the antique suitcase

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What journeys has this old suitcase seen? What memories are held within?

It began in a suitcase factory in Finland… when? in the 1940’s? Who in the family bought it?

My own memory is unclear, I think it was given to me by one of my mother’s brothers in 1967. That year I’d spent a summer in Finland researching Finnish art history for my thesis. I had bought a lot of heavy second-hand art and history books in Helsinki as well as having many Finnish gifts that were given to me and or I’d bought so I really needed another suitcase. I seem to recall it was found in my grandparents’ attic on the farm, maybe it had been my mother’s. If so, why did it not come with us when we emigrated to Canada?

For many years the suitcase must have been stored in my parents’ home in Winnipeg for when they moved to Vancouver after retirement to live the winters with us, it came with their other belongings. After my parents had passed away and I was going through their things, I found it in the bottom of a closet, stuffed with extra linens like crisp white sheets with hand-crocheted trims in the old Finnish tradition.

Since then, it was stored empty in our somewhat musty crawl space along with other old suitcases that had seen better days. When our eldest daughter Anita went to Japan for half a year as an exchange student sometime in the early 90’s, I think, she borrowed this suitcase. Maybe she had it with her when she was later living and studying in Victoria. Then it spent many more years in storage again in said crawl space.

Last month, our ‘English’ daughter Elisa was once again needing an old to-be-discarded suitcase to take some of their belongings from here to their current home in London. Though this old faithful was looking sad, worn, and water-stained, she fell in love with it and its history. I quickly took some photos for posterity’s sake in case we’d never see it again. It’s now in England, used for storage again. Where will it travel to next?

ship in the night

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As I seek something warm to drink and soothe me to sleep,
the lights of a ship anchored in the sea light my way to the kitchen,
I hope to dream of exotic voyages to romantic southern isles
but not the dark terrors of the night.

Added several hours later: I just remembered this much earlier post of a truly dream-like nightship.

back pats

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1. Congratulations to Mark Woods on Wood s Lot’s 10th anniversary of blogging marvelous excerpts and links to interesting and eclectic writings and art. I also enjoy his lovely photographs of areas in eastern Canada that have been gracing his pages in more recent years. A remarkable achievement in this day of waning blogs as many move to the more fast-paced life of Facebook and Twitter. (Can you tell I’m a proponent of the ‘slow life’?)

2. Congratulations to the award winners of BIMPE VI in Vancouver. After its opening exhibition at the Federation Gallery, a selection is now showing at Dundarave Print Shop. I recently saw a friend’s copy of the exhibition catalogue and it is beautiful. I was very pleased to see in it that all of my three submitted pieces were accepted. I can hardly wait for my own copy which will come with the return of the prints after they’ve been in Edmonton.

3. This is late: a print of mine was posted at Qarrstiluni. The current theme of The Crowd was impossible for me to resist as I’d done several prints by that title some years ago. Watch for another one to come later. I must say Qarrstiluni keeps on getting better and better thanks to the superb efforts of its editors Beth Adams and Dave Bonta and the many guest editors. I see that it just recently and quietly passed its fifth anniversary – another congratulations!

labours of love

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There’s not been much art busy-ness happening here since I wrote this art and garden busy-ness post last April. I’ve been busy with garden, family, a few little trips away but lots of laziness too, sometimes due to hot weather, often just downright slothfulness on my part.

This is a Labour Day long weekend here in Canada, and the only labour we managed was yesterday’s day of pruning shrubs in the garden, work that should have been done in the spring. I’m back-and-knees sore from hours of picking up the prunings from the plants beneath. The fall gardening season is almost as busy as the spring one for I need to start bringing in many of my non-hardy plants that spend the summer outdoors as well as take cuttings for next summer’s garden. We harvested the last of the cucumbers and composted the plants. We’re still enjoying the tomatoes though now they are ripening more slowly. The peppers are in full abundance right now so last night we brought the pots into the solarium to assure they’d keep reddening in spite of the cool rainy week just started. We’ve had many delicious and healthy Greek salads this summer. Time to use up the basil for pesto too.

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As you can see autumnal thoughts are much with me with the changes in the light, the longer shadows and the shorter days, and a few rainy days like today that have us putting on socks and long-sleeved shirts, along with the annual feelings of a new beginning with the traditional back-to-school right after Labour Day.

