30 x 30 print show

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Gerri York: Phosphor endure 2005
Digital print, etching and chine collé
15cm X 15cm (about 12″ x 12″)
Photo: D. Martens

This sounds like a very interesting contemporary print exhibition by Vancouver area artists that I don’t want to miss (taken from BAG website, with links and bracketed comment added by me).

30 X 30: New Directions in Printmaking
February 28-April 16, 2006
Reception: Saturday March 4, 1-3 p.m.
Burnaby Art Gallery in Burnaby, BC (next door to Vancouver)

The Malaspina Printmakers Society on Granville Island has a special relationship with the Burnaby Art Gallery. A major portion of the society’s archives is housed at the gallery and composes a major component of the City of Burnaby Permanent Art Collection. 2005 marks the 30th anniversary of that association. To commemorate this important anniversary, 30 artists from societies past and present have been commissioned to create a work on paper–a print that fits within the confines of 30 centimetres by 30 centimetres. These works will be on display as part of the celebration of this important British Columbia printmaking institution.

a batik exhibition

This little news item in Stone Pages caught my eye and really piqued my interest:

Exhibition: Spirits of the Stones
“A touring exhibition by Annabel Carey of batiks featuring stone circles in England, Scotland and Wales, which began at the Marischal Museum, Aberdeen in November 2003 reaches the Royal Cornwall Museum, Truro (England) for an exhibition running until May 13.

     The work shown here is the result of a 20-year project, Spirit of the Stones. This has resulted in more than 50 batiks celebrating prehistoric stone circles and tombs of the British Isles, many of which are here in Cornwall. Annabel said of her work: “I used the medium of batik as it seemed to offer me a wide range of expression to capture the essence of each monument. By exhibiting batiks from all regions together I hope to inspire and encourage other people to visit these monuments, some more than 5000 years old, and reflect on our ancient spiritual heritage.”

In the hopes of finding some images of Carey’s batiks, I did some searching and found the website for Royal Cornwall Museum but I’m disappointed that there’s only one small image shown. A couple of media statements at U of Aberdeen and in This is Cornwall give just a bit more information about the artist. Maybe some of my readers in the UK might have seen or will see this exhibition. If so, let me know what you think of it and if you find some images to share!

Now why did this pique my interest, you ask? Well, because of my interest in prehistoric stone circles, as most regular readers know, but also because I used to make batiks too.

Long ago when I was a high school art teacher and had just moved to a new job in northern British Columbia I learned that batiking was one of the optional art mediums in the program. I was unfamiliar with this but I was very lucky that my new friend and colleague, the textiles-home economics teacher in the classroom next to mine, knew the process and gave me a few lessons. I really enjoyed working together with the students, learning right along with them.

After my teaching years I continued to explore many media, especially batiking, trying to develop this craft into a serious art form. I stopped when I came back to printmaking. I still have some batik supplies stored away; now and then, like when reading about this exhibition, I get a little urge to do some again.

The image below is a detail of a lovely batik that our eldest daughter bought for us during a trip in Indonesia, where the technique originated. For information on batiking, visit Wikipedia for lots of good links to explore.

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UPDATE March 7th: Following up on a suggestion in the comments below, I emailed Valeri of dyeing 2 sew, because she lives in Cornwall. I told her about this show and expressed a hope that she might visit it and perhaps post some pictures on her blog. Valeri kindly did go see it, even took photos and blogged about her impressions along with several photos here plus more here. Go have a look! A big thank you, Valeri!!

Olga Campbell’s opening

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We made it this evening to Olga Campbell’s opening at Diskin Galleries. Olga presented quite a large number of her digital prints, some based on her travels in Asia and some of her personal family history, and all very emotive and beautiful, full of texture and rich colours. A good crowd and a lovely large gallery and lots of food and drink – a great opening! Congratulations, Olga.

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ADDENDUM March 2nd: Olga told me today that the gallery now has some images of her work on their site – so go have a look!

