first of December

cardsection.jpgdecem for “ten”. December was the tenth month in the Roman calendar until a monthless winter period was divided between January and February, according to Wikipedia. In Finnish, December is called joulukuu, meaning “month of Christmas”, since about the 18th century. Earlier it was called talvikuu, meaning “month of winter”. (Joulu is similar to “Jule”).

I finished printing my Christmas cards today! Now I will be starting the annual letter writing marathon, first with letters to family and friends in Finland and other places in the world, gradually narrowing down to the long list in North America. I will post the card here closer to Christmas as a virtual card to you, dear readers, so please be patient! But just to tease you, above is a tiny section of it.

When I came home and checked my emails, I learned that Finnish-American blogger sananlaskija (speaker of proverbs) has posted some of my works on her fairly new blog, with some lovely words about my Finnish roots and how that heritage appears in my work! I have been reading her little stories of Finnish traditions and proverbs from the viewpoint of an emigré, as a kind of a sentimental journey for me, recalling my youth and how my parents tried to continue some of the old traditions in the New World. Finnish readers will enjoy her snippets of life in the US and her photos of her quilting and felting projects and her garden. Thanks for introducing me to your readers, Sananlaskija, I’m honoured to be on your lovely blog pages! I wish you much enjoyment with this new project of a blog!

Oh, and thanks to ionarts for the complement on my “snowlace”! If you don’t already read this blog, go over there now – it’s on the top of my daily blog trawl for great articles on music and visual arts!

first snow

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snowlace (rain on snow on skylight)
Our first snow at near sea level and I love it! I keep gazing out the window at the falling thick fat flakes, being hypnotized into a dreamlike state, instead of working. Ah well, it never lasts long here.

an installation photo

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Installation photo of Silent Messengers: Connecting with D’Amico #1-5 (left to right)

Well, I’ve spent many hours getting intimate with the digital camera and an external flash trying to get some decent installation photos of my work. As I’m no expert with the finer points of this technology, it’s been rather frustrating. The conditions in the gallery are difficult to overcome with its different types of lights, bright spots, dark spots, a ceiling that is grey and textured that won’t reflect a bounce flash, and the art work that has a shiny mylar layer. The colours keep coming up wrong, such as the walls which are really a greyish white in real life. So, I’ve resigned myself to offering this pitiful photo of the group of prints called Silent Messengers: Connecting with D’Amico #1-5 in addition to the other one I posted recently.

As I’ve mentioned before, artist Karen D’Amico** of London, UK, and I met and corresponded through our respective artist blogs. She mailed me about a dozen close-ups of rocks that she had photographed. Karen offered these to me to use in my work as I wished. I chose five of them to create Silent Messengers: Connecting with D’Amico #1-5. Thus it became “a borderless collaboration of sorts”, as Karen commented.

I am going to arrange a photo session in the audiovisual centre of the library with proper lights and a high-end digital camera, maybe with a polarizing filter, to take proper photos of each of the new works. Usually I take slides with a regular camera, but more and more galleries are finally accepting digital images on CDs. It will save the step of scanning slides when I need digital files, like for this blog.

All going well, these will get posted here soon and archived in my portfolio under Printworks at the top left. (Then you will get a better look though never as good as the real thing!) If you haven’t already seen them, check out the first three Silent Messengers there. The last ten Nexus series prints, some of which were the first experiments with layering and with full digital printmaking, are also in the show. These are rather scattered in the Nexus portfolio, having been posted in the infancy of my blog.

** Reedited March 15th, 2013: Karen has not been at this blog address for some years, so link has been removed. I have now quite accidentally found her new eponymous website: Karen Ay

Exhibition Photo & Statement

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Installation of Silent Messengers: Hoodoos I to V (left to right)

Artist’s Exhibition Statement

For some years now, my work has been informed by and engaged with the contrasts and tension between connections in the ancient marks made by early humans, (particularly in the areas of my ethnic roots in northern Europe), in Nature’s own mark-making and shape-making (such as the Hoodoos), and in my own use, as a modern human, of new technologies in image making.