Years of being a student, a teacher and a parent must have left a permanent imprint on me. Maybe that was what gave me the sudden impetus to sign up again for the fall in the printmaking studio even though I’d originally planned not to go back until January. So now, I’m feeling some anxiety about getting myself back in the art making mode after the lazy summer, as if I were still a student. Tomorrow is my ‘first day’ back!

If you read the above linked post, you’ll know that I had many good intentions to get my small home studio in order over the summer. It did not happen. I’m still looking for used flat files too. Maybe with a more structured routine this fall I’ll get to it. I feel guilty that I have not yet put up my past year’s work on this blog, which requires first scanning the smaller works and taking good photographs of the larger ones.

Oh, and speaking of smaller works, one or more of my prints was accepted into the BIMPE VI exhibition! The opening is on Saturday September 11th, but that’s a subject for the next post.

women who inspire

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I am touched and honoured that author Kate A. Laity has chosen me as one of many women who are ‘an inspiration’ over at a new women’s group blog curiously called Women’s League of Ale Drinkers, a repository of creative women.

I’m particularly thrilled to be in the company of a fantastic Finnish musician, Ulla Suokko. And this after having already been interviewed by Kate last year for Women’s Month!

Kate herself has Finnish roots and has inspired me many a time with her blog, Wombat’s World, through which we initially “met” (read my blog post about it if you don’t know the fascinating story) and her wonderful book of stories inspired by the Finnish epic Kalevala: Unikirja. She now has a delightful book trailer out that makes me want to go back and reread her book all over again. Her first book Pelzmantel has just recently been reprinted by Immanion Press and is on my wish list.

‘original’ copies

Art factories in China aren’t news to me, but this really blew my mind:

There are no sticky ethical problems involved in the booming trade. As long as the Dafen copy artist does not forge a signature or try to pass her work off as an original, there are no legal implications.

Please read Masters of imitation – Painters in Dafen artist colony churn out reproductions of classics, by Aileen McCabe for the Vancouver Sun.

Are you as disturbed by this as I am? Of course, one can go to any art museum and poster shop and get mass printed copies of Van Gogh’s Sunflowers and many other famous works. Is it the same, worse or better? I’m also concerned about the factories that do pass off copies of originals, even of works by living artists. Just thinking about all this opens a large mental can of worms for me – perhaps that’s the intent of the article?

west coast retreat

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back from a few days on the wild west coast…. more later!

growing vegetables

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Or, really, the trouble with growing some of your own vegetables….

Why did we, a month ago, book a short holiday for next week, at the busiest time of the gardening season? Spring had been so cool that my tomato, pepper and cucumber seeds in the solarium had a slow start but have taken off recently with more sunshine. The 8 cucumber and 36 root-bound tomato plants in small pots are now starting to flower. I don’t want to pot them up into larger pots for I don’t have any more room indoors. I should plant them outside, but the nights are still below 10C and there is a threat of rain on the weekend. What to do? I may have to move them downstairs to a cooler shadier area to tide them over until we get back. At least daughter is at home to water them.

Why 36 tomato plants, you ask? I think every seed germinated, and there were more that I already gave away. Last year at this time, we were in the UK and I had only a few tomato plants to come home to, and really missed them, so I kind of got carried away this year, I think. Our deck will be so crowded with vegetables in pots that there will be little room for humans. Such is the life of this artist when not in the studio in the summer.

Leonardo da Vinci Drawings

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This is a week late but I cannot let it go by without expressing my excitement, astonishment and feelings of being newly inspired by the greatest Renaissance man.

Days before the exhibition was to end, my husband and I made it to the Vancouver Art Gallery to see the exhibition Leonardo da Vinci: The Mechanics of Man. We thought we were avoiding the crowds during the Olympics but we were surprised to be standing in a long line snaking quite a ways outside, for this was the ‘by donation’ night, always popular but even more so with this exhibition!

From the VAG’s website, in case this page should go down soon:

One of the most important of Leonardo da Vinci’s artistic and scientific investigations of the human body was conducted for a planned treatise on anatomy. To accomplish this, Leonardo appears to have worked with a scientist from the University of Pavia to participate in dissections of corpses, which were rarely performed at the time. These direct observations by Leonardo resulted in an exceptional body of work that remains, to this day, one of the greatest triumphs of drawing and scientific inquiry.