Olga Campbell at Diskin

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Art Institute Printmaking member and friend Olga Campbell is having an exhibition of new mixed media works under the theme of “Triumph of the Human Spirit” at Diskin Galleries from February 24th to April 27th, 2006. The opening reception is on Friday, February 24th from 7 to 10 pm. Diskin Galleries in located on the second floor of Tinseltown, 88 West Pender Street, Vancouver, BC. If you are in the area, do drop in!

I look forward to seeing Olga’s beautiful work in this newish gallery that I’ve not yet seen. Olga had a very successful exhibition last year which I visited and wrote about. Have a look at some photos of her work at these links.

Update: 24/02/2006 Please visit my post about the opening

Bharat Bhavan Biennial

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Detail from Silent Messengers: Hoodoos I

Yesterday, while my thoughts were still freshly on international print shows after writing the post about the Krakow Print Triennial 2006, I heard the thud of letters and magazines dropping in through the mail slot. I was most excited to find among the bills and junk mail a letter from India – is it good news or bad?

It is good! I have had my printworks accepted into the SEVENTH BHARAT BHAVAN INTERNATIONAL BIENNIAL OF PRINT – ART 2006 INDIA! I am particularly pleased because this is the first time I’ve entered a competition in India, and because the jury fee was very steep and the mailing not cheap.

The exhibition has already opened on February 13th at the Roopankar Museum of Fine Arts in Bharat Bhavan, Bhopal, India. I think all three pieces that I submitted will be on exhibition there: Silent Messengers: Hoodoos I, Nexus/Blue I and Nexus/Blue II. I am looking forward to receiving the catalogue!

This place sounds interesting. Because they do not have a website, here are a few words from the submission brochure:

Inaugurated by the former prime minister of India Smt. Indira Gandhi on Feb.13, 1982, Bharat Bhavan is a multi-art complex, providing interactive proximity to the verbal, the visual and the performing arts. […] Roopankar is the only museum of fine arts in India which houses both contemporary urban and folk – tribal art. Attached to the museum is a fully equipped printmaking workshop, ceramic workshop, design unit, archival section and facilities for stone carving and bronze casting.

International Print Biennials have been held there since 1989 with distinguished jury invited from around the world.

Krakow Print Triennial 2006

International Print Triennial Krakow Poland is celebrating the 40th Anniversary of its founding this year. I’ve mentioned this international print triennial several times before as one of the top ones in the world. It is notable for the numerous additional exhibitions that continue in other countries and venues long after the Krakow shows end.

I’ve been fortunate that I’ve been allowed to participate in several of these triennials – in 1994, 2000 and 2003. I’m eager to participate again this year so I have just sent in my contact information and two images of my work to them so that they will send me the application form and submission information. If you are a printmaker, I highly recommend that you do too!

In case you didn’t know, most international print competitions are juried from either slides, CDs or actual works that the artist has to submit, along with usually a jury fee. A catalogue of the selected works is usually printed and given to all the participants. Various monetary prizes are awarded for the best works and customarily the grand prize winner of the last triennial is given a solo show in the next triennial. Vancouverite Davida Kidd was this last grand prix winner in Krakow, and will be there this year – an exciting and great honour!

The Krakow Triennial website is an exciting resource for printmakers and anyone interested in the leading edge in contemporary printmaking around the world – particularly with the very thought provoking discussions in the FORUMs in 2003 and one that is now underway in advance of the coming triennial.

Keep on top of dates and submission information for other international print competitions. Finally, view the works of many printmakers around the world at ICONDATA.

Bill Laing’s Silkscreens

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Bill Laing – “Terrain of the Domestic Landscape #2” – Silkscreen

Yesterday we spent a few enjoyable hours poking around the always lively Granville Island. Amongst other pleasures, we stopped in to view Bill Laing’s exhibition PARIS: Recent Silkscreen Prints at Malaspina Printmakers Gallery.

