Writing on the Wall

As part of an occasional series about the printmaking studio that I am happily associated with at Capilano College**, I will be posting about exhibitions that members are involved in.

Robert Jackson is a new artist member this fall. He brings with him an extensive background in digital art work on a variety of media. He is currently participating in a group show, “Writing on the Wall” – a mixed media art exhibition featuring work that incorporates text, symbols, images or a combination of these elements to convey a message.

This is at CityScape Community Art Space, 335 Lonsdale Avenue in North Vancouver, BC, until October 10th, 2004. Hours: Wed-Sat.12-5, Sunday 1-4.

UPDATE: Sept.30.04 Today I was at Opus Framing & Art Supplies on Lonsdale, picking up a frame I’d ordered, so afterwards I walked two blocks up the hill to CityScape to see this show. I was pleased to see Robert’s two digital/mixed media pieces and an acrylic on canvas by Margaret Witzsche, a friend and past Institute member. Other memorable works for me were those by Sharon Christian and Shakun Jhangiani.

** Since this was written, Capilano College has been designated Capilano University.

recommended reading

Tonight I’d like to highly recommend you visit two of my favourite bloggers and read their posts:

Charles Downey at ionarts writes about a very thought-provoking lecture he heard presented by Peter Schjeldahl, art critic for The New Yorker, called “What Art Is For Now”. Some points that were made:

1.”those who want [art] will find it”….”the audience for art worldwide may be larger now than it ever has been”…
2.”The function of art in a democratic society is spiritual”…”The word ‘beauty’… is the A-bomb of art criticism.”
3.”Art is rhetorical….it argues.” The universal messages live on.
4. Art will leave the “decorative” and “return to exploring the illustrational, narrative side…”
My points don’t do it justice so read the whole article – lots of food for thought!

Anna Conti has posted some news in her Working Artist’s Journal about the eBay Art Fraud case. She is mentioned in an article on MSNBC in conjunction with a lawsuit by Tiffany. And a reader recommends a safer online sales site.

(Remember I pointed you to her story ….if you aren’t familiar with Anna’s case, read about it at her special page eBay Art Fraud.)

new native museum

National Geographic News has some interesting pages about the new National Museum of the American Indian in Washington, D.C. Native by design, it incorporated suggestions from Native Americans throughout North, Central, and South America. Most people said they wanted the museum to have an organic and handcrafted quality to it, and for its forms to be inspired by nature and set in native landscaping. For example, the east face features an overhang that evokes rock formations of the U.S. Southwest. This newest of the Smithsonian Institution’s eighteen museums opens next Tuesday.

Have a look at the photo gallery and visit the many links. Another NG article, concerning the exhibits, Artifacts Are “Alive” has more interesting reading and also has some more photos.

And this sounds very exciting: 20,000 American Indians are planning a march to the opening.

(This museum reminds me of the Museum of Anthropology in Vancouver, BC, which was inspired by the Northwest Coast native longhouses.)

Louisiana Museum of Modern Art

Art Daily has a report on an exhibition at the Louisiana Museum of Modern Art in Denmark.

As I was reading this I was transported to the summer of 2000 when we were travelling in Europe and visited dear friends in Denmark. One of the most memorable places we visited with them was this wonderful museum, which is situated 35 km. north of Copenhagen, on the North Zealand coast in a very spacious old park with a fine view across the sound of Sweden. It houses an exquisite collection of modern art by international artists such as Arp, Francis Bacon, Calder, Dubuffet, Max Ernst, Sam Francis, Giacometti, Kiefer, Henry Moore, Picasso, Rauschenberg and Warhol. The numerous sculptures are placed around the grounds; as one wanders through the museum there are pleasant surprises when suddenly finding a window framing a sculpture set in a natural garden.

Louisiana shows six to eight major exhibitions of modern and contemporary art. Now on, as reported on Art Daily, is The Flower as Image.

It is an exhibition where the visitor will be taken on a pleasure trip through works by classic masters like Vincent van Gogh, Claude Monet and Paul Gauguin, and can follow the perspectives from there into modern art with Henri Matisse, Pablo Picasso, Emil Nolde and Georgia O”Keeffe as well as more recent artists like Sigmar Polke, Irving Penn, Robert Mapplethorpe, David Hockney and Andy Warhol all the way up to the young contemporary artists Pipilotti Rist, Marc Quinn, Beatriz Milhazes and Nobuyoshi Araki […] the ambition of the exhibition to highlight how the flower motif also gives the artists an opportunity to think about what it actually means to create a work of art and how a motif that seems quite innocent on the surface carries within it a great narrative of the development of art and sheds light on both classic modern art and contemporary art.

