art & civilization

..this quote from the guardian article “Civilisations are judged and remembered not by their most successful businessmen but by the art they leave behind.” yeah, sounds real nice if you can get over the fact it’s simplistic romanticized pap. perhaps in the sense of pre-history there is some truth in this. it’s hard to tell a businessman from a quarter inch piece of bleached knee bone. pottery and cave paintings are self evident. but once history began to be recorded i’d have to contend the exact opposite is the case.

This was written by the author of the nonist (a new-to-me blog) some time ago in a very thought-provoking rant concerning that ever perennial question, “what good are the arts?” Do read the whole post for he does make some sense while maybe needling the reader. However I really disagree with the above quote.

I think of the Renaissance period as a major example of where business and the arts collaborated to create some of mankind’s greatest art works. The wealthy businessmen and the wealthy churches were the patrons who supported and encouraged artists to create masterpieces for their homes, towns and churches. I guess what we need today are more patrons like the Medici family!

As for whether arts matters to society, I think of the many cities in the world that have great museums, opera houses, concert halls and theatres. Business and tourism thrives in these places, and the money that is made here is then spent enjoying the arts. Can you imagine Paris, Rome, London or New York without the arts?

I agree that many people are not interested in the arts at all, sadly, and I blame their deficient education. This brings to my mind the recent blog Finland Diary by Robert G. Kaiser and Lucian Perkins of the Washington Post who toured Finland to find out why it has the world’s best educational system, produces such talented musicians and architects, and is an economic success. (I blogged about it when it had just started.)

That’s enough of my mini-rant. Dear readers, are the arts important to a great civilization?

Addendum Aug.6.05: Here’s some interesting facts from the Alliance for Arts and Culture:

I think that the manifestation of our culture in terms of our identity is absolutely crucial.
-Prime Minister Paul Martin, on the subject of the Canadian Televison Fund, April29/03

Dollar amount that the arts contribute to Canada’s economy each year: $26 billion
Number of people who attend a live perfomance each year in Canada: 14 million (double the number who attend sporting events)

daily drawing

Danny Gregory at Everyday Matters has written a very inspiring post on the importance of drawing, and doing it every day.

I want to live my life to its fullest and I find that drawing what I encounter deepens my appreciation. While I share my work with others, I make it for me. When I have unusual and interesting experiences like I’m having in Rome right now, my drawings seem to have a wider interest. But my core philosophy is that every day matters. Every single day. The day you meet the president. The day you have a baby. The day you find a special on sirloin at the supermarket. The day you get your shoes back from the cobbler. I find that drawing helps me to commemorate those events, large and small, dull and transformative. For me, that’s the point of art. To deepen my understanding of my life.
Go read all of it!

island time

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We’re back! We’ve had a wonderful little trip to southern Vancouver Island for a few days, visiting family and friends. The weather was in its very best Westcoast summer mode, and we quickly unwound to vacation mood on the beautiful ferry trip over Georgia Strait. We were especially fortunate to get on the ferries without waits in both directions, by traveling Sunday morning and Tuesday evening, thus contributing to the relaxed holiday feeling.

With this gorgeous weather, beaches and backyards were prominent settings for good times spent visiting everyone. We stayed in North Saanich with my husband’s sister, joined by niece and nephew – it was really wonderful to connect again with these very energetic and busy individuals. We also visited my favourite 82 year old uncle and his wife in their Victoria home.

Then there were our dearest friends who have just retired and moved away from our neighbourhood to an old cottage on the water overlooking Cordova Bay, just outside Victoria. We just had to see them and have a tour of their ‘new’ home – what a wonderful view across to the San Juan Islands and Mt. Baker, no wonder they fell in love with this community! It was delightful to stroll along the sandy beach, watch the birds feeding on sandbars and the kids skimboarding, comment on the many styles of homes from old modest cottages to architectural masterpieces (one was an almost windowless monstrosity I must add!) and stop for lunch at the popular beachfront restaurant. Time flies with good friends and dear family!

