Anna, Courtauld, Westminster

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The day after our outing to Brighton, husband and I headed into central London and Somerset House (house? it’s a palace!). Here we were to meet long-time blog-friend Anna of Self-Winding who was coming in from Norfolk to meet us.

As we waited for her, we noted that the famous fountains were down and we were prevented from entering the huge courtyard because there was a Bollywood film set going up. On the other side of the Strand at India House a large demonstration was underway against India’s treatment of the Tamil Tigers, like in Brighton.

When tall, beautiful and lively Anna appeared how excited we were to meet at last! While husband went off to explore the sights along the Thames (taking the camera), we ladies went in to see the art in the adjacent Courtauld Gallery. This museum is a nice size with gorgeous rooms without being as exhausting and overwhelming as places like the British Museum or the Louvre. It has an impressive collection including some very famous works by the Impressionists. It’s a great feeling to meet so many well-known pieces that I’ve not seen in real life. Now and then as we passed by windows overlooking the courtyard we were also entertained by the colourful Bollywood dancers in action. Sadly I have no photos but the Courtauld website has this very good video and more.

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Anna and I shared the great pleasure of viewing and talking about the art together even as we chatted about personal things. As we were finishing a light lunch on the patio later, husband found us there and joined in a deep and varied conversation that continued as we sauntered over to Trafalgar Square and eventually a lingering tea and dessert under the Portrait Gallery before we had to say an almost tearful goodbye. We wished we’d had more time together but Anna had a 2 1/2 hour bus ride back home to Norfolk. We feel so honoured and grateful she made this long journey to see us and for her excellent suggestion to visit the Courtauld. Hope we shall meet again!

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From the immense Trafalgar Square, we decided to explore more of the city, and we sure did walk a lot getting somewhat lost for a while. Passing Canada House, we wandered past immense palatial looking buildings everywhere and beside a park with row upon row of identical trees (plane trees? St. James Park?). Along Whitehall we hit crowds of business-suited commuters rushing like busy ants from every building towards bus and tube stations.

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It was like coming upon a vision when suddenly, at a large intersection, we saw the immense and beautiful Palace of Westminster, also known as the Houses of Parliament and the famous Big Ben. Again we saw a group of protestors this time camped out on the opposite square!

All through this long walk we had hoped to find a place to have a modest supper but it wasn’t until we’d circled all the way back to the edge of Trafalgar Square that we found a spot to eat. Boy, were we satiated with the sights, and I was tired and knee-and-foot-sore by the time we got back by tube to our daughter’s place in Muswell Hill that evening!

P.S. If you haven’t read the earlier posts on our recent trip to UK and Paris and you are interested in them, just click on the theme Travel on the side bar or here.

a Wm. Kentridge video

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This was sent to me by artist friend Dorothy:
In “Taking a Line for a Walk” (2007) William Kentridge performs what looks like pantomime until, as it repeats, bare bones animation gives his moves meaning.
Delightful! And I see that William Kentridge is showing at SFMOMA March 14th to May 31st of this year. Dorothy says she’s going to San Francisco and will see the exhibition, lucky lady!

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Added March 13th:
(Poet Joe Hyam sent me this astonishing response. I feel this deserves a place up front with Kentridge’s video rather than buried in the comments.)

Some years ago I wrote this poem beneath the Paul Klee quotation:
The original movement, the agent, is a point that sets itself in motion. A line comes into being. It goes for a walk, so to speak, for the sake of the walk.

From the black seed of the first explosion
Grew a line, sinuous, filament-thin,
Walked out through matter, aeon after aeon,
Till it paused to rest at the place we’re in.
Do you want to see what drawing or text
Is described in particles of light? What next?
With straining eyes you crane your neck
To see if anything familiar is left
Amid the spongey darkness of the wreck
Of its ventures all clogged up and cleft.
What will happen to it in the end
Turns into  a game of let’s pretend.
You watch the screen and click the mouse
But nothing shows. Is there an actor in the house?

The only change I would make now as I look at it again is the last sentence. “Is there an artist in the house?” might be more appropriate.
I was so pleased to see this video about taking a line for a walk that I felt I had to respond immedately.  I had long nurtured and taken pleasure in Klee’s idea, which says so much about a particular attitude to drawing. I wrote the poem when I first encountered the quotation at an exhibition at the Tate Modern, but I can’t remember precisely when.

