transitions, again

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It’s been some time since I’ve shared what I’ve been doing in the printmaking studio. I wrote about transitions last September, now I feel as if I’m again in that state of mind. In the fall I created and finished a series of 26 small prints, then moved right into another related series of somewhat larger pieces which I’ve just recently completed editioning. I’m very pleased with these and have had great responses to them.

I just haven’t done all the photo documentation of these works. The prints in the first series are small enough to scan but I’ve yet to do it. The second series I photographed a few days ago and only today have downloaded them. I see they need lots of adjusting for they are underexposed and need some colour correction. I’m even wondering if I should re-shoot them with some better lighting somewhere else, but where? Or, should I use the original digital files they were printed from? Anyway, as you see, it’s been a very productive period for me but I’m procrastinating over getting them ready to post here as well as into my little online gallery.

However, and here’s where the ‘transition’ issue comes into play, I’m at a point where I’m still feeling my way around the next pieces that I want to work on and need to spend time with them for the next two weeks while the momentum is still with me and before an upcoming enforced ‘holiday’.

From Feb 12th to 28th our studio will be closed because our usual annual two day reading break on the campus has been extended to over two weeks because the parking lots will be used exclusively for the Winter Olympics. Strict security controls will be in place so no classes or classroom access anywhere – imagine that! So, I think that period of time may be when I complete the photo documentation and post my new works here. That’s my goal – wish me fortitude for I can too easily get distracted by other things like macro photography.

On the home front is another transition ahead with our daughter and granddaughters heading back to London at the end of this week after a wonderful six-week visit here. The house will be awfully quiet….

macros: January garden

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Thank you all for the comments and conversation on my last post about my efforts on learning macro photography.

Above are the photos I took that same day outdoors in our garden using the same lens as before. The afternoon sun was getting lower and weaker and starting to hide behind some tall trees. The top image is a little blurry because of a slight breeze but I still like it very much. I’m very pleased with the results and again, I wish you could see them much larger. I did, this time, do some slight adjustments of the levels on all of these images, in PhotoShop.

I’ve been wanting to share a well-known quote I recently reread that resonates for me in many ways:

Success is not the key to happiness. Happiness is the key to success. If you love what you are doing, you will be successful.
– Albert Schweitzer
from Artist Quote of the Day, with thanks to my friend Dorothy

on macro photography

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As I’ve mentioned previously, this new year I’ve been learning how to do macro photography with our DSLR camera, first with a zoom-macro lens, then with extension tubes. So far I’ve been happiest with a single 36 mm extension tube joined with the regular lens (18-55mm). There are two more rings or tubes that I will be testing out some more in different combinations.

After a few practice sessions here are the most important lessons I’ve learned and am noting here for my own records and for any readers who may be interested:

1. One needs very good light conditions. The length of the macro ‘tube’ reduces the amount of light reaching the sensor (‘film’). Dark rainy days are not conducive to this kind of photography. Yesterday’s sunshine let me do a lot of work in the solarium with easy and still subjects in my flowers and plants, and a few outdoors in the garden as well.

2. One must use a tripod. Any shake is amplified in macro resulting in very blurry shots!

3. Even better, use the timer setting on the camera. Even manually pressing the shutter while the camera is on the tripod can move the camera a little. We attempted a shutter cable from our ancient film SLR camera but there is no input on our DSLR. Great invention, the timer!

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4. Largest f-stop (smallest lens opening) is generally best. See #1.

5. Eyeglasses get in the way of focusing! Setting the diopter adjustment in the camera to my own vision in the right eye (similar to ones on binoculars) allowed me to focus more clearly, though it is annoying to keep taking glasses on and off (wear something with generous pockets!).

6. One need lots of time to set up the tripod and camera and focus! Practice will improve speed I’m sure.

7. All this heavy equipment – a big camera, different lenses and a tripod – means that I’m not likely to take these along on quick casual walks. The little point-and-shoot is pretty good for that. When I really must take the superior equipment, I will have to use one of those upright shopping carts on wheels, even if it makes me look like a bag lady 🙂

All this is old-hat to expert photographers so please don’t laugh at my amateurish struggles. I’m learning (thanks to husband’s patient help) and getting ever more excited by the results. Whoo-hoo!

No adjustments to these photos have been made in iPhoto or PhotoShop other than resizing and compressing for the web. I wish you could see them full-screen size! More photos to come….

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scanning fun

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One day in the kitchen just after the holidays, I had the sudden urge to scan something that was on its way into the garbage. Here are a few of the images I captured. I bet you can guess what these are. They are going into my image library for possible use in future prints.

