frights and feasts

As you are out tonight chasing ghosts and goblins, watch out for what may be underfoot.

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Or when the lawn
Is pressed by unseen feet, and ghosts return
Gently at twilight, gently go at dawn,
The sad intangible who grieve and yearn….

– T.S. Eliot

Looking up, Windy Willlow writes:

A howling welcome to all you tree lovers… this is the Halloween edition of The Festival of Trees’. What spooky trees and snippets of poetry to put us into the spirit of Samhain! If you need a little calming after all this, go down to part two and see ‘the breathtaking colors of leaves and fruit in this colorful season.

Fright to feast, have a Happy Halloween.

(Thanks, Amy, for reminding me of Eliot’s words.)

more witchiness

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Thinking about witchy trees has been making me see even witchy seeds.

Last Thursday at dusk, before it was fully dark we were stunned by a huge bright full moon and it’s sparkling reflection over the water. Was it that bright moon that woke me about 3 am and had me wandering through the house spellbound by the bands of moonlight shining across the floors? Outside was bright with a cool light and a sparkle of a light frost on the deck railings… the first frost. What spirits kept me awake?

Making yet another cup of herbal tea in the kitchen still later, a very bright light in the eastern sky caught my eye. At first I thought it was an airplane coming in, but it did not move and was non-twinkling and too big to be a star, so it had to be a planet. Yes, the net told me it’s Venus and this full moon was actually the Hunter’s Moon!

What witchiness to keep me awake to watch the moonlight and planet light merging into the slow return of daylight and a spooky fog rolling in.

witchy trees

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Come, my dearies, for a tour of my woods

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See, here is the witches’ castle

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Meet Witch Hazel

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and Witch Rowana

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Here’s Raven

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There’s our resident treehugger witch.

If you’d like to join in the Samhain edition of the Festival of Trees being hosted at Windy Willow, please email your links by midnight October 26th to silviasalix (at) yahoo (dot) co (dot) uk, with “Festival of the Trees” in the subject line.

(PS – Apologies for the artistic liberty with the witches’ names. They are not the names of the trees illustrated.)

sonnenstein, sunstone

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Rain, never ending rain
south Pacific winds
November-like storms,
skipping autumn
With ancient sonnenstein
beseech the sun’s return

another hand

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Some readers may remember some of the collagraphs of my hands that I made earlier this year for an edition of one of the pieces in the series Silent Messengers: Writing-on-Stone.

I’m now working on some new pieces and I’m thinking of using images of hands again. I’ve been looking at some of the proofs I printed from the several collagraphs I made back then. This one shown above is a trial print of one of the first experiments in taking an impression of my hands. I rather like its ambiguity for the new work.

But I can’t find the collagraph! I’ve looked everywhere at home and in the print studio. It’s small and light and may have been accidentally chucked out with waste paper. So, I’ve scanned this one and only print of it and maybe, just maybe I will use it as a digital image in combination with the other pieces I’m working on. I still want to have some kind of hand printed image as well so we’ll see how this develops. I usually have an ephmeral idea in my head as to what I want, but when I actually work with the piece, I like to be able to respond to what it says to me, to make it ‘sing’.

the artist and the environment

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I’ve been thinking about what I could contribute to the world wide discussion raised today with Blog Action Day. I decided to talk about my behaviour as an artist as well as a homemaker.

As an artist concerned for my own health and for the health of the environment, I stopped etching several years ago. I used to do a lot of deep etching, which meant using very strong acid baths because I wanted to imitate the weathering effects of nature in the process and the resulting images (in the Meta-morphosis series and many of the Nexus pieces). The etching facilities in the studio are very good, with powerful ventilation and special tanks to collect the wastes. That’s why I don’t do this at home! In spite of that I’ve been long concerned about residual absorption into my body as well as into the environment over my many years of printmaking.

I’ve been pleased to be able to use more and more digital processes in my printmaking though I haven’t been able to give up hand printed plates entirely. Collagraphs have been satisfying that need and I’m thinking of drypoints again, or possibly even linocuts and woodblocks. There’s still the issue of the solvents used to clean up the printing inks and I wish our shop would use some of the safer alternatives in the market even if they are costlier and a bit less efficient.

Some testing that was done on me a couple of years ago revealed a lot of toxins in my body. Learning this increased my resolve to eliminate as much exposure as possible, even to what I use in my home – the cleaning products, soaps, shampoo and the cosmetics I put on my skin. I’ve been switching to more organic produce and to antibiotic and chemical free naturally raised and fed chicken, beef and bison meat. Eschewing farmed fish, we’re lucky to find good wild salmon and other fish here but I’m concerned by the dwindling supplies in the world. I don’t use any pharmaceuticals, only naturopathic/homeopathic products when needed. I must give a lot of credit to my daughter Elisa for inspiring and teaching me by her example.