Leonardo’s group of drawings, referred to as the Anatomical Manuscript A, concentrates on the structures of the body and the movements of musculature. Shown for the first time as a complete group in this exhibition, Manuscript A encompasses thirty-four of Leonardo’s pen and ink anatomical drawings on eighteen sheets of paper, rendered during the winter of 1510-1511. Included are the first known accurate depictions of the spinal column and two magisterial sheets depicting the musculature of the lower legs and feet. The works are graciously loaned by Her Majesty Queen Elizabeth II from The Royal Collection, Windsor.

Leonardo’s ink drawings are small, incredibly fine and detailed with even tinier handwriting in mirror image on letter sized paper. Many viewers had magnifying glasses! Some of the studies had been enlarged onto wall posters with translations from Italian to English and with commentary to add to our understanding. A woman, standing next to me as we studied one of the originals, said that she was a medical worker and had studied anatomy and dissection and expressed awe at the incredible accuracy of most of the drawings.

We were incredulous to learn that not long after these drawings had been finished, they were virtually locked up for centuries instead of benefitting the medical students they had been intended for. They were not published until the end of the 19th century. I’m not sure how they ended up in England’s royal collection.

I was completely in thrall of these fine drawings, as I have always loved drawings the most of all media, and Leonardo da Vinci’s are right at the top of my favourites! I’ll never forget the drawings by him which I saw in the Uffici Gallery in Florence many years ago, coming on them quite by accident on my way out, like the icing on the cake!

Of course, I just had to buy the excellent hard cover book accompanying this exhibition! The above image is a scanned detail from the cover overleaf, since no photos were allowed in the gallery.

Here are links to some articles which also have a few images:

Leonardo da Vinci Drawings Coming to the Vancouver Art Gallery

Leonardo da Vinci gets under the skin in Vancouver exhibit (Click on “story” then “photos”)

In conjunction with this exhibition was another called Visceral Bodies (still on until the 16th of May), consisting of works by a number of contemporary artists from different parts of the world. Again, from the VAG site:

Many of the works in Visceral Bodies comment on issues of identity, pathology and normality. Refuting the modernist image of science as an unquestioned source of progress, Visceral Bodies presents a variety of reflections on how the human form can be understood and represented, especially given the ambiguities and provocations of the genetic age.

Most of these were fascinating, some a bit too gruesome but I could identify with the issues. I wish VAG’s website listed all the artists names, for I can’t remember them all and did not wish to buy another catalogue. This exhibition seems to have been overshadowed by Leonardo’s work even in the media, but here is one excellent review of both these exhibitions, with some images as well, written far better than I could do.

art & garden busy-ness

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I wish you could smell the heavenly scent of these first lily-of-the-valley flowers from my garden. The next virtual sense to come one day via the web?
 
I’m still busy in the printmaking studio finishing up work, then about to clear out my space for the summer break beginning in a week’s time. My small home studio is in chaos as I try to find storage room for the new pieces I’m bringing home. Anyone selling second hand flat files that would fit under my work table? Maybe I should have a ‘fire sale’ to sell off old work to make room for new?
 
I was also busy getting a submission package of miniprints ready and delivered to the BIMPE VI International Print Biennial right here in Vancouver. It is the first time I’ve submitted because I so very rarely do small enough prints! I’m happy to support them and hope the jury accepts some or all of my work. If you are a printmaker reading this and interested in taking part – and I know this is late notice – the deadline is May 1st.
 
At home it is the busy spring gardening season especially with transplanting the tomato, pepper, cucumber and flower seedlings and cuttings into larger pots whenever the weather allows, like today. Still a few more seeds to start. It seems the nicest days occur when I’m in the print studio, why is that? Ah well, soon I’ll be complaining of too much gardening and not enough art!
 
And I must see some exhibitions this week before they come down, especially this Leonard da Vinci one for he is one of my very favourite artists. Entry was free during the Olympics but I didn’t want to deal with the long lineups. So why do I leave it ’til almost the last minute?
 
Too busy to blog, read and comment much lately, but I found this timely Letter from Reykjavik to be very much worth a visit!
 
EDIT April 22nd, 2010: In some correspondence yesterday, a friend wrote:
Believe it or not, people have been trying to digitize smell for a number of years, apparently with some success. You can read about their efforts here.
Thanks, Michael!