Exhibition: Chang-Soo Kim

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Chang-Soo Kim is an award winning photographer and printmaker and a professor at the college of art at Kyungwon University, Seoul, South Korea. He is visiting Vancouver and Edmonton with the following events, organized by University of British Columbia (UBC) and Capilano University.

Exhibition: Studio Art Gallery, Studio Art Building at Capilano U
Oct. 4 – Oct. 28, Opening: Oct 7th, 4:30 – 7 pm
Public Lecture: UBC, Lasserre rm. 107, Oct. 12: 12:45 – 1:45 pm
Public Lecture: University of Alberta, Edmonton, Fine Arts Building, Nov. 4, 5:15 pm

Everyone is invited to all events. For directions to Capilano University in North Vancouver, check out Google maps. And here is the campus map, pdf.

We at Cap are looking forward to meeting Chang-Soo Kim and getting to know his work and we hope to see you at the opening if you are in the Vancouver area.

I could not find a website for the artist, but if you are interested you may view the artist’s CV and a Description of Works (both are pdfs).

Added Oct.6th: Here is a page of great photos of Chang-Soo Kim’s artist talk with a class at UBC.

Added Oct.23rd: See some installation photos here.

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a new appleturnover

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my warm woolly wrist warmers knit by Elisa

Motherly pride is showing when I write how I’ve long enjoyed our daughter Elisa’s blog appleturnover since she started in the spring of 2006. As demands of family and an art practice grew, the blog waned at times, was revived and waned again.

This summer while visiting us at home here in Vancouver, away from their present home in London, UK, Elisa redesigned her blog and started it afresh, focusing even more on the natural, can we say old-fashioned, side of homemaking much like her grandmothers practiced and which skipped some of my generation. I never took to knitting myself and did not do much canning, preferring freezing. I used to do a lot of sewing and was challenged this summer to teach a bit of those now rusty skills such as hand-made buttonholes.

Do visit the new and beautiful appleturnover and say ‘hello’. Don’t miss reading her wonderful ‘about’ page. Enjoy!

P.S. In case you are a newer reader and have not made the acquaintance of the blogs of our other two daughters, here is Anita’s and here is Erika’s. Yes, I’m proud of all of them.

Added October 16th, 2010: If you are a knitter, you may be interested in a pattern for a similar pair of fingerless gloves that Elisa has made and posted on her blog.

green & white

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feels like fall

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– cool rainy days alternating with some sunny warm days
– the first long slow oven-roasted chicken
– the first cold night at 8C (46F)
– the first pot of chicken soup simmering on the stove
– floating medallions of parsnips and carrots like last night’s Harvest Moon
– quiet easing into tomorrow’s September equinox, unlike these celebrations
– hoping for an Indian summer like those of my youth

textures of home #6

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… a detail of a treasured cloth embroidered by husband’s aunt many years ago

It’s been a very busy week getting started in the studio, doing a bit of of fall gardening between showers, and now preparing a little birthday celebration for our ‘English’ daughter tomorrow. Then suddenly Monday will be here and the day we take her and our dear granddaughters to the airport for their flight home to London. They’ve been here over two months but will not be coming home for Christmas this year for the first time ever. We’ll miss them. It will be so very quiet here.

rare Lascaux photos

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Rare, Unpublished: Lascaux Steer Photo: Ralph Morse/Time & Life Pictures/Getty Images Jan 01,1947

This is exciting, if you love ancient cave paintings as much as a I do.

LIFE.com has a gallery of previously unpublished rare photos, the first ever taken inside the Lascaux Caves of France. The caves were discovered by accident on September 12, 1940 by two schoolboys but it wasn’t until 1947 that…
LIFE’s Ralph Morse went to Lascaux, and became the first photographer to ever document the astonishing, vibrant paintings. Here, on the 70th anniversary of the discovery of the cave and its treasures, in a gallery featuring rare and never-published photographs, Morse — still vibrant himself at 93 — shares with LIFE.com his memories of what it was like to encounter the long-hidden, strikingly lifelike handiwork of a vanished people: the Cro-Magnon.

“In [Cro-Magnon man’s] most expert period,” LIFE noted in its issue of Feb. 24, 1947 (in which a handful of Morse’s photos appeared), “his apparatus included engraving and scraping tools, a stone or bone palette and probably brushes made of bundled split reeds. He ground colored earth for his rich reds and yellows, used charred bone or soot black for his dark shading and made green from manganese oxide. These colors were mixed with fatty oils. For permanence, the finest pigments of civilized Europe have never rivaled these crude materials.”

It’s a fascinating story with great photos that, to me, inspire awe and admiration for the skills and artistry of these early humans of 17,000 years ago.

Many thanks to ionarts for this link!

autumn red

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The giant-leaved maples have been dropping their crisp golden brown leaves for a while thanks to our very dry summer. But the sight of the first red tinges on our native vine maples of southwest BC excite me the most.

BIMPE VI exhibition

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Design: Cloe Aigner, Print: “Bite your Tongue” by Jen McGowan, intaglio

Everyone is invited to the opening for The Sixth Biennial International Miniature Print Exhibition (BIMPE) on Saturday, September 11th, 2010 from 6 to 9 pm. at the Federation Gallery on Granville Island, 1241 Cartwright Street, Vancouver, BC.
As the BIMPE site explains:

The Biennial International Miniature Print Exhibition (BIMPE) is held every two years in Vancouver, British Columbia. This exhibition is a showcase for small scale works measuring no more than 15cm × 10cm, and is open to images made using all printmaking techniques from traditional line etching to contemporary digital processes.

I’m very pleased to have my work chosen along with that by numerous (about 200?!) other artists from around the world. Many of the names are known to me, a few I know personally such as the artist whose delightful print was chosen for the invitation above. As I’ve mentioned before, I rarely do small works so this year it was a timely opportunity for me to support this local biennial of prints.

This exhibition will be at the Federation Gallery until the end of September, then moves for the month of October to Dundarave Print Workshop, also located on Granville Island. In November, it travels to Edmonton’s SNAP Gallery.

UPDATE October 30th, 2013: While cleaning up dead links on old posts, I have discovered BIMPE now has its own site with pages for each biennal. Check out the fantastic PDF version of the catalogue!

labours of love

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There’s not been much art busy-ness happening here since I wrote this art and garden busy-ness post last April. I’ve been busy with garden, family, a few little trips away but lots of laziness too, sometimes due to hot weather, often just downright slothfulness on my part.

This is a Labour Day long weekend here in Canada, and the only labour we managed was yesterday’s day of pruning shrubs in the garden, work that should have been done in the spring. I’m back-and-knees sore from hours of picking up the prunings from the plants beneath. The fall gardening season is almost as busy as the spring one for I need to start bringing in many of my non-hardy plants that spend the summer outdoors as well as take cuttings for next summer’s garden. We harvested the last of the cucumbers and composted the plants. We’re still enjoying the tomatoes though now they are ripening more slowly. The peppers are in full abundance right now so last night we brought the pots into the solarium to assure they’d keep reddening in spite of the cool rainy week just started. We’ve had many delicious and healthy Greek salads this summer. Time to use up the basil for pesto too.

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As you can see autumnal thoughts are much with me with the changes in the light, the longer shadows and the shorter days, and a few rainy days like today that have us putting on socks and long-sleeved shirts, along with the annual feelings of a new beginning with the traditional back-to-school right after Labour Day.

Years of being a student, a teacher and a parent must have left a permanent imprint on me. Maybe that was what gave me the sudden impetus to sign up again for the fall in the printmaking studio even though I’d originally planned not to go back until January. So now, I’m feeling some anxiety about getting myself back in the art making mode