busy busy

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This first week of August has been a busy one for me with three days spent in the printmaking studio. I signed up for two weeks of summer access in order to complete two editions, of which I’d done the digital printing in the spring. I’m doing the hand printing on top of these now. I finished printing an etching on one yesterday. Today I was playing with a few ideas for the second edition, eventually deciding on relief printed collagraphs. I have some more to do on them at home this weekend. I hope the tests will be successful on Monday and then the edition can be completed. I’d like to have a couple of days at least left to do some playing around, maybe even trying out my new Dremel tool! I’ll write more when they are finished and photographed, hopefully at the end of next week.

As soon as I spend time in the printmaking studio, my time for other things gets squeezed, like time for the garden. It’s been incredibly hot and humid again and some of my plants were seriously wilting from neglect so I dashed around with the garden hose this afternoon. I too have been wilting into exhaustion, finding it hard to work in this heat. That may be why I rarely print in the summer; it must be my northern blood that I function far better in the cooler months!

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One non-studio day I had an appointment over town with my naturopathic doctor. The timing was perfect for my husband, who commutes by bicycle, to ride over from work to meet me afterwards. He loaded his bike inside our van and we headed west over to Spanish Banks, long sandy beaches along the south side of English Bay. It’s immensely popular for it’s warm shallow waters along here and many people were enjoying it and the gorgeous view of the North Shore mountains and the highrises of the downtown to the east. It was very hazy with the heat and humidity, and therefore smoggy as well so our photos were not clear. We walked and walked along the beach, looking for a certain new seaside restaurant but eventually realized we’d gone too far west past the Kitsilano beach area where it actually was. As we drove back east, we spotted an interesting looking little organic food place on 4th Avenue instead and enjoyed a tasty light dinner. It’s fun to be a tourist in our town for a little while now and then.

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England’s Rock Art

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Baildon Moor, Yorkshire – Photograph: B Kerr/English Heritage, via The Guardian, UK

Long time readers know that I’m passionately interested in ancient rock art (as can be seen under that category link on the side). It’s been a while since I’ve written about the many exciting discoveries I keep reading about on the net.

Last week, thanks to British Rock Art Blog I read about the launch of ERA: England’s Rock Art on the Web. The main page has a slide show of beautiful photographs, a bit slow so give it some time, then check out the other great links to information and more images.

Amongst the outcrops and boulders of northern England keen eyes may spot an array of mysterious symbols carved into the rock surfaces. These curious marks vary from simple, circular hollows known as ‘cups’ to more complex patterns with cups, rings, and intertwining grooves. Many are in spectacular, elevated locations with extensive views but some are also found on monuments such as standing stones and stone circles, or within burial mounds. The carvings were made by Neolithic and Early Bronze Age people between 3500 and 6000 years ago. The original meaning of the symbols is now lost but they provide a unique personal link with our prehistoric ancestors.

Concurrently while I was thinking about this blog post, blog pal A Mouse in France, knowing how I love great photos of rock art on the web, posted a link directed to me for the Guardian’s page and slide show of Britain’s prehistoric rock art and the same heritage site! Again, gorgeous slides plus an article by Jonathan Jones.

I recognized several images especially the above image of a rock on Baildon Moor, Yorkshire from a wonderful and authoritative book I bought secondhand several years ago: Jean McMann’s Riddles of the Stone Age – Rock Carving of Ancient Europe (Thames and Hudson 1980). It was the first in my small collection of books on rock art and is still a treasure.

I admire the work of the photographers for I know these subjects are not always easy to capture well, from my own experiences here in BC and Alberta. Like Mouse, I’d like to visit these petroglyphs and so many other rock art sites in the UK, and elsewhere… anywhere in the world! So, these kinds of websites are wonderful for armchair travellers like me.

serenity

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Wishing calmness and serenity to friends in emotional turmoil.
Though I know them only virtually, I’m surprised how much I feel their pain.

an English-Finnish dictionary

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an immigrant’s tool, an almost-bible, a book of days
a history of heartache, homesickness, hope and a new home

UPDATE Feb.28, 2011: this has also been published in qarrtsiluni’s translation issue

for Beth

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grasses in the wind

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That visit to the pier offered many photo-ops including some lovely plantings of natural grasses.