Longtime readers know how much I love playing with the scanner and have seen the numerous images I’ve posted. There are far too many to dig out from the archives, but here are a few that may be of interest to newer readers, especially those of you who may be interested in some of the techniques I’ve discussed in response to readers’ questions:

scanning
on printers and scanners (scanner and computer updated since)
scanning hands
scannography
scanning techniques
a scan test

branching out

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practicing with the new camera lens, still on a steep learning curve…

sunrise

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Nature in her gaudiest dress made a sudden dramatic though brief appearance on the world’s stage this morning. Hastily snapped between 7:48 and 7:55 a.m. at the front door as I was leaving the house and then standing at the bus stop…

Nor dim nor red, like God’s own head,
The glorious Sun uprist.

– Samuel Taylor Coleridge, The Rime of the Ancient Mariner

after the rains (2)

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Ever since I remember, I’ve been captivated by little burbly creeks, especially when they seem to appear where none were before, by the water dancing over rocks and soil, urgently, ever forward, downwards, forming little waterfalls, emerging out of hidden banks or boulders, then creating rivulets in the sand as it hurries down to the sea.

As I thought of this today, I kept trying to recall a poem I’d known ages ago, perhaps by Tennyson whom I loved in those long ago high school poetry classes. It kept niggling at me all afternoon so when my husband came home from work, I asked if he remembered something like that. Immediately he started to recite the first two lines:

Why hurry, little river,

  Why hurry to the sea?

A little research rewarded us with a poem called The River but surprised us that it’s not by Tennyson, but by a Canadian poet Frederick George Scott (1861-1944). Here is the first stanza:

Why hurry, little river,
  
Why hurry to the sea?

There is nothing there to do

But to sink into the blue
  
And all forgotten be.

There is nothing on that shore

But the tides for evermore,

And the faint and far-off line

Where the winds across the brine

For ever, ever roam

And never find a home.


happy winterfest

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Happy Christmas, Hauskaa Joulua, Frohe Weihnachten, Joyeux Noël, God Jul or Blessed Midwinter!

Wishing all of you a joyful holiday, full of cheer with those who are dear, as well as some quiet moments for gratitude and peace.

Many thanks as always for visiting and reading and for the many friendships this blogging has blessed me with.

Many of you are having a beautiful white Christmas this year while ours is the normal green. So I’ve been satisfying some of my snow envy by looking at my photos of last winter when we had a record amount for many weeks. Check out for example this night shot and the countdown to Christmas a year ago which includes the photo that was used for this year’s card, both printed and e-versions. Cheers!

‘Tis the shortest day

and the longest night for us in the northern hemisphere. It’s a very dark and rainy day here in Vancouver starting strangely at an unseasonal high of 10C (50 F) and to drop down to 5C (41F) this afternoon. But we are to have sunny days and frosty nights ahead. If I can’t have a white Christmas, a sunny, crisp and green Christmas is second best. The light of sunshine or the brightness of snow, the seasonal lights, candles and fires are all a blessing against the darkness of this time of year and the looking forward to lengthening days, in a continuing ancient and universal celebration.

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I always think of solstice celebration sites like Stonehenge so this year I’m tickled to be able to put here one of my own Stonehenge photos from our springtime visit there, though the light of course is not as it is this time of year.

Also curiously suitable to this day is Qarttsiluni’s publishing of my piece, Silent Messengers: Writing on Stone III. Was it planned so by the editors? Do listen to the fascinating discussion on the podcast.

Happy Solstice, dear readers and friends! Keep warm and safe, those of you in other parts of the globe who are snowed in! And my southern friends, enjoy your summer!

More from the archives:
solstice time, 2008
to light, 2007
the longest night, 2006, with Newgrange
happy winter solstice in 2005
and in 2004

in the woods

Today’s walk in weak sunshine,
to clear sugar-overload-cobwebs from my mind.
Here, balmy almost spring-like air,
while there’s snow elsewhere.

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Vivid green moss on tree trunks,
ferns decorating them and forest floor.

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Fallen trees from past storms
quickly returning to the soil.

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Nurse trees sport muscular roots,
the better to hang on to the earth.

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Someone has left a surprise for all,
a tree decorated with shiny red and silver balls.

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Remains of a clump of massive trees
stand like Stonehenge in the rainforest.

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Silvery water and thin grey clouds,
trees in black silhouette await
the passing of winter solstice,
remembering one year ago on this date.

The two bottom photos were taken by my husband.

ADDENDUM January 3rd, 2010: This entry was submitted to January’s Festival of Trees hosted this time by xenogere. I’m pleased to be part of the lovely guided walk through many fascinating places.