artists in conversation

Yesterday afternoon we went to see an exhibition at the Seymour Art Gallery called Odd Occurrences: Narrative in the Art of Kristin Bjornerud, Tamara Bond, Tomoyo Ihaya, and Carrie Walker.

Here is the exhibition statement:
The artists in Odd Occurrences build on centuries-old traditions of oral and visual storytelling to create images that are wildly imaginative and intriguingly strange, mysteriously disturbing or oddly funny. In days gone by people were familiar with stories told through the spoken and written word and pictures because they usually depicted events from religious life, history, and traditions or communicated prevailing myths and legends. Today, however, in our pluralistic, postmodern society, we cannot simply assume commonalities of experience-there is no single narrative. Instead, the artists in Odd Occurrences offer a rich mixture of fabricated narratives derived from personal experience, cultural origins, current events, dreams, myths, and folk-tales. Telling their tales with human figures, animals, and objects, the four artists use formats that range from symbolic descriptions of occurrences to odd juxtapositions of found and newly invented imagery. These open-ended, nonlinear narratives, often stories suggested but not fully realized, allow for multiple levels of viewer interpretation.

Beautiful, exquisitely created work by all, using various drawing and painting media.

We timed it to also take in the Conversation with Guest Curator Rachel Rosenfield Lafo and three of the artists and the audience. It centered and elaborated on the above themes and was very accessible and enjoyable for the audience and added to the appreciation of the work. I found it most interesting to learn that the curator had seen these artists’ works in separate exhibitions and had noted certain similarities between them. And as curators sometimes do, she came up with an exhibition theme and proposal, invited the artists to take part, and arranged this exhibition venue.

On a more personal note, I want to mention that Tomoyo Ihaya is a long time friend whose work I’ve written about here many times (search here if you like). I was sorry to miss the opening night when she gave a talk, for she was unable to join the others at this later date because by then she had already returned to northern India where she spends much of each year. In addition I have met Tamara, a friend and fellow art school graduate of our daughter Elisa.

The exhibition continues to October 14th, so if you are in the Vancouver area, I highly recommend a visit to see this wonderful art, in this lovely location in Deep Cove.

Regarding the images below, these are quick photos of some of the work in the gallery taken just as the chairs were being set up for the talk, and with permission and a promise not to take closeups. I hope these give a slight idea of each artist’s work and that you may be intrigued enough to visit their websites or other links.

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by Kristin Bjornerud

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by Tamara Bond

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by Tomoyo Ihaya

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by Carrie Walker

B-Gallery exhibition photos

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As I wrote in the spring along with a poster image, our Art Insitute printmakers group had an exciting exhibition at the B-Gallery in Tokyo. I was lucky during the show to capture one photo from the gallery’s site before it was gone so I’ve been eagerly looking forward to seeing more, as have all the artists who were not there. Today Michiko Suzuki, one of the artists who was there in person, wrote that the exhibition was successful, well attended and well received. She kindly sent many opening and installation photos to share here. Enjoy!

I want to add the artist’s names under their images, and though I know many of them, I’m not sure of all, so shall add that information sometime later when I get to see the catalogue.

print show videos

A while ago, I posted about a printmaking exhibition by several friends at the Canadian Embassy in Tokyo, Japan. Michiko Suzuki, one of the artists, has kindly emailed me that she has put up two videos on YouTube. One is of their exhibition opening. The second shows the installation process and one can see more of their amazing work. The gallery space is fantastic. Congratulations to the artists!

Added later: Michiko has also created a video of her exhibition ‘Flicker of Life’, shown in the Penticton Art Gallery in 2009. I wrote about it back then with a link to a slide show she had created. Wonderful work!

photo: Japan exhibition

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Perhaps you remember my earlier post about our Art Institute group’s print exhibition in Japan? Here is a screen shot of the installation at the B-Gallery in Tokyo. My piece Fragments IV is second from the left. I can hardly wait to hear reports and see more photos from the artists who were present at the exhibition opening!

Added later: Here are more photos of our exhibition.

Printmaking, eh?

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Printmaking, eh?: Four Artists Expanding the Boundaries
May 25 – July 20, 2012
Embassy of Canada Prince Takamado Gallery, Tokyo

Four of the artists in the previously announced exhibition are also showing concurrently and for a longer period at the Embassy of Canada Prince Takamado Gallery in Tokyo.

The Exhibition Announcement states in part:

The Embassy of Canada is pleased to present an exhibition in its Prince Takamado Gallery entitled Printmaking, eh?: Four Artists Expanding the Boundaries featuring works by Western Canada based artists who take experimental approaches to printmaking.
Steven Dixon of Alberta together with Wayne Eastcott, Davida Kidd and Michiko Suzuki of British Columbia share the common thread of consideration of the human condition in the 21st century. Dixon explores the consequences of human endeavour via the artefact/archival landscape while Eastcott pursues the interconnection of contemporary technology, humankind and nature. Kidd dwells on the internal – the dreams, guilt and passion of the inhabitants of our culture and Suzuki is concerned with the fragility and future of young women.

All of these artists are or have been associated with the Art Institute, Printmaking at Capilano University, three of them in a teaching capacity. All have been mentioned on this blog in the past regarding some of their exhibitions so if interested in learning more about them, please do a search, located at the bottom of the left bar.

(The above image is not in the exhibition, just a crop from a proof of my own to provide a decoration here.)