(Thank you, Joe! If you don’t know Joe Hyam’s work, please get acquainted with his thoughtful and beautiful daily observations at Now’s the Time and the amazing Compasses, Handbook for Explorers, a poetry and photo collaboration with Lucy Kempton.)

Ihaya: Trees and Water

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Tomoyo Ihaya, Ladakh Indus I, 2009, mixed media.

I haven’t posted about any exhibitions in a long while but here’s one that I want to share. My friend Tomoyo Ihaya is presenting “DRAWINGS – TREES and WATER”:

Trees and water are recurring subjects in Ihaya’s artworks. In her eyes, they are symbols of growth and life, essential to human and other creatures’ existence. Profoundly influenced by her recent travels and life in India, Ihaya’s new series of works are extremely relevant in today’s eco-conscious world, but more specifically pertain to the artist’s personal journey. The underlying environmental theme echoes insights on the effect of western influence over Indian culture while the importance of living well with insight and an open mind reminds one not to take the basic fundamentals of life for granted.

OPENING: Friday, February 27th, 2009, 3-6pm, with the artist in attendance
Exhibition runs until May 15th, 2009
at ART BEATUS, 108 – 808 Nelson Street, Vancouver

Please read more about Tomoyo and her influences on the gallery’s site. And this excellent article with photo in the Straight (half-way down).

Tomoyo is a sensitive and prolific artist who exhibits frequently, so it’s no surprise she appears on these pages several times, first in January 2005. Please search for more if interested. Way to go, Tomoyo!

exhibit in Squamish

I’m pleased to announce that my friend Bonnie Jordan and I have a selection of our prints on exhibit in the new Artisan Gallery in the town of Squamish, north of Vancouver.

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Here’s how the space is described in the Squamish Arts Council‘s newsletter:

For the past three years, Squamish Arts Council Directors have been working with the DOS [District of Squamish] and developer Talisman Homes to bring to life a District required amenity contribution art exhibition space at 1336 Main Street. The space is defined as a window gallery which is intended to be viewed form the outdoors 24 hours a day. The unexpected infusion of 80 feet of visual art enhances the downtown outdoor experience and ambience, and provides much need exhibit space for local and visiting artists. [This space] is particularly beautiful at night with the gallery lights, colors and shadows redefining Main Street.

The space is managed by Maciek Walentowicz and Susan Remnant, both artists and teachers. They were a wonderful help in hanging our works. Our thanks to them and the SAC for this opportunity to share our work with this community and to extend support to the efforts of the Arts Council.

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Above is a glimpse of Bonnie’s work. Some readers may remember Bonnie’s name in these blog pages. She was one of the artists who exhibited with me in Vaasa, Finland in 2002, our most exciting one we’ve had I think, so please check out my micro-site Traces. And here is an article I did later of her work. The top and bottom works are in the Artisan too!

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And here’s a look at my section. Our exhibit will be up for about three months, so if you are visiting or live in the Vancouver area and you are planning a trip up the Sea-to-Sky to Whistler, please stop in to Squamish and see our display.

Out of town readers may be interested to know that the town of Squamish sits on the north shore of beautiful Howe Sound next to the Sea-to-Sky Highway and the magestic Coast Mountains. It’s only about an hour’s drive north from Vancouver, so it has grown a lot in recent years as a bedroom community and as a popular recreation area as well as for being close to Whistler. It’s a mind-blowing gorgeous drive, but there’s some major reconstruction of the highway in preparation for the Winter Olympics in 2010 that astonished us with it’s immensity, but did not slow us too much.

artsy afternoon

Whenever I have to take the car over town somewhere, I usually try to do several things on that journey, to maximize pleasure over pain, for I dislike driving in Vancouver’s crazy traffic, and then there’s the cost of gas. So it was that I had arranged a date with my husband for yesterday afternoon. After a visit with my wonderful naturopath, I headed over to nearby Granville Island. I wandered for about an hour around some wonderful shops like Maiwa, highly tempted by their lovely artistic clothing and Asian fabric arts. Thinking about sewing, I checked out their craft supply store but did not find what I’d hoped for… maybe next time.