Of course we took numerous photos, mostly typical holiday pictures of gorgeous scenery and family and friends, but I was really pleased to find and capture some images of interesting weathered rocks that may be useful in my current series of prints, and I might post some later. But for now, above are some highlights of this Westcoast beauty that we are so grateful to be able to enjoy.

distractions

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the first coat

The domestic scene here has kept us very busy lately. We arranged to have the worn-down hardwood floors in the main living areas of our home refinished. In the end it will be lovely but it has been an incredible amount of work to remove all the furniture, the art work, the knick-knacks, the plants, and clean out the fridge – like moving house! Fortunately we’ve been able to settle into a space downstairs formerly occupied originally by my late parents. This entailed taking down linens, clothing, kitchen stuff, personal necessities, and computers of course!

A side benefit of all this work has been the clearing out of unnecessary and no longer used stuff, being the packrats we are! (Maybe that’s why many people move every four and a half years?) Once the floors are dry and hardened, we will take advantage of the cleared spaces and having to wash down everything but the floor anyway, by painting the ceilings and walls. So it will be a few weeks before we are back to living in our normal but freshly renewed spaces.

No, dear readers, there’s not much art being done, as usually happens in my summers with their various domestic and holiday distractions. My little studio is also inaccessible beyond those transforming floors, with no room to work in it anyway with the piles of books on the table and other household stuff on the floor! But I still have my Mac and can still blog now and then to satisfy the creative urge!

a gift

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This morning’s mail brought me an exciting packet from London, England – from artist-blogger pal Karen D’Amico!** I was thrilled to find about a dozen wonderful 18 x 14 cm. black and white photographs of closeups of rocks that Karen had taken herself and offered to me to use in my work if suitable. In addition, she has included a lovely postcard image of one of her works “Burnt Offerings” that I like very much, AND a copy of TANGENT, her newly launched art-zine.

The photos are really beautiful, Karen, thank you so much for your amazing generosity!! I look forward to having them in my image library to use when serendipity strikes as I play around with ideas and materials. Above is my favourite photo that I’ve just scanned in tonight to share with my dear readers.

By the way, Karen and I had an interesting virtual conversation recently that you might like to read, in case you missed it.

** Reedited March 15th, 2013 during a blog tidy-up: Karen has not been at this blog address for some years, so link had been removed. I have now quite accidentally found her new eponymous website: Karen Ay

writers and hoodoos

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Hoodoos near Drumheller – photo by Marja-Leena

A few days ago I found Anita Konkka’s fascinating writer’s dairy. I quickly became absorbed reading the beautifully written entries, in a Finnish that I was able to understand and enjoy easily. (I’ve sometimes been frustrated not understanding today’s slang used by many Finnish bloggers.)

Anita Konkka is the author of many novels, essays, radio-plays, and a dream-book. Some of her novels address the question of Ingrian identity because of her father’s roots (the Ingrian Finns are from around St. Petersburg). Other novels are richly informed by dream studies and diverse cultural mythologies. An English translation of “In the Fool’s Paradise” is forthcoming (Dalkey Archive Press, 2006) which I will definitely look for in the North American market. I must try to get some of her Finnish books in the meantime! English readers will enjoy Anita’s excerpts of her writings at her literary website.

Attracted by her interest in dreams, myths and culture, including that of Russia, I emailed her and was very pleasantly surprised to receive a nice reply. Anita expressed fascination for the hoodoos in my “Silent Messengers” prints and had several good questions, which I think might interest my regular readers too.

What are hoodoos? These are geological formations of weathered rock in columnar or pillar forms and sometimes with caps. The Writing-on-Stone Provincial Park website has a good explanation as does Wikipedia.