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I loved the evening light shining behind them;
their movement in the gentle breezes made it a challenge to capture them in focus.

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A row of old buddleia or butterfly bushes still managed to bloom behind the construction fence. The bumblebees always managed to evade the camera!

textures, patterns, shadows

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I found interesting textures and patterns on the pier,
Such perfect evening light for photography,
A serendipitous addition to my image files for possible future use in my printmaking!

on the pier

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Being in the area yesterday evening, my husband and I sauntered over to see the 700 foot long Burrard Dry Dock Pier, just east of Lonsdale Quay in North Vancouver.

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According to this History of the Pier,
The newly refurbished Burrard Dry Dock Pier and St. Roch Dock are a tribute to the City’s shipbuilding history. The Burrard Dry Dock Pier and St. Roch Dock, which were built in 1940 for the wartime shipbuilding effort, once extended much further into Burrard Inlet. The piers, which were recently refurbished as part of the City’s Pier Development project, officially opened on April 23, 2005.

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It’s been sad to see our shipbuilding industry in decline and then to have much of this area handed over to developers of high end condominium towers and a hotel, with some space set aside for a future maritime museum. The pier area is the only completed public space yet, lying in front of the active construction holes and cranes. Very pleasant it is in how it’s been refurbished incorporating the rail tracks of the original drydock and with many metal shipbuilding details. We found it a quiet and relaxing spot for watching the waterfront activity, though quiet on a Sunday except for the sudden actions of the tugboats (photo by him) coming and going as freighters began moving in with the tide just as we were leaving. I don’t know why it’s taken us over three years to go see this even though we are often in this area, maybe because it is so hidden behind the construction site.

We were quite inspired to take many photos in the golden evening light, so look out for more!

a scan test

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#1. Originally scanned at 300 dpi.

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#2. Originally scanned at 600 dpi.

My last post on scanning certainly piqued the interest of several readers! I look forward to seeing the results of your play, everyone!

Barrett tried it out with his ‘cheapo’ (his word) scanner and was very disappointed.

I thought I would demonstrate a test I did for myself as much as for Barrett and any readers interested in more on this subject. I did two scans of the same object, enlarged by 200%, varying only the dpi (dots per inch), the first one at 300 dpi and the second one at 600 dpi.

I placed a handy object, a shell about 10 cm or 4 inches in length, on my open scanner and ran the scanner via PhotoShop. Each comes up as a .psd (PhotoShop) file, better than a Tiff for working with initially. The first scan came up at 3.29 MB in size and the second one at 52.6 MB.

For this test, I made no adjustments for colour, levels, contrast or anything else. On each image, I changed the resolution to 72 ppi, and the image width to 500 ppi. The file size on both then became 455K. Then I proceeded to ‘save to the web’ on each, choosing high quality, 79 (I could have gone higher but this is often the range I normally choose). The result?- both around 48K. The images automatically saved as jpegs. Then I uploaded them to the blog, eager to see if there’s any difference. What do you think? Very subtle to my eyes!

So, the point of this very dry demonstration is to show that if your goal is just to put your scanned image on your blog, you do not have to scan at a huge resolution. I find around 300 is very good, and less would work, depending on your scanner quality.

If you plan to print your image, especially very large, then you may wish to use a very high resolution and magnification to get greater detail. For example, one artist friend of mine did a series of scans of leaves at the highest resolution (1200 dpi?) and after much work on the images, printed them something like 90 x 120 cm (3 ft by 4 ft). They were amazing!

For my own digital printmaking on more moderate paper sizes and with a high-end printer, I’m usually satisfied with less resolution, say at 300. Tests and trials are very much a part of the process for me to determine what works best for the image.