Magnified patterns from nature; leaf vein patterns, ripples on the surface of water and patterns that mirror nature; floral lace patterns, leaf motifs on drapery form the source of inspiration for Bill Laing’s recent silkscreen prints.

These patterns usually obscure hidden human figures that you would not know were there until stepping back farther – an interesting visual play. I was pleased to see a body of his work together, having only seen one or two in real life before. Bill Laing is a well-known Canadian printmaker, a professor and head of printmaking at the University of Calgary, Alberta.

It’s well worth visiting this exhibition if you are in the area, and it is still up until February 19th. You can read more about Bill Laing and see some of his works at the Herringer Kiss Gallery site.

Tae-Huk Kim exhibition

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Regular readers may recall my post about our print studio’s artist-in-residence Tae-Huk Kim. Since his arrival in November, Kim has been busy making new woodcut prints using traditional Japanese water-based woodblock techniques. Next week he will be giving a demonstration of his technique followed by an exhibition of his works. Here are the details:

Monday, February 13th, 2006 11:30am – 1:00pm: Demonstration of Tools, Woodcutting and Printing

Thursday, February 16th, 2006 11:30am – 1:00pm: Walk Through Exhibition and Powerpoint Slide Show

Thursday, February 16th, 2006 4:30 – 7:30 pm: Exhibition Opening Reception

The exhibition is on from February 14th to 27th, 2006

Studio Art Gallery, Capilano College*
2055 Purcell Way, North Vancouver, BC
Gallery hours: 10am – 4pm Monday – Friday

To find your way to the North Vancouver Capilano College* campus, check out Google maps. Everyone is welcome!

* since then, the college has been designated a university

Mohsen’s opening

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Last night we attended the opening of Mohsen Kahlili’s exhibition at Gallery Jones, here in Vancouver.

It is an impressive body of work! The 61 sculptures were laid out on three long tables beautifully custom built by a friend, complemented by the mixed media drawings on the walls. The gallery was packed the hour we were there, and more people were coming in as we left, in spite of the heavy downpour that started just when we arrived. If you’re in the Vancouver area, do go and see this show – it’s well worth it.

Congratulations, Mohsen! You have done a tremendous amount of strong and moving work in spite of, maybe even because of, your health difficulties. The work seems to be very much about your pain. (That’s Mohsen on the far right in the photo below.)

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UPDATE: I’ve just learned at Beth’s blog Cassandra Pages that there is an exhibition of sculptures by David Smith at the Guggenheim in New York. Perusing through the site which features some images of Smith’s work, I’m struck by the similarity of Mohsen’s work to some of Smith’s, like Tanktotem III.

Colbert’s ‘Ashes & Snow’

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Gregory Colbert image from ‘Ashes and Snow’ via CTV News article

Just by chance (isn’t that the best way?), I came across a fascinating article about Canadian photographer Gregory Colbert, who has spent ten years getting close to wild animals and photographing them as they interact with humans.

Canadian-born Colbert set out to depict humans interacting with wild animals, to display what he calls the “common language” shared by all living things.

His ‘Ashes and Snow’ exhibit winds through Kenya, Sri Lanka, India, Burma, Namibia, Antarctica and Borneo. Its rich visuals are printed in sepia tones, depicting a world without buildings and electricity, where people and animals are equals and friends.

“What I am doing is radically simple,” Colbert told CTV. “It’s the same thing the cave painters would do or the bush men try, to express the music of not just human beings, but of other species.”

‘Ashes & Snow’ is installed in a special architect designed and very beautiful travelling museum, the Nomadic Museum, and is presently at Santa Monica Pier, California. For us armchair viewers, there’s a gorgeous interactive website that you must visit. Plan to spend some longer quiet meditative time looking through the beautiful images, some of which look like fine drawings. Be sure to move your mouse around the image screen to see the thumbnails for more! I hope you enjoy them as much as I have!