Do the hoodoos have native petroglyphs or pictographs? “For hundred of years, the Blackfoot people visited this valley and believed that this amazing place was sacred and the home of spirits. Although it is rare for rock art to be found on hoodoos, there are both pictographs and petroglyphs upon the sandstone cliffs along the Milk River” in Writing on Stone Provincial Park. This is why I am still planning to visit these sites.

Is “hoodoo” an aboriginal word? This question stumped me as I’d not seen anything about its etymology. Googling found another writer, this time Canadian Bill Casselman, a broadcaster and the author of many books on Canadian words, sayings and names. He wrote an interesting story behind the word “hoodoo” and how it has nothing to do with “voodoo” as others have claimed. Here’s an excerpt:

“American aboriginal peoples of the northwest picked up the word hoodoo from English-speaking fur trappers and, like them, used hoodoo to refer to any malignant creature or evil supernatural force. That’s how it came to be applied to the curious columns of earth or rock. For they were thought to be evil in the mythologies of many first peoples. But, borrowing works in the other direction as well. For example, in Siksika (Blackfoot) mythology, the strange hoodooesque shapes were giants whom the Great Spirit had turned to stone because of their evil deeds. Deep in the night, the petrified giants could awaken and throw boulders down upon any humans passing nearby.”

No wonder hoodoos are such an attraction to artists and writers! Thanks to new virtual friend, Anita, for the great questions!

virtual conversations

It’s almost 1:00 am, and I’m up after two hours of trying unsuccessfully to fall asleep. These bouts of insomnia come and go, so I accept it and indulge in a cup of herbal tea, some reading and making notes. My thoughts return to recent email conversations with virtual friend, fellow artist-blogger Karen D’Amico**. We’ve discussed many things that concern artists – art processes, writing proposals, the challenges of making gallerists and curators understand our visions, being authentic, enjoying the variety of views of artists-bloggers and so on.

Here are some excerpts (hope you don’t mind, Karen!):

Karen: “there is room for all different kinds of art, whether it be painting, sculpture, printmaking, photography or conceptual. To me, it’s about looking at the world and making a response… how that is done should not be limited”

M-L: “It’s funny how sometimes I feel my work is very deep and interesting and even somewhat leading edge in technique amongst printmakers at least, other times it seems so conservative! It depends on who looks at my work, whether that person has some knowledge of printmaking or not. Prints are not as highly regarded in the art world unfortunately, as are installation, video/new media and even painting.”

Karen: “understand what you mean about printmaking. i have done very little of it, due to facilities (lack of) in college and then the work went in other directions. i love the hands-on of it though, and really enjoyed monoprinting, which is about as far as i got. then they even got rid of that press – everything is all digital now, which i think is a great shame. i also love the materiality of work on paper. imprinting, making a mark… one of these days i would like to get more involved with it…”

M-L: “Yes, I love printmaking for the same reasons, plus the textures and wide variety of ways to make prints keep it exciting for me. I used to do a lot of drawing and originally fell in love with printmaking because it’s close to drawing. Monoprints are quick to do and closest to painting, something I get into sometimes when I’m in a hurry to get a lot of images and ideas down. Printmaking is darn slow! Though I’m doing some digital prints these days, I still like to combine them with the traditional print techniques to get that textured hand-made feel. I guess the subject matter (rocks) seems to call for it too.”

“Thanks Karen, for confirming my feeling that we must do what we must do, the only authentic way to work.”
As Karen said: “ain’t bloggin’ grand?”

Okay, now I think I’m ready for sleep!

** Reedited March 15th, 2013: Karen has not been at this blog address for some years, so link had been removed. I have now quite accidentally found her new eponymous website: Karen Ay

horoscope

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“Going on a big journey means more to you than anything else right now. Don’t be too concerned with the spoils you could take home at the end of the day. Take time to appreciate what is simple and elegant. Clear your mind.”

I found this horoscope for Aquarius (that’s me) on May 19, 2002 in the daily newspaper that I was reading at the Vancouver airport while waiting to board a flight to Helsinki via Copenhagen. It was the start of an exciting trip for I was on my way to install an exhibition of my prints in Pohjanmaan Museum in Vaasa, Finland. (Read about that in a very early post.)