I’d love to hear from others who have a lot of scanning experience and have any tips to share, for I’m always learning!

3D scanning techniques

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I love how blogging can foster some interesting conversations and connections, and sometimes give food for more blogging material. A few weeks ago, British blogger Barrett Bonden of Works Well expressed interest in the equipment I use in my photography, then mentioned it in his article Beauty’s hardware. Then Barrett emailed me:

I’m really fascinated with your use of a scanner to image 3D objects. My scanner is a cheapo, has no such facility (the hinged lid would have crushed your wonderful onion skins, for instance) and I’ve always wanted something better. I Googled your scanner [Epson Perfection 4990 Photo] and could see it was superior (although the prices range from £125 to £500-plus and I’m rather hoping yours wasn’t at the higher end). There was no indication, though, about how it handles 3D objects. I realise I’m trading on your skills as a professional here but I’d be very grateful if you could explain please.

My reply with some edits: I had the same concerns about crushing objects. In my earlier experiments, I would lay a cloth, black or white or other over the objects, leaving the lid open of course. I’ve even used a shoebox. The most recent experiments like the onion skins were with nothing at all, still with the lid open and I was astounded that I’d get a black background! Now why didn’t I think of that in the first place?!

I spent more money (though got it ‘on sale’) choosing the Epson Perfection 4990 Photo scanner because I needed the higher resolutions for my digital printmaking, and also because this scanner allows transparency and slide scanning, including odd sizes. My husband’s collection of old extra large slides would not fit the slide scanner I used to have (which became obsolete technology, sigh). I haven’t actually tried the slide scanning out much yet – I think that may become a retirement project. Plus my late father-in-law, a professional photographer left thousands of slides… if we have the energy to sort through these one day. We don’t have a working slide projector that fits these, another story of obsolescence!

Barrett’s response: As simple as that! And there I was dreaming up all sorts of technoid-solutions. As a retired journalist I am horribly tempted to outscoop you on this – old, unpleasant habits die hard. I’m joking but you must blog it. Millions will profit and I’ll be able, knowledgeably, to refer in future blogs to the Rathje 3D Scan.

Well (she chuckles), I don’t know about my rights to the technique and millions profiting from it because I think the real pros have been doing this for a long time already. Serious photography is a more recent development and branch in my art practice, previously it was a tool for image capture for my photo-based printmaking such as photo-etching and then archival inkjet printing.

I prefer using the scanner to capture small objects because I think the results are far better than with the camera, at least in my hands, because I can choose very high resolutions (pixels). This allows me to enlarge or magnify the image to a great extent. This can give some wonderful and exciting surprises, such as shown in this my favourite post on scanning.

I thought of linking to some of my other ‘object scans’ but found far too many to choose from! If new readers (like you, Barrett) are so inclined and have a lot of time, check out my images in Photoworks on the side though not all the photos are scans. It’s dawned on me that ‘scanning’ could have been another category here to improve the search!

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Regarding the images here… during my recent purging of old magazines, I had found these dried leaves in one of several Finnish magazines passed on to me years ago by a friend’s Finnish mother who passed away a few months ago. That dear association as well as Barrett’s question compelled me to save them digitally. The one up top is scanned with the lid down, the lower one with the lid up. I’ve even ‘blown up’ a section (below) so you can see the incredible detail possible, though much is lost in compressing for the web.

I should add that the quality of the scanning software provided by the scanner may be another important detail to look into when shopping around. As for photo-editing software, as a professional artist I use PhotoShop exclusively, but I would imagine similar things can be achieved with cheaper consumer level software if you are not planning on doing a lot of large printing. As a Mac user, I find Apple’s iPhoto is good at a more basic level. I’ve not done any serious comparisons with other software, so please do your own research if you are shopping around. Best of luck in your search, Barrett, and thanks for the interesting conversation!

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Addendum: If you are interested, learn more from my scan tests.