Then my husband arrived, having cycled from work. As always when we meet after work somewhere in town, he finds our van in a designated area, loads the bike inside and changes from cycling gear to regular clothes that he’s left in the car the night before, then comes find me. It’s such a delight to meet like this, makes me feel like twenty-something, almost.

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Together we went into the Circle Craft Gallery to see our Finnish-Canadian friend Kaija Rautianen’s exhibition of Jacquard tapestry weavings, entitled Natural Images: Bear Encounters. Lovely work as always, and a very interesting process. Kaija’s images of bears were taken on a sailing trip up the coast of BC, where the bear is considered sacred by the First Nations. I thought of how the bear was also sacred to some of the ancient people in Finland* as well. Check out this excellent review.

Next stop was Emily Carr University of Art and Design (formerly Institute) to see the Emily Carr Grad Show 2008. Read about it on daughter Erika’s blog. We saw the website she assisted in creating, like she did last year when she was a grad. I didn’t have the energy to go through the entire massive show, but what we did see was impressive.

By this time we were hungry and headed over for an always wonderful meal in a favourite restaurant on this Island, overlooking all the boats in False Creek, with the city’s highrises glowing in the sunshine on the other shore. Nice date, don’t you think? I only wish I’d remembered the camera.

(*expired link has been removed)

Ihaya and Chang at RAG

Another intriguing exhibition opening this week!

Richmond Art Gallery presents two exhibitions that explore what it means to be a citizen in a global world where identities are ever-changing and fluid.
 
Amy Chang: Donated Organ and Tomoyo Ihaya: Water, Rice and Bowl 
Exhibit Dates: April 26 – June 1, 2008
Opening reception Friday, April 25, 6:30 – 9:30pm.
Artist Talk: Saturday, May 24, 2pm
Curator Talk & Tour: Thursday, May 1, 6:30pm

This exhibition is accompanied by a RAG publication by Ann Rosenberg

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Amy Chang, Organ

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Tomoyo Ihaya, Sketches for Water, Rice and Bowl
 
Amy Chang’s Donated Organ and Tomoyo Ihaya’s Water, Rice and Bowl consider the meaning of global citizenship in a world where elements of basic human survival have become commodities. Chang’s ceramic works take the shape of severed human organs, and call to mind the anonymous and often destitute people who are preyed upon to supply the constant demand for organ transplants. The ceramic organs are also signifiers of life and its cycle, and the tubes that connect some of the organs point to the interconnectedness of human lives. Ihaya’s combination of mixed media works and a documentary film show how water is collected drip by drip, and used in daily rituals such as cooking and washing by families in Ladakh, India. This process of collecting water and its thrifty usage are a reminder of the preciousness of water, which is an essential resource that is increasingly becoming scarce these days.
 
Amy Chang received a Bachelor of Business in Taiwan in 1980. She found a passion for art while working for the Cloisonné Company for eight years, and studied ceramics in a private pottery studio. She received a Diploma of Studio Art from Capilano College in 2003, and completed a BFA from Emily Carr Institute in 2007.
 
Tomoyo Ihaya  received a BA in German Literature at Rikkyo University before attending Mount Allison University’s Fine Arts Program. She received an MFA at the University of Alberta in 2002. She has shown internationally for a decade and has received numerous awards, grants, and residencies. Her work is in collections in Canada, the United States, Italy and Thailand.

Tomoyo and I have known each other many years. With her busy exhibition schedule, she’s been featured in these pages several times.

Michiko Suzuki exhibition

An exciting exhibition featuring the printmaking of Michiko Suzuki is coming up this week!

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Michiko Suzuki: Floating World 1 (Time Like Air)

FLOATING WORLD
April 24th to May 24th, 2008
Opening reception Thursday, April 24th, 6 – 8:00 pm
Bellevue Gallery
 2475 Bellevue Avenue, West Vancouver, BC

These excerpts from the invitation brochure say it best:

Michiko Suzuki is a Tokyo based artist active in Japan since 1975. In 2002, she was invited as a visiting artist in the Printmaking department at the University of Alberta, and then in 2003 was invited as the first artist-residence in the printmaking department of Capilano College, N.Vancouver, BC. There she worked on a collaboration with printmaking faculty Wayne Eastcott. They exhibited the results in 2003, 2005, and 2006 in Tokyo, Japan and Vancouver, Canada.