Updated Aug.3rd, 2012: Please see the videos.

exhibition in Japan

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Just received this beautiful poster about our Art Institute Printmaking group’s exhibition coming up for May 29th to June 14th at the B-Gallery in Tokyo, Japan.

Huge thanks go to one of the artists, Michiko Suzuki originally from Tokyo, for her generous efforts in acquiring the gallery for our exhibition and for carrying all our work with her on her flight to Japan. (She has frequented these pages often, please search if interested.)

I’m hoping we shall see some images of our show on the gallery’s site once it is up for the benefit of those (most) of us who will not be there, and for readers. As more information comes in, I will add it here or in another post.

As an exchange, works by several Japanese printmakers will be exhibited in the Studio Art Gallery at Capilano University in North Vancouver during the month of October this year. Exciting times!

More, August 28th: Exhibition photos at last!

maquettry

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Dancing Owl-Woman
recycled printmaking elements

Please visit a most wonderful, magical and unique collection of maquettes by a diverse group of artists presented as a five-part online exhibition by Clive Hicks-Jenkins on his Artlog!

I am so pleased to be included at almost the last minute in part five. Go see!

Do visit part one, part two, part three, part four. Thank you, Clive!

Here’s my earlier post about my sudden inspiration to try making a maquette for the first time and the encouraging comments to join the maquette exhibition, especially from Clive.

I like that Clive calls this my ‘owl-woman resurrection’. That’s because I cut up (‘cannibalised’ is the word Clive used) prints that were proofs from ARKEO #4 and Silent Messengers: Writing-on-Stone I.

Here’s also a post about the making of the trial proofs for the latter piece, should you be interested.

Wayne Eastcott: Systems

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Another exhibition coming up very soon, by another artist friend and a mentor.Internationally known printmaker Wayne Eastcott will be showing his latest work at the Bellevue Gallery in West Vancouver. This new series, called Systems: New Works on Metal and Paper, explores:
the relationships between nature and technology and how they interact and form the human condition and environment. The surfaces of these works are developed by various combinations of digital silkscreen and hand painted stenciled enamel as well as pigments of mica and metallic dusts applied to either paper or riveted aluminum.

I’ve had glimpses of some his work in progress and it looks exciting. You may view some of Wayne’s earlier works as well as the collaboration Interconnection on the Bellevue Gallery pages.

A few related posts from the archives:
Interconnection: Eastcott / Suzuki
visiting Interconnection
Wayne Eastcott & Michiko Suzuki
Wayne Eastcott exhibition

Urban Imprints

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Friend and fellow-artist Olga Campbell has an exhibition up at the Havana Gallery. If you are in the Vancouver area I recommend a visit to see her always exciting work. I am sorry to have missed the opening but look forward to seeing it myself very soon.

From the archives, about some of Olga’s past shows plus her book:
Whispers Across Time
Triumph of the Human Spirit
Graffiti Alphabet, the book

ADDED Monday, March 26th, 2012: We went to see this exhibition this afternoon – it is wonderful! I love the sculptures of feet and hands and some heads. The prints on canvas look like paintings, my favourite is ‘Luminescence’, with a circle and lovely textures and colours.

gallery day

On Saturday, we went with friends to the Vancouver Art Gallery to see a couple of the exhibitions, one historical and one contemporary. We enjoyed both very much.

Lights Out! Canadian painting from the 1960’s
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As the country celebrated its 100th anniversary in 1967, modernist painting was strong in all regions of the country, but debates between the merits of figuration and abstraction were abundant. The important centres of activity, such as Halifax, Montreal, Toronto, London, Regina and Vancouver, each contributed to the national dialogue in a distinct fashion. (VAG)

This was very interesting for us for we were all young adults in our university years during that decade. A large board at the beginning of the exhibition displayed the dramatic political and cultural events that occurred in each year of that decade had us reminiscing quite a while. Where were you when President Kennedy was shot, or when the first man landed on the moon? It was especially wonderful for me revisit these works and to be transported back to art school days where we studied them, and were influenced by them, and whose styles we experimented with. One of them in fact, Kenneth Lochhead was one of our professors. (I wrote about his passing here).

No photos are allowed in the gallery, so I wish I could have found more images online to share here, just the above from the VAG site. Here is one review.

The second exhibition: Beat Nation: Art, Hip Hop and Aboriginal Culture

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Skeena Reece Raven: On the Colonial Fleet, 2010 photo: Sebastian Kriete (Captured from the cover of Glance, VAG members’ newletter issue 28)

Beat Nation reflects a generation of artists who juxtapose urban youth culture with Aboriginal identity in entirely innovative and unexpected ways. Using hip hop and other forms of popular culture, artists create surprising new cultural hybrids–in painting, sculpture, installation, performance and video–that reflect the changing demographics of Aboriginal people today.(VAG)

We found this one very exciting and impressive. It is wonderful to see so many (27) young urban First Nations artists from around North America taking their traditional forms into new contemporary ways of expression. Many are very well educated, even teaching in universities. Brian Jungen, whose international career took off after a major solo exhibition at the VAG six years ago (and I had written about), was naturally well represented with his Nike masks.

Please visit the VAG site and these links for more:
Ariane c design Many good photos here
• A review at Vancouver Sun and one image and video
• Review at the Georgia
The Beat, Aboriginal Art on Canada’s Pacific Coast is a interesting new-to-me newsletter that I’m going to follow.

Added March 14th: An excellent review of Lights Out! Canadian painting from the 1960’s by Robin Laurence in the Straight.