This horoscope was so very accurate and appropriate that I tucked it into my little travel diary with a frisson of synchronicity. I came across it just now when I went to find a certain forgotten name in that diary. Horoscopes, to me, are just amusements – rarely accurate and often aimed at young singles looking for a romantic partner. THIS one was a brilliant exception, don’t you think?

badlands, hoodoos & petroglyphs

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Hoodoos near Drumheller 1999

We have been planning a short driving holiday through the Rockies into southern Alberta, visiting friends along the way in BC and Red Deer, Alberta. Our ultimate destination, Writing-on-Stone Provincial Park is a place I’ve been wanting to visit for some time. I want to photograph the hoodoos and petroglyphs for my continuing Silent Messengers series.

On a visit to Red Deer in 1999, our good friends took us to see the Hoodoos and the Royal Tyrrell Museum near Drumheller. They were so inspiring that some of those images eventually went into a few of my Nexus series, such as Nexus II and again recently in the first three Silent Messengers.

Some time in the 70’s we first drove through the Alberta “badlands” on the way to northern Saskatchewan, unfortunately in too much of a hurry to stop for photos, but that sight left a lasting impression. Much later, during Expo 86 in Vancouver, that memory was vividly revived by an outstanding Imax 3D film called “The Last Buffalo” by Stephen Low, set in those same badlands. It features the creation of a sculpture, so the artistic theme appealed too; I’ve seen it twice and recommend it highly.

In fact, Tom Montag and I had an email conversation a while ago about the Alberta hoodoos which he’s visited “twice in this lifetime”. Tom said: “I think the hoo-doos at Writing on Stone are more personal; they speak right to you. I think the hoo-doos at Drumheller are more impersonal; they’ll talk to anyone…. if you get what I mean?” Having nothing else better to compare them to at the time, the Drumheller hoodoos still spoke very powerfully to me!

So, we have been looking forward to revisiting some of these unique areas as well as to our first visit to Writing-on-Stone. However, a week ago we heard from reports in news media and friends that there was flooding in this normally arid southern Alberta, and that the Park was closed due to washed out roads. Now we’ve learned that central areas of Alberta are experiencing severe flooding and travel is not advised. I feel empathy for the suffering Albertans, and very sad and disappointed that we’ve had to cancel our exciting trip. Hopefully we can make it later this summer – I really need to add to my image library!

on artists & celebrity

Poking around in my bookmarked “articles to re-read”, I was taken in once again by this Guardian interview of JG Ballard about a year ago. His thoughts on today’s art scene struck a chord with me:

Today’s art scene? Very difficult to judge, since celebrity and the media presence of the artists are inextricably linked with their work. The great artists of the past century tended to become famous in the later stages of their careers, whereas today fame is built into the artists’ work from the start, as in the cases of Emin and Hirst.

There’s a logic today that places a greater value on celebrity the less it is accompanied by actual achievement. I don’t think it’s possible to touch people’s imagination today by aesthetic means. Emin’s bed, Hirst’s sheep, the Chapmans’ defaced Goyas are psychological provocations, mental tests where the aesthetic elements are no more than a framing device.

It’s interesting that this should be the case. I assume it is because our environment today, by and large a media landscape, is oversaturated by aestheticising elements (TV ads, packaging, design and presentation, styling and so on) but impoverished and numbed as far as its psychological depth is concerned.

Moving off topic, I want to learn more about the author and discover there’s a lot of material on Ballard to sift through, but Answers has a nice summary. JG Ballard is the author of numerous books, including Empire of the Sun, which was made into a film directed by Steven Spielberg. It is one of my favourites that I’ve seen twice. Amazingly, the early part of the story has autobiographical elements and makes me want to see this very powerful and moving film again. (Maybe I should read the book too, something I don’t like to do AFTER seeing the film.)