The “Silent Messengers” series of prints are the most recent works, the culmination of experiments and research into combining traditional and digital printmaking techniques on paper and mylar as evidenced in the “Nexus” prints also shown here. I have desired to exploit the effect of layering transparent materials to embody a concept of time and continuity of humans and nature.

Referencing ancient rock art in a modern way is my way of acknowledging this long thread of connection with those humans and artists of long ago.

Much of my research is by way of the internet and books, virtual travel in the comfort of my chair. One of many inspiring researchers for me has been Pekka Kivikäs, a keen documenter and author of books on Finnish rock art aimed at readers interested in the ancient culture of Finno-Ugric regions. Kivikäs considers rock art “the silent message of man from behind the thousands of years”. Recently rereading about him and his work, I was struck by that phrase, considering that my current print series is titled “Silent Messengers”.

Silent Messengers
Studio Art Gallery at Capilano College
North Vancouver, BC, Canada
November 16th – December 7th, 2005

Note: In the archives under PrintWorks – Silent Messengers, you may view closer photos of Silent Messengers: Hoodoos I, Silent Messengers: Hoodoos II and Silent Messengers: Hoodoos III. Proper photos of Hoodoos IV and V will be posted later when I’ve taken slides of all the latest new work.

opening night

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Here are just a few photos of the opening of Silent Messengers, my exhibition of mixed media prints which opened on Wednesday evening, November 16th. (I’m the one in the red shirt!) Though many friends did not make it that night, there were quite a few nice surprises amongst those who did. It was exciting to meet in person several people whom I’d met through my blog like Jason, and blogger Jill with Nola, and Linda and Brian who gave me a tiny book Petroglyphs of Quadra Island by Joy Inglis, a reprint of part of The Spirit in the Stone. That book, that is my post on it, was how they found my blog and wrote me about their own visits to the petroglyphs, so thank you for that special gift and for your presence that night!!

It was also great to see Michael Boxall, former editor of Arts Alive, who had done a fabulous interview of Bonnie Jordan and me about our show that was going to Finland back in 2002. He spent a long time looking at the group Silent Messengers: Connecting with D’Amico #1-5, saying those were his favourites.

Thank you everyone for all the great questions and conversations about my work and the very positive feedback. A special thank you to Peter, a fellow artist, for helping me install my work earlier that day. As I wrote earlier it was a very exciting day in more ways than just this opening!

I know these photos don’t show much of my work at all, but I will post some installation shots soon, though I will have to reshoot some of them later.

By the way, if you are in the Vancouver area, haven’t yet seen the show yet and would like to visit it, the exhibition continues to December 7th. If need be, I may be able to open the gallery outside the posted hours if you let me know by email.

post-vernissage

Thanks again to everyone for the wonderful comments and emails these past days, I love hearing from you all! You have told me that you are eagerly awaiting photos of the opening, and I promise they are coming very soon. Life is hectic these days as an artist and as a mother and grandmother, in a happy way. I’m slow because I need to try to correct most of the opening night photos that came out a ghastly green because of the digital camera’s interpretation of the strange mix of incandescent and mercury vapour lights in the gallery. On Friday, I also took some installation photos and have to download and likely colour correct some of these too. I might even have to reshoot some of these.

In the meantime, do read this excellent argument of conceptualist versus sensualist written by Mark Wladika of Newmark Confidential, from the view of “the patrons and supporters of art”. “Our task, our joy is the pure sensual relation to art. We get to simply look and feel and experience, with our brain put somewhere in the background.”

I can strongly identify with this argument as an artist, too. If I get too involved in “thinking” about what my work is about before I do it, I can get stuck with being too analytical or self-critical and not make the work. The key for me is to maintain the emotions and excitement of finding connections in ideas and images, that is, keeping the brain in the background. Later comes the critical analysis of the work and placing it in the context of a greater theme, and finding the right words to describe it. I guess that means that I’m not a conceptual artist, one who begins with the idea and the words.

P.S. Hey Chris/Zeke, if you are reading this – my email reply to you is being rejected as spam!! I want to let you know that I’m not ignoring your email. I tried to write that I love the word “vernissage” much more than “opening”, and yes, it went well, thanks!

a birth day

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Proudly announcing the birth of our second grandchild Niamh Eili, another grand-daughter, a little after midnight November 16th, 2005!

What an unforgettable day! A 12:45 am phone call announcing the birth added to my excitement level and lessened my sleep credit hours for the day ahead. The hanging of my show and having the opening in the evening had me running on adrenalin.

The opening went very well. I was excited to meet several new friends made through my blog, and our eldest daughter surprised us, coming from out-of-town and adding to the excitement.

Warmest thanks to everyone who came and everyone who sent me good wishes here and by email. I will write more about the opening once I’ve downloaded the pictures and gathered my thoughts in a coherent fashion.

Last but not least, of course after the opening we had to go and visit our tiniest, beautiful brand new family member. What a sense of regeneration and continuation I felt seeing her. Some years ago, I remember feeling a sense of loss as our family had shrunk with our parents gone. Now our daughters have partners and another generation is growing. Time to add another leaf to the dining room table this Christmas! Now I need a nap…

Addendum Nov.18th: Baby’s other granddad wrote this welcome!

a reminder

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Just a gentle reminder that my exhibition opening is happening tomorrow, Wednesday November 16th starting at 4:30!

In case you missed it, here is all the information. Everyone welcome!

If you can’t make it to the opening but would like to meet me another day, please feel free to email me when you are coming and I’ll be there.

first frost

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This morning on waking I was startled to see a white coat of frost everywhere! Here on the westcoast we know November is the rainiest month so it’s a visual treat whenever we have sunshine, and when we see the fresh new snow on the mountaintops, and even are blessed with some ephemeral art work on our skylights! Compare this photo to the ones I took last year on December 5th. This year’s frost pattern is different, isn’t it?

This afternoon I went around bringing in the last few potted plants, hoping that they did not get too damaged by the -2C because they were tucked against the house. Being so busy making art this fall, I’ve neglected the fall gardening jobs, which get even harder to do now with the rainy days. The dahlias need to be dug up now that the frost has blackened the tops, and I still have to plant my spring flowering bulbs. Rain is forecast again, but please Mr. Weatherman, let it be sunny next weekend, now that I will have some time at last!

final preparations

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With my printworks finished and ready to hang on Wednesday morning, I had a day of deserved and much-needed rest yesterday. Today I am sorting through my notes, even my blog posts which are a proving to be a very useful archive, to put together the supplementary information for my exhibition. You can see that I am a list person!

1. The curriculum vitae has been updated and is ready to print. Must update the copy on this blog soon.

2. The all-important Artist’s Statement – I’m re-revising this everytime I look at it! I’m starting with this early statement and adding some words by Kivikäs on the “silent message of man”. Because I’m including the last ten pieces of the Nexus series that preceded the current series, I need to say something about their connection.

3. I’m going to put up the five of Karen D’Amico’s original photos that I have used for the series of prints called Silent Messengers: Connecting with D’Amico along with a note about this collaboration-of-sorts.

4. I’m seriously thinking of displaying my copy of the 2003 Finno-Ugric Calendar with a print-out of the excellent introduction by Väinö Poikalainen along with some comments on the influence of Loit Joekalda on my work.

5. A short note of explanation regarding the strange title is underway for Nexus: Vyg and Willendorf to be put up next to that piece.

6. The colour brochures of my work (pictured above) that were printed to accompany the 2002 exhibition in Finland have been updated with a stick-on label with my new email and weblog addresses. Though the examples of work are older and not in this exhibition, the brochure is still an attractive “take-home” for visitors since I still have a couple of hundred of them as it was cheaper to print in large quantity.