Notice the exhibition that is just closing is about the work of Jørn Utzon**, the Danish architect best known as the man behind the Sydney Opera House…I didn’t know that, did you?

**link has expired. Try this one.

Canadian Arts news

CBC Arts News is on my daily blog visit list for Canadian arts news. I have linked to their articles several times in my postings. (If you’d like to see these, search my site for ‘CBC’). Besides current news in the arts, there are features on a variety of arts subjects on the right side, with additional links to related sites, so check it out.

Some items from this week’s news:
Tom Thomson exhibition at the Hermitage*
Marc Mayer, new director of Montreal’s Museum of Contemporary Art*
First Emily Carr scholar presents new $25,000 art prize*

*expired links removed

Nick Bantock exhibition

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“URGENT 2ND CLASS”: The Art of Nick Bantock and Book Launch for his new book, Urgent 2nd Class (Raincoast Books) – opening tonight Tuesday, September 7th and continuing until Sept. 26th at the Ferry Building Gallery, West Vancouver, BC

Nick Bantock is a favourite author of mine, with his delightful hands-on collages in the Griffin & Sabine books melded with romance and mystery. This I will not miss, though I’ll pass on the opening, sure to be packed in this charming little gallery by the sea. I recommend it to anyone in the Vancouver area, though it will also tour.

There have been several articles recently about this upcoming show by this successful West Vancouver author. Here’s an excerpt from the North Shore News:

His show at West Vancouver’s Ferry Building Gallery will feature more than 60 pieces including a couple of paintings that were done before he moved to Canada. “It’s going to be a very full show,” he says. “I wanted to do this in a way that was a bit like the old academy where it’s very heavily stacked with lots of different kinds of work. I wanted to create something that people could go into and they could spend an extended period of time in there like an old-fashioned museum – with lots of things to bury yourself in.

The exhibit consists of a wide range of material including originals from the Griffin and Sabine series as well as other work that has never appeared anywhere.

Along with the display of his work the Ferry Building will host a book launch for his latest publication, Urgent Second Class, in which Bantock takes readers on a magical mystery tour through his means and methods. He’s quick to point out it’s not a how-to book – more like suggestions of how people can create their own art.

If you don’t know this unique artist and author, read more about him in the Vancouver Sun, the Straight as well as Nick Bantock’s website.

UPDATE: Sept.10.04 – I went to see this exhibition today and I must say it was very visually stimulating and inspiring. His early drawings reveal his skill as a draughtsman and the early paintings already hint at the mystery and eclecticism of his later collage work. The textures, rich colours including shining gold, and the many partially obscured little images surprise and delight. Many of the works are reproduced in his books, but the originals have to be seen!

Art Daily is back

Zinken posted about a report on the fascinating Creswell Crags, which I have been reading about with great interest for some time, and which led me to the newly returned Art Daily – thanks!

I wrote with some sadness about their closing two months ago, so now I’m pleased to welcome Art Daily back!

New Forms Festival

September is almost here and I am looking at some of the upcoming fall events in Vancouver. This one sounds very interesting:

New Forms Festival 2004, a celebration of International Media Arts.
The New Forms Festival is an annual festival forum highlighting emerging forms at the junction of art, culture and technology. This year’s theme is ‘TECHNOGRAPHY’ – a hybrid word denoting the inscriptions of culture in technology. NFF04: TECHNOGRAPHY will examine the relationship of culture and technology: how culture writes technology and how technology writes culture. It will bring together practitioners and theorists from across grassroots, gallery and academic contexts and provide platforms for conversations among the diverse voices of contemporary digital regionalism.”

It will be held in Vancouver, B. C. from October 14, 2004 until October 28, 2004. There is lots of interesting reading about the events on their website. In conjunction with the festival, several exhibitions are also being organized.