These are just a few of the ways I try to reduce my impact on the environment as well as to improve and guard my own health. I know that I could be making a lot more changes, like getting rid of my car, though I don’t drive it more than necessary.

Further reading:
on artists’ health
toxic-free artists

ADDENDUM: Wednesday, Oct.17th. Several people have expressed interest and some frustration in finding safe cosmetics, so I thought I’d add some of the links that I use that may help you in your search.
Skin Deep is a great resource where you can search products by brand name or ingredients. I use this one a lot.
The Dirty Dozen Chemicals in Cosmetics offers a handy check list of what to avoid.
My daughter Erika bought this book and recommends it highly: Ecoholic by Adria Vasil. I have to get my own copy!

spider’s web

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On this glorious sunny Sunday morning, all the more precious when sunshine has been so scarce this fall, I spotted a very delicate, very perfect silky spider’s web outside one window. I asked my husband, a much better photographer than I am, to try and capture this ephemeral creation, so barely noticeable and quickly disappearing with the sun’s southward movement. The photos disappointed but some photoshopping gave some interesting results, though still rather too delicate to show well on this other web.

I am quite envious of Dave’s photos of spider webs.

And that reminds me, I’m pleased and proud that one of my favourite images, Footprints in the Sand has been published on Qarrtsiluni. It’s a reworking of one that I posted here quite some time ago. If you are interested in submitting something for the current issue of this superb online literary and art magazine, the deadline is tomorrow.

still life

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Now that the hard work (cooking, cleaning and tree pruning) and the pleasures of much good food and family time of the Thanksgiving weekend are over, I’m trying to re-immerse myself in my new work. It’s still too soon to say or show anything, though regular readers have seen some of my photos that I may be incorporating.

Today’s blog readings has been rewarding with a timely inspiration and reminder from Keri Smith about getting lost which I think you will enjoy too.

a letter to a friend

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Recently Beth wrote about e-mail being the death of letters, resulting in a loss of permanent records for posterity. It came to mind this morning while I was emailing a friend in a more than usual chatty fashion. I started thinking about how it might have turned out if I’d written it by hand. Terrible handwriting and unedited incoherent thoughts for sure (though the latter still happens in emails, heh). Yet the pleasure of opening a real hand written letter is very rare indeed, and I’m guilty. Anyway, I thought I’d share that ‘letter’, slightly edited for privacy and the addition of some links.


Good morning to you, R!

The sun is shining here after days of heavy cold rains. It seemed like November already. And this white stuff you are talking about in Calgary – frost? or snow? Yikes. Whistler has had snow and there are reports that our highest peaks around here would be dusted as well. In the dark last night we started bringing in yet more of my potted plants (yes, I have a LOT) after I read that it’s going to 5C tonight.  Strange how cold the west has been while the east has been very warm, the opposite of normal, though it’s cooling now in the east. I have to get outside today and gather a few more plants. F tells me I have to cut back on having so many plants!

I should be at the studio today, but I got distracted by the weekend trip, and feelings of sadness and pain at seeing the downhill spiral of aging and illness in my favourite uncle and aunt. I’m having trouble focusing on this new work I’m doing – needing to feel and think about what it is I want to do to make this say what I think I want it to say. Before you start worrying about me, let me say that this is normal behaviour for me (and many artists) when starting new work, especially after a break of not working. Yesterday, at the studio, I had a helpful chat with another artist who offered some good suggestions on how to approach this. Now I just need to discipline myself and make time to focus on it. I know it will all fall into place soon. So, I will work on that for a while, then do a few chores.

Late this afternoon is the opening of a friend’s show. F will be cycling as usual and will meet me there after work. The bike stand/carrier is inside the back of the van as well as a change of clothes. When he’s cycled up the big hill to the college, he’ll load his bike in there, change and come find me in the gallery. Afterwards we can drive home together. It’s a pattern we’ve developed whenever we want to meet somewhere after his work.

I’m rambling here… Now to your news.. How wonderful that C has found work! Where and what? I hope it will be a happier experience than the last position – please give her my warmest best wishes!

Thank you, R, for sharing your latest news about your research on your project. Amazing how much you have to deal with people and politics even when writing about a dead person. I suppose that is true more or less in many endeavours. It takes a lot of energy, but you are very skilled at that, R! Good luck, as always. You do sound like you are feeling better.

It’s the Thanksgiving weekend coming up, will you be seeing your family? I think our family will be here on Sunday. Yes, I do hope we’ll have a chance to chat on the phone soon. 
Hugs,
Marja-Leena 

fog and fall

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The fog comes
on little cat feet.
It sits looking
over harbour and city
on silent haunches
and then moves on.

-“Fog” by Carl Sandburg