She immigrated to Canada in 2006 (permanent residence status) and is living and working in Greater Vancouver. This is her first solo exhibition at a commercial gallery in Canada.

This exhibition’s title “Floating world” comes from the Japanese UKIYO-E (referring to Japanese traditional wood cuts). It means “Picture of the present”. UKIYO literally translates as, “Floating world”. Therefore, the theme is “Present life looks like a transient dream.”

Suzuki’s work is based on her perception of a world in which the sense of space and distance is shrinking, not only in the physical world but also in terms of the mental space that people tend to inhabit in a fast-paced urban society. She considers that the demands of contemporary life leave too little space for meditation, or the possibility of contemplating the present moment, resulting in humans being out of balance. As a response to this condition Suzuki incorporates empty space within much of her recent works. (Richard Noyce)

For that reason, Suzuki composes works that include elements of the past, present and future. She also employs another dimension (surreal image) that fits well with her work’s space, and deals with the connection between Reality and Illusion.

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Michiko Suzuki: I Am Suddenly Transported Here

More examples of Michiko’s work may be seen on the Bellevue Gallery site under ‘Gallery Artists’.
Michiko is a friend and a fellow artist working in the same printmaking studio. She has been a subject of several blogposts here regarding her collaborations with Wayne Eastcott:
August 2004
October 2005
September 2006
October 2006

Mohsen’s Childhood Dreams

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I’m so pleased to learn that my friend Mohsen Khalili is having an exhibition of his Childhood Dreams series of mixed media works on paper. The opening is from 2 to 4 pm on Saturday April 5th, 2008 at the Jacana Gallery, 2435 Granville Street, Vancouver – a few doors north of Broadway on the west side of Granville Street. The exhibition will be up until April 20th.

Mohsen’s work may be viewed on the gallery’s pages as well as his own website.

You may be interested in reading more about this prolific artist in my earlier posts about his monoprints and his sculpture. I also found this fascinating interview.

I hope to be there on Saturday to congratulate Mohsen in person! I’ve always admired his passion and determination in spite of his serious health issues.

Color (Colour) Chart

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Virtual armchair traveller that I am, I appreciate it when art museums provide online exhibitions.

I’ve just had a wander through one of MOMA’s current exhibitions Color Chart –
Reinventing Color 1950 to today
. Interesting curatorial theme and website design.

(thanks to Marc for pointing this out via the CARFAC-BC e-digest)

It’s not so much about colour charts and colour theory, but the title did make me think of The Colour Museum. And inspired me to play with my ‘crayons’.

Robert Jackson exhibition

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Approaching Wholeness

I’m so pleased to announce that friend and fellow artist Robert Jackson will be having what sounds like an exciting opening of his exhibition called ‘Approaching Wholeness’. Here’s his invitation in his own words:

The show opens with an introduction by my wife Neslihan this Thursday October 4th, 2007 with the reception starting around 4:00 pm until 8 pm. The show runs until October 18th, at the Capilano College Studio Art Gallery in North Vancouver. Easy to find, just take exit 22 near the Second Narrows Bridge. (Download campus map, pdf)
 
There will be canvas prints of images taken of what happens when some very accomplished and serious artists just play for there own amusement in a sandbox with toys. 
 
Another series of images of various artists wearing masks that they chose from many that I have made. 
 
There will be some gorgeous toy images from a magical private toy museum, taken on our recent trip to Turkey.  We had “a big fat Turkish wedding” in September there.
 
Really the show is about me learning to unmask myself and learn to play again and mostly about finding love, inside and out. I am always surprised that this finding the inner playful true self isn’t usually taught at art school. So many miracles have happened to me, 10 times more love from Neslihan and her family than I ever dreamed was possible.
 
Please come and share this unbearable lightness of being with us on Thursday at 4pm.

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Untitled

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Lady of the Lamp

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Tractor Boy

Robert’s Artist’s Statement (pdf) is well worth a read!
All works shown here are mixed media digital prints on canvas.
Sizes about 22 x 34 inches.
Copyright Robert Jackson, used with his permission. 
Note: Gallery hours are 8:30am – 4:30pm, Monday to Friday.