One of these is “DIGITALIS 3.5: ETHNO-TECHNO: An Exhibition of Digital Print”:

The “theme Ethno-Techno refers to the convergence of ethnology and technology, or the expression of ethnicity or ethnicities in the form of digital print. Artists are encouraged to play in their own ethnicity or in the ethnicity of other cultures. Subject matter can be related to racial, national, tribal, religious, linguistic, or cultural origin or background. Images submitted must have been manipulated in some way by the computer.”

Organized by the Digitalis Digital Art Society, this international exhibition of original digital prints will be on public display at the Electra building, 989 Nelson Street, and the Roundhouse Community Centre, 181 Roundhouse Mews, Vancouver, B. C. from October 14, 2004 until October 28, 2004.

I was invited to submit some work for the jurying and am pleased to have one of my recent digital prints selected for this show. In fact, in the spring I wrote about one exhibition put together by Digitalis. Perhaps this is how I came to be invited to apply. It should be a very interesting and educational event!

Smithson’s Spiral Jetty

My daily newspaper The Vancouver Sun’s weekend edition has an Arts & Life section (subscription needed for online archives) which I often enjoy reading over lazy weekend breakfasts. The August 14th paper featured a fascinating article “Land art rises as lake shrinks” by Martin Gaylord for the Daily Telegraph. It is about Robert Smithson’s Spiral Jetty in the Great Salt Lake in Utah, built around 1970, and which has been submerged since a few years after. Now the water level is down to where it was and the Jetty “has re-emerged, transformed, glistening and white as snow”.

Almost immediately after reading this article, I went to my computer to check emails and my favourite blogs, plus a few new ones that I had bookmarked to check out at leisure. One of these latter, From the Floor, would you believe, had this post:

On the way to Spiral Jetty. Todd Gibson wrote about his plans to visit the Jetty with some great links, including to the original article in The Telegraph. Today he’s back with some photos and more to come. So go look for yourself and check out those links.

The Spiral Jetty, having been submerged for three decades, has taken on the air of some ancient creation by early humans. Though Smithson supposedly was not interested in the spiral’s symbolism, I could not help feeling some connection to this symbol used universally by early people around the world. I have tried to search for interpretations for the spiral, but those are of course shrouded in time, and can only be conjectured.
(thanks to Todd)

UPDATE – Robert Smithson exhibition:
This major exhibition begins its national tour in Los Angeles on September 12, 2004, at The Museum of Contemporary Art (MOCA) Los Angeles and remains on view through December 13, 2004. It will travel to the Dallas Museum of Art (January 14 to April 3, 2005) and the Whitney Museum of American Art in New York (Summer 2005). The exhibition features over 150 works, including paintings, works on paper, essays, photographs, objects, and films from 1955 to 1973.

(thanks to Caryn at art blogging.la)

UPDATE 2: See more Spiral Jetty photos

Warhol at VAG

lenin72.jpg
Lenin by Andy Warhol ( silkscreen – from Artchive)

Another destination visit with our European visitors was to the Vancouver Art Gallery and its main summer exhibition Andy Warhol: Prints and Drawings from the Warhol Museum.

Warhol’s work continues to be shown around the world almost to the point of over-exposure. This VAG show even merited a report on Art Daily (no longer publishing, but archives are still on line), and of course, at The Andy Warhol Museum site. We have all seen lots of Warhol’s work in the past, including here in the VAG and in Europe, so we were pleased to see a number of pieces here that were new to us: some very early works, many drawings and a few prints like the above portrait of Lenin, which I rather liked more than many of his works that have become too common.

Another exhibition Baja to Vancouver: The West Coast and Contemporary Art presents the hottest contemporary artists working on the West Coast of North America today. Although Vancouver and Los Angeles are internationally recognized art centres, the West Coast has never before been the subject of a major survey exhibition.

Most memorable works for me were the installations by Liz Magor (including “Double Cabinet” shown here), Brian Jungen’s First Nations masks and a wall piece made from red, white and black Nikes, and Russell Crotty’s wonderful hanging Globe Drawings.

Speaking of Brian Jungen, the Vancouver Art Gallery received a $50,000 (U.S.) grant from the Andy Warhol Foundation for the Visual Arts for the purposes of organizing a major touring exhibition of works by this Vancouver artist. Read more via this PDF. I wonder if this is why the VAG presented another Warhol exhibition in less than 10 years. Vancouver gets so few major international exhibitions that I felt disappointed in this decision, the result of budget constraints as usual.