reclining figures

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For today, two more extended figure studies from that roll from 1982-83. I think my quicker ones feel livelier and fresher, though of course these figures are not in a lively position. More time sometimes leads to overworked and/or stiff drawings for me. Interesting to look at these with different and more critical eyes.

Speaking of which, I found a watercolour I had done at the age of 17, in grade 11 art class with Miss Hunt. A label on the back indicated it was sent to The Royal Drawing Society’s Exhibition-Competition in England. A sticker on the left front corner says ‘highly commended’. I think it is awful work!

portrait studies

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It’s a slow but enriching process to go through rolls of one’s old drawings, long ignored, poorly stored and in need of photo documentation. I am finding many from 1982 and 1983, years in which I attended some excellent life-drawing classes as an audit student at a local college – just because I missed and craved it but didn’t need the credit. Above are some ‘head studies’ as they were called. Below are smaller studies in pencil with a note on each: ‘perspective head study’. Can you see the faint diagonal lines on the first one below?

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maquettry

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Dancing Owl-Woman
recycled printmaking elements

Please visit a most wonderful, magical and unique collection of maquettes by a diverse group of artists presented as a five-part online exhibition by Clive Hicks-Jenkins on his Artlog!

I am so pleased to be included at almost the last minute in part five. Go see!

Do visit part one, part two, part three, part four. Thank you, Clive!

Here’s my earlier post about my sudden inspiration to try making a maquette for the first time and the encouraging comments to join the maquette exhibition, especially from Clive.

I like that Clive calls this my ‘owl-woman resurrection’. That’s because I cut up (‘cannibalised’ is the word Clive used) prints that were proofs from ARKEO #4 and Silent Messengers: Writing-on-Stone I.

Here’s also a post about the making of the trial proofs for the latter piece, should you be interested.

Writing-on-Stone series

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Silent Messengers: Writing-on-Stone I
archival inkjet and collagraph
76.2 x 50.6 cm.

As reorganization in the studio continues, I realize I also need to do some here on the blog. With the redesign at the end of January, I lost the gallery/slide show (though some stray links to it here and there seem to work and bring it up on the old site). I am eagerly anticipating a replacement whenever my too-busy-with-work family members can manage it.

In the meantime, when revisiting some of my Silent Messengers: Writing-on-Stone series here, I noticed only Writing-on-Stone III appears along with the announcement for the “gallery” and the others are only viewable in the latter.

So I am placing them right on the main blog where the links will find them directly. I hope you will enjoy revisiting them or, if new here, viewing them for the first time as they are works from 2007 (seems like almost yesterday!). Above is the first one, and below is the second in the series. Numbers four and five will be posted later.

Here is some background information about Writing on Stone Park in Alberta and our visit there which inspired these works.

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Silent Messengers: Writing-on-Stone II
archival inkjet and collagraph
76.2 x 50.6 cm.

Please visit my post about the making of the trial proofs for Writing-on-Stone I.

UPDATE: Please view also Writing-on-Stone IV and V

UPDATE 2, much later: The new GALLERY is up (see link on the top left here) and the works may now be viewed there under their series name, though not all the work has been uploaded yet – another work in progress.

more drawings

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I am continuing to go through some rolls of old life drawings and document a few of them. The one on the top here was rolled next to the first drawing I showed yesterday and seems to be of the same model. The lower two drawings are from a roll which does have a date: September 1983.

The light in my studio is not as bright as I wish with our rainy and cloudy days at present so there are strange shadows here and there, some revealing the curves in the paper from being rolled up for so long, even streaks from light exposure coming in at the end of the roll. Though I tried to fix them as best as I could, I rather like the aged look, even if these are not such professional photos.

I know, I should wait for better light conditions but I’m eager to carry on with the tidying and organizing before I lose interest. There are decisions to be made – which to keep, which to discard, and how to store these more safely. Hmm, I do have some new large tubes with end caps and some acid free liner paper to wrap them in. No room in the flat files, sorry, those are reserved for my prints.

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studio update

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As mentioned a couple of weeks ago, I have been reorganizing and cleaning my small home studio to make room for a very large set of used flat files which I’d finally found after years of searching. What a job! Though not finished, the studio is looking much better and my editions have a clean, flat, accessible home, except for one over-sized edition which is staying in its porfolio for now. Though the file cabinet is too high as a working surface, it provides much-needed space to spread out my papers, such as many print proofs, thus leaving the table top free to work on.

It was interesting to revisit my older work as I was organizing them into the drawers. I have now made a start at some of the many rolls of life-drawings on newsprint, stashed in tall boxes in a former bedroom/storage room. Most of these were done in the 70’s and early 80’s when I attended various life-drawing workshops. Drawing and especially life drawing was my favourite class back in art school where we had two days a week of it (you don’t see that anymore in most art schools). What I’ve kept of those are probably somewhere in the bowels of the crawlspace under the house. Being newsprint, these are yellowed, fragile, torn and hard to unroll flat, but I am going to try to photo document some of the better ones. Here is the first, a fairly quick though imperfect study:

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Inspiration hit me a couple of days ago, from admiring my clean studio, the pile of proofs and from Welsh artist Clive Hicks-Jenkin’s blog. Clive frequently makes wonderful maquettes for his various projects which he so generously shows readers. Recently he put out a call for readers to make their own and submit them to him to feature on May 1st. I have never made any and had no plans to start at this time, but the other day, Clive’s post on artist Jodi le Bigre’s stunning maquette must have left a deep impression on me, for lo! I suddenly started cutting up some of my collagraph proofs to create the figure below. It is not a maquette for the paper is too light and I had no appropriate fastenings, but I had fun! I’m not sure what will happen to this creature, maybe it will become a maquette yet, though of course too late for Clive.

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Added May 4th: As I wrote later, my maquette in other poses made it into the five-part online exhibition of maquettry hosted by Clive Hicks-Jenkins on his Artlog!

spring projects

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– potting up tomato seedlings and rooted cuttings of flowers (and taking photos above), getting down close and personal with weeds in the garden

– moving everything out of our bedroom including ourselves, removing 27 year old carpet, painting walls and ceilings, lay down hardwoood flooring

– refreshing this and that in adjoining bathroom after 27 years of use

– found used large flat files at long last to store my prints! painting them when warm (?!) enough in the garage; another coat to cover the original black; rearrange studio to make room, then organize work into these…. hope to be inspired to get back to artmaking in my spring-cleaned studio!

mirror mirror

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more play with some of the printed images from the last session in my studio,
now with a mirror… not sure where this is going yet but having fun with it

in the studio

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Half of my studio table is covered with a pile of proofs from various prints as I never like to throw anything away. Today I played with some pieces of prints on paper layered with printed film. I rather like these two. I think of them as sketches that perhaps will see a new life in new work one day, as is or combined with other images and colours in larger works.

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this morning

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Brilliant sunshine streaming in through windows
Blinding reflections off water
A mood lifter after days of cold stormy rainy
Visit to the dentist for cleaning and checkup
This view as reward, for it never bores
Now to the garden I go…

A reminder: our Institute Printmakers’ exhibition at CityScape is still up, until Thursday, February 2nd. If you live in the area and have not seen it, please do visit. Here are a few photos from the opening.