retreat on the west coast of Vancouver Island, staying in a small, rustic oceanfront cabin near Pacific Rim National Park and Tofino. It had the basic necessities of a small kitchen and bath but no TV, phone or internet. Between many walks on long sandy beaches and rainforest trails, we sat at a table by the window, or outside when sunny, and gazed at the ocean and how it reflected the changes in weather, tides and even a glorious sunset one evening.

In perfect harmony with all the eye candy, we listened to hours of our favourite music, mostly classic, that we had downloaded from our CD collection to our iPod, a Christmas gift to each other. It provided music during our drive, through the car’s speakers, and in our cabin through the cutest portable little speakers (a birthday gift for each other!) with wonderful sound, the Altec Lansing inMotion.

Lots of reading of an eclectic variety kept our minds stimulated and spurred some interesting read-aloud moments and discussions, including:

1. Douglas Todd’s articles in the Vancouver Sun (no longer available) about “A Nobel Gathering in Vancouver”, the visit of the Dalai Lama, Desmond Tutu, Shirin Ebadi, Jo-Ann Archibald, Salman Schachter-Shalomi and host Michael Ingham which included a gathering of Buddhists, Christians, Sikhs, Jews, Muslims, First Nations and others. This was organized by the Vancouver Multi-faith Action Society to allow many to hear the wisdom of these elders who “will offer insights on courage, happiness, community building, liberation, terrorism, ecological survival and the Iraq war” and “how to integrate heart and mind”.

2. Common Era, Best New Writings on Religion, Volume I: is about interfaith dialogue, sexuality and spirituality, ecology and the soul, post-modernism and politics, women’s spirituality and mysticism, by many different authors including Vaclav Havel, Bill Moyers and Allen Ginsberg.

3. Amriika, a novel by M.G.Vassanji, about an Indian-East African student who comes to America in the late 60’s and is caught up in anti-war demonstrations, revolutionary lifestyles, and spiritual quests. The Vietnam era sounded remarkably similar to our current Iraq war era!

4. Sightlines: Printmaking and Image Culture, edited by Walter Jule, is an excellent collection of images and word, gathered in conjunction with the international Sightlines symposium in Edmonton, Canada in 1997, about the printmaker and the print from many angles and in many countries.

We found amazing connections between all these, almost like synchronicity because our choices were spontaneous, unplanned selections from the local public library and home.

Then, there was this ongoing project for this technically challenged photo-based printmaker to learn the complexities (ie. beyond “automatic”) of the digital camera with the help of my very technically minded husband, and I did do some trial shots, but I’m still more comfortable with our old but good SLR! But here’s one of my photos of kelp in the sand, and one of his of the sunset.

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We also visited a couple of petroglyph sites on Vancouver Island, but I will write about these in another post!

So, the week was a real treat and retreat, good for mind, body and soul.

for the child in us all

Now, this is off my usual topics but I really want to share what I found on Keri Smith’s blog: “If you haven’t been, run don’t walk to Shel Silverstein.com“. I thought I’d have a look and then fell in love with this very entertaining and delightful site of a children’s story writer. You will love it too.

Rock art research

In my research into the history and art of my ancestors, a wealth of information has come from Loit Joekalda of Estonia. He believes the best researcher of the rock art of the Fenno-Ugrians is Väinö Poikalainen, chair of the Estonian Society of Prehistoric Art**, of Tarto, Estonia. The society publishes papers on rock art and folklore to Folklore.

Poikalainen wrote a book review about KALLIOKUVAT KERTOVAT (Pictures on rock are telling) by Pekka Kivikäs (Atena kustannnus oy, 2000. 124 pp. In Finnish.) He writes:

The art teacher Pekka Kivikäs has become well-known for his work as an active documenter and publisher of Finnish rock paintings… the book is aimed at the wide circle of readers interested in the ancient culture of Finno-Ugric regions…Kivikäs considers rock art the silent message of man from behind the thousands of years, to perceive which one needs to relax, listen and see. When we loose the ability to do this, we also loose[sic] the possibility to perceive those near us and our environment.

Folklore has also printed an article by Kivik&#228s (PDF) on the subject.
UPDATE: March 21.05 **link no longer active