Power of Art series

Guernica.jpg
Picasso’s Guernica

This looks to be very exciting: Simon Schama’s The Power of Art series is beginning tonight on PBS TV in North America.

The power of the greatest art is the power to shake us into revelation and rip us from our default mode of seeing. After an encounter with that force, we don’t look at a face, a colour, a sky, a body, in quite the same way again. We get fitted with new sight: in-sight. Visions of beauty or a rush of intense pleasure are part of that process, but so too may be shock, pain, desire, pity, even revulsion. That kind of art seems to have rewired our senses. We apprehend the world differently.

Art that aims that high – whether by the hand of Caravaggio, Van Gogh or Picasso – was not made without trouble and strife. Of course there has been plenty of great art created in serenity, but the popular idea that some masterpieces were made under acute stress with the artist struggling for the integrity of the conception and its realisation is not a “romantic myth” at all. A glance at how some of the most transforming works got made by human hands is an encounter with “moments of commotion”.

It’s those hot spots in which great risks were taken that The Power of Art brings you. Instead of trying to reproduce the un-reproducible feeling you have when you are face to face with those works in the hush of the gallery or a church, the series (and the book) drops you instead into those difficult places and unforgiving dramas when the artists managed, against the odds, to astound.

– from the BBC site for Schama’s The Power of Art. It was shown in the UK last fall.

Artists featured in the series are Van Gogh, Picasso, Caravaggio, Bernini, Rembrandt, David, Turner and Rothko. More at this PBS page, and here are some short video previews.

Check your local schedules, please. I am really hoping that the Vancouver print TV schedule is correct that the first two parts will be aired at 9 and 10 pm tonight, coming from Seattle, as I’ve been getting conflicting information online. I’ll program the VCR in any case.

Thanks for the alerts from Art Biz Blog and Art for a Change.

UPDATE 9:00pm. Dang! It’s not on here. Looking at the PBS site again, I think it’s offered only on digital stations at this time. I’ll have to keep my eyes out for when and if it appears on plain cable. I’d love to hear from readers who do see this program.

June green

wetdeck.jpg

June is often a wet month here in the Vancouver area and this year it’s been even wetter than normal, as has been this year so far. The last two weeks of May were dry and I got much of my planting done, but not quite all of it. During rare dry moments since, I’ve been out there staking tall perennials flattened by showers. I’m capturing slugs and snails feasting on moist and succulent plants, some of which will have to be replaced with new ones, sigh. The weeds are growing too. Yet all is so very beautiful, lush and green like a tropical jungle (but cooler) that I can’t help being swept in by the heart-filling beauty of this world. So, instead of feeling blue, I’m feeling overwhelmed by green.

As I’ve been composing this, I’ve been visiting a few of my favourite blogs. Dave at Via Negativa wrote a lovely post with a link to a poem that swept me away with its bittersweet beauty and seemed so timely with my own – Federico GarcĂ­a Lorca’s Romance Sonambulo. Here are the first few lines:

Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver
.

mandevilla.jpg

(The photos were taken this morning while it was raining and I was tidying my studio – one outside, one looking through from my studio corner window into the solarium. I should have gotten something ‘green’ but at the time I didn’t know what my post’s title was going to be.)

catching up

This blog has taken a back seat for a few days while I’ve been enjoying a visit from our eldest daughter. She lives with her partner some five hours by car northeast of Vancouver in a tiny community, half an hour east of a small city. So, shopping in the big city is important for her. I’m not much of a shopper anymore but I did go with her to Ikea. She’s still in the home making and decorating stage of life, while we need very little. Still, I oohed and aahed over many lovely things with her.

I bought something we did need though – several large glass storage jars with those rubber seals on the lids. We had a major moth infestation in our grains containers last year that I wished to avoid a repeat of this summer. I’ve also been concerned about chemicals leaching out of our present storage containers, the tin canisters from the beginning of our married life plus various plastic ones. So these seem to be an excellent alternative.

Well, as soon as daughter left, a chain reaction began in the kitchen, as you may imagine. Because the jars were too tall for the drawer where the old containers had resided, rearranging became necessary. Wash the shelves and the new jars, let dry. Transfer the grains and sugar. Arrange the jars on the shelf. Store the bowls, sieves and other kitchen paraphernalia in the drawer. Wash the old containers and recycle. Clean the kitchen. Now I must bake something!

Oh, I know this is boring and has nothing to do with art, but some artists still have kitchens, hmm? And I did capture an image…

kitchenjars.jpg

But wait, I must tell you about what’s on at qarrtsiluni, which always features wonderful writing by many master word crafters. Today’s entry Facing Impermanence by Rachel Barenblat is a must-read, truly beautiful and very moving. I’d read it before on her blog and am happy to reread it today. Rachel also wrote a wonderful post about qarrtsiluni’s current theme on her own blog, which saves me the trouble.

While I struggle with words, I love image making, so I’m very pleased that the editors chose to publish my old post, scanning.

reflected views

reflection1.jpg

reflection2.jpg

As I go about my work around the house this rainy day, I stop for quick breaks at my desk to check on messages, news and a few blogs. In a pensive moment, my eyes lifted up to the art work above this screen and was struck by the reflection in the glass. Seeing a familiar view in a different way from a less familiar angle has made me pause with renewed deep appreciation for the beauty around me. A reminder in a busy day to pause, ponder and reflect.

What is the view like from your desk?

myDesk.jpg

gardens, woodpiles, rain

woodpile1.jpg

Happy and exhausted from gardening
‘Twas 34C (93F) yesterday
He cleaned the woodpile
Textures intrigued the artist

woodpile2.jpg

Wonderful scent of rain in summer
Gentle and warm, first in two weeks
Remembering childhood summers
Standing in the rain in a bathing suit

woodpile3.jpg

gardens and bees

frontgarden.jpg

The first half of the month of May was cool and showery. Last week was very pleasant, a comfortable temperature for doing the garden work, the busiest time of year. But this week it’s suddenly very hot and I am struggling to get it all done. Any newly planted annuals or transplanted perennials are suffering and wilting easily. I’m wilting too as it’s too warm, too fast. This afternoon when I stopped for a break, I checked our thermometer on the west side of the house, though it was still in shade – it read 28C (83F).

I’ve noticed that we have a lot of bees on our garden, what we fondly call bumblebees with the fat furry tiger striped bodies. I tried catching a photo of them feeding in the chives flowers. Here’s one in flight, enlarged.

bumblebee.jpg

Curious about the name, I learned that they really are called bumblebees and even have their own website, bumblebee.org! After reading this spring about bee colonies dying by the thousands, I’m really happy to see them around here. Perhaps they are organic bees, which have not been decimated like the others.

found art (1)

waspnest1.jpg

a magical find in our backyard, under the magnolia tree…

waspnest2detail.jpg

looking through the scanner lens, closer

waspnest3aDetail.jpg

and closer, enthralled by the delicate weaving

waspnest3bDetail.jpg

like that of the finest master weavers…

a muddle

HornbyBabyrock.jpg

I seem to be putting up a lot of photos that I have used in my prints (such as above from Hornby Island), or think about using in future work. For awhile I’ve been thinking that I should have been putting them into their own special category, instead of having them scattered in various places. One reason is to make them more accessible for me in terms of reference, ie. have I put this one up before and what did I title it? I want them to be separate from garden, travel, visited exhibitions and other photos that I put up here. Sometimes there’s the tricky question of the fine line between what’s an “arty” photo and “just” something pretty – really about it’s future purpose, if any.

After over three years of blogging, I think of better ways I could have organized everything instead of being stingy with my list of categories. But how does one know in advance what category one will be needing? This blog has evolved and grown from a child into an ungraceful teenager. Or, like an overstuffed chaotic closet or granny’s attic that needs to be re-organized. However the digital version feels more overwhelming a task than than that closet or attic. Is there an easy, simple way to add a new category to past posts after the fact without going through each and every post and going mad with the confusion?

Ah, that’s the moaning and groaning of an insomniac. Two hours of sleep does colour one’s world a bit grey. I like things to be organized and when they are not, they come and bite me when I’m too tired. Time for a nap.

beach art

hornbybeachart.jpg

still too busy for words
so, an offering
another photo from my collection

interview, revisited

Two years ago on May 11, 2005 I wrote:

Melanie McBride of chandrasutra felt that Big Media has been misrepresenting bloggers and decided that it was time we spoke for ourselves and let them (and everybody else know) who we actually are, who we link to and why we blog. She decided to do an interview series by bloggers about bloggers to publish on chandrasutra. She sent out questions to a selection of bloggers she read, from well known to lesser known bloggers, men and women from different walks of life. Now I’m excited that Melanie has posted her interview of me. I feel very thrilled and honoured to be included with such a distinguished group of bloggers! Many thanks, Mel!

Melanie took an extended blog vacation last year though chandrasutra remained online. On 23rd November, 2006 (it was still up in my RSS reader), she wrote this hopeful note: “Boy do I miss blogging. Every day there’s stuff to write about. But it’s a matter of having the time, even a few minutes, to say something moderately worthwhile or insightful. I hope to resume posting now that I am done with the project that has taken all my time over the past month.” Later I was saddened to find that her site had gone offline. (I miss you Mel, where are you?)

Thankfully I had made a screenshot of Mel’s page of the interview of me and saved it as a PDF. I like seeing it in the original context with the images and comments included. Below is a transcript of the interview, with some minor editing of small errors, likely my own, and making some of the links active. I found it interesting to read it again and see what has changed (not much). So this is all for the sake of updating and preserving the archives (and my vanity), but I hope newer readers will enjoy this.

The blogger’s blogger: an interview with Marja-Leena Rathje

Finnish-Canadian artist Marja-Leena Rathje is a blogger’s blogger who uses her blog as an online showcase for her exquisite prints, a past/present blend of the organic and archeological, with personal reflections about culture and artistic process. Rathje also shares a variety of research subjects that inform her work including anthropology,
archaelogy and Finnish history. In her own words:

“I was born in Finland, and emigrated to Canada as a child. I’ve been an artist all my life, with a passion for printmaking for over 20 years. I started using the computer in 1998 as one tool in my artmaking. My Finnish roots became of greater interest in recent years with so much new material appearing on the internet – history, ethnology, archaeology, ancient rock art, far north cultures around the globe.”

MM: Why do you blog?
ML: When my friends and I were preparing for our exhibition in Finland in 2002, another friend made a website, Traces, to accompany it. Afterwards I asked if he could develop a full artist’s site for me. Busy with his growing career, he eventually suggested I do a blog, which would bring a great deal more traffic to my site than a regular website. My reaction was “what’s a blog?” and “what am I going to write about?” He then set me up with one, teaching me the basics and left me to practice it for a while. I searched for and studied other blogs that interested me – chandrasutra was one of them. After three months I felt ready, and February 2004 it was launched, a bit timidly at first but quickly becoming a passion. The blog is a place to put up my work, to write about printmaking, other artists and exhibitions, and about the many things that interest and influence me and make me the person, and therefore, the artist that I am. It is a place to keep all the fascinating information that I have gathered over the years and still keep finding. Writing has helped me focus my thoughts, though finding the right words, being more articulate, continues to be challenge. It is another creative project, a form of self-publishing, with a unique world-wide audience, often silent, but with a few voices responding and making it all so very worthwhile and satisfying.

MM: Where do you find your inspiration?
ML: From life past and present, my work, from other bloggers, from my research. Sometimes I seem to go off on a tangent, off the topic of art, when inspired by some lighthearted stuff, like Christmas or May Day, but I realize that it’s really another part of this life that interests me, that I want to know more about and makes me the person and artist that I am. Recording it and sharing it all on a blog is an exciting process for me, far more in-depth than a few scribbles in my sketchbook.

MM: What blogs do you read and why do you like those blogs?
ML: I read a variety of blogs and the most read ones are on my blogroll. Some have become dear friends that one likes to visit every day, and I’ll mention just a few here. Among artist’s blogs, Anna Conti’s Working Artist’s Journal is my favourite. I also really enjoy the linguistic challenge (my Finnish is a little rusty) of reading the well-known Finnish printmaker Kirsi Neuvonen’s excellent blog Kuparipelto (Copperfield) that just started in February this year. (She has a separate website for her work that is also in English.) I continue to be surprised there are not more artist’s blogs though more are slowly appearing.

Naturally there are numerous wonderful writer’s blogs, two favourites are Beth’s The Cassandra Pages for her articulate and wise writing about many human issues, multiculturalism, daily life and because she is a lover of art and Anna Scott’s
Self-Winding for her wit and humour about English country life and her love of art and literature. Both have been very appreciative of my art work and have become friends.

Of course there are many more, like yours, and Ronni Bennett’s Time Goes By, and the photography & politics blog of Gordon Coale.

MM: Many Big Media journalists have attempted to discredit bloggers by saying we’re “diarists” and questioning our “credibility” etc. What do you say to that?
ML: I think some of the Big Media journalists, constrained by their owners’ right wing agendas, may feel threatened by the free speech of bloggers, especially in the area of politics and world affairs. These bloggers are very important in keeping news open and available, whether it’s the girl in Iraq or independent journalists who write blogs (many are quoted in Gordon Coale’s blog). There’s a growing loss of readership from hard copy to online. A sign of change are The Guardian and Tyee here on the Canadian westcoast that have embraced blogging with news.

MM: Beyond blogging vs. journalism. Bloggers need to get rid of Big Media frames
and frame blogs in our own terms. To that end, what are the frames we can use to define blogging/participatory media according to our own terms?

ML: As a non-techie, I don’t understand this question, even after a lot of thought. Basically, I think bloggers can do and are doing as they wish, the heck with what Big Media says. Blogs are only one of many new media emerging and changing our world.

MM: What are your “desert island” 3 favourite/most important posts of all time?
ML: Blogs are daily changing, transitory, and of such variety – how can I just pick a page here or there to take with me? However I can see a personal use in taking my portfolio of printworks. It has become a great resource for me when I want to look up some of my work for information or to refresh my memory or show someone quickly. I sometimes reuse older images in new works, in new ways, so I’m always looking out for some new connections. Going online is sure a lot faster than getting out the slide projector or pulling prints out of storage, and you can’t take them with you to a desert island. But does that desert island have wireless internet? Oh, and I don’t have a portable!

UPDATE JULY 2, 2007. I found Chandrasutra again, it seems I missed one letter in the URL! This interview minus photos is up again, as well as the others in the series.

UPDATE January 15, 2010. I’m sorry to see that Chandrasutra’s site is now private, requiring a password.