The Colour Museum

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With some pleasurable lazy time after the Christmas festivities, I’ve had a chance to browse through some of my long list of bookmarks. Artist Anna Conti posted a while ago about the The Virtual Colour Museum, which is taking some time to delve through! Even though I’m an artist, I must admit there is a lot of colour theory that I don’t know. (I’m not very theoretically inclined.) I grew up with Johannes Itten’s primary red-yellow-blue colour wheel (above image), as did most of us, I think. Then came exposure to other systems including Pantone and CMYK colours with printer technology. I hope you also enjoy this amazing in-depth site, including the interactive virtual colour-space by Runge.

winter story 2006

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I’m very proud to share my grand-daughter Lael’s 4th annual Winter Story, done with a little help from mommy and daddy, of course. It’s now on a special blog so you can see the past winter stories as well, should you be a new reader. Enjoy!

Our family will soon be gathering together in our home. We will have our Christmas Eve feast followed by carolling by the piano while we await Santa’s arrival. He always comes to the homes of Finns and Germans first, you know.
Merry Christmas everyone! Iloista Joulua kaikille!

love, peace & joy

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To all my readers
Happy Christmas, Hauskaa Joulua,
Frohe Weihnachten, Joyeux Noël and Happy Holidays!
Love and light, peace and joy this season and always.
If you are travelling over the holidays, keep safe and warm.

the longest night

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Photo from inside the chamber at Newgrange, Winter Solstice of 2004, by Alan Betson

Once again in the northern hemisphere it is the winter solstice – the shortest day and longest night of the year, the first day of winter. It amazes me how very many cultures around the world have celebrations around this time. If I were able to choose a special and ancient way to celebrate, I’d go to Newgrange.

Instead I’ll be happily continuing preparations for Christmas here at home, looking forward to Joulu (Finnish for Christmas). I baked Christmas bread yesterday, and today I’m making two kinds of cookies. Then there’s the house to clean and food to restock and prepare for the feasts. We take immense pleasure in the lights of candles, wood fires and Christmas light strings to brighten these long dark nights.

Happy winter solstice to all, however you may celebrate!

(See my previous posts on the solstice in 2005 and 2004)

Healthy Artist Guide

I blogged a couple of months ago about Toxic-Free Artists via the Toxic Nation E-News here in Canada. Today, I received the December issue. (Sorry, I see the whole online version doesn’t seem to be up on the web just yet, it’s coming up with the November issue). Most interesting and useful to artists is the follow-up The Healthy Artist Guide to a Less Toxic Studio. A must read!

In my many years of art practice as a student then artist, I’ve exposed myself to an alarming amount of toxic artist materials. In art school I worked with plaster for sculpture, with oil paints, varnishes and turpentine, and with etching acids and solvents to clean printing inks. Later I’ve worked with ceramic glazes, batiking dyes, acrylic and watercolour paints, glues and other items listed in the guide. Then as a dedicated printmaker I used more acids, darkroom chemicals and solvents. I’ve always used rubber gloves because of sensitive skin but haven’t always used masks, trusting the schools’ and studios’ ventilation systems if they were there at all or as good as they should have been.

As home renovators too, we’ve used various paints, varnishes, drywall and wood fillers and nasty cleaning products. I shudder at all my exposure to toxins – it’s no wonder I was tested to have heavy metals in my body! Nowadays ventilation and safer materials and their use in educational institutions have improved greatly. I don’t do printmaking or painting at home. I’m fortunate that I am able to do digital printmaking, by working initially at my home computer and then printing at the studio. Instead of etchings, I now make collagraphs and I may do some drypoints again sometime. The studio now has the less toxic ferric chloride in use in the event that I succumb to a temptation to etch. I still have to use solvents minimally for cleaning but do so under very good ventilation. Awareness is now key.

If you are an artist, craftsperson or even a home decorator, I recommend looking at this checklist. What changes have you made to reduce your exposure to toxic materials?

ADDENDUM Dec.17th, 2006: I just remembered an interesting article about oil paints I’d read from a brochure once, which I don’t have, but this article has some of that information. It might be helpful to those of you who paint with oils. They may be safer than acrylics if you use the safer solvents. I suggest searching the Gamblin site if this interests you.

savouring

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writing letters and cards, until cross-eyed
watching high winds tossing our huge trees, worrying
admiring the little garden lights in the early darkening
listening to favourite Christmas music, heart singing
putting out a few Christmas decorations each day, savouring
looking at charming Finnish Christmas pages*, remembering

*link expired and removed

trial proofs

I’ve had several readers express an interest in seeing the development of a print after I wrote about my excitement when the first proofs came through the wide format inkjet printer. This feeling is true no matter what type of prints one works on, from the wooden-spoon-rubbed linocut one does in grade school to the finely etched copperplate, and other printmaking media. Proofing is an essential process as I hope you will see in the following descriptions and photos. The photos are of the same piece shown in detail in the above linked post.

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The first photo shows the first trial print that I took of a collagraph that I made to be printed on top of an inkjet print. This one is printed on plain white art proofing paper.

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The second photo shows the collagraph printed over the top of the first proof of the inkjet print of the rocks, done on non-coated art paper. The inkjet print looks washed out.

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For the third proof, I switched to a coated inkjet paper for the rock print. Do you see how the colours just pop out and the blacks are deep and velvety (okay, the photo isn’t that great.) I printed the collagraph on top of this, paying a great deal of attention to how it’s inked and wiped, compared to that first proof.

I’m quite excited by this one. In fact, I realized that it is a complete piece without a printed transparency layer over it which I’d originally planned to do (and have been doing with the earlier Silent Messenger pieces). The work spoke to me just the way it is, and I had to respond to it, rather than forcing my initial plan on it.

Because I was having problems with the inkjet paper tearing a bit on the embossings in the collagraph, I’ve been doing numerous tests to figure out how long the inkjet printed paper had to be soaked in water, the ink consistency, and the pressure of the printer roller. Of course, us artists are always the first to try something different with new material, in this case to subject papers meant for inkjet printers to the rigours of a highly embossed collagraph and a traditional printing press!

Today, I had a breakthrough, so now I will be able to carry on and edition the first two of the series that are ready. That may not be until January as I will be taking a break from the studio over the holidays.

Readers, I do hope this gives some understanding of the process. Please feel free to ask questions!

snow graffiti

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After the last snow storm, the rain never did come to wash it all away. Instead the snow melts slowly in the day and freezes again at night. The afternoon sun shone gloriously on all the whiteness. I felt inspired to do a little graffiti on the sparkling pristine canvas on the deck.

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Qarrtsiluni, should any readers be unfamiliar with it, is ‘an experiment in online literary and artistic collaboration’. The title comes from an Alaskan Inuit word that means ‘sitting together in the darkness, waiting for something to burst.’ Submissions are welcomed from everyone. The themes change every month or two as do the guest editors. Qarrtsiluni’s current theme is “First Time”.

I’m happy to note that my submission “First Love” is up, so please go have a look. And do read through the excellent writing, sometimes accompanied by artwork and photographs. Consider submitting some of your work!

rain on snow

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This may be the last snow photo for a while. Oh, it’s been snowing here again since noon. However rising temperatures will change it to rain soon, according to the weather forecast. Our short-lived white wonderland will be washed away and it will be a dreadful wet mess as the rain saturates the piles of snow and creates flooding. Yuck, I dislike rain on top of snow.

I spent today working at home on my Christmas card design, so tomorrow I really want to get to the studio to print! We will see in the morning….where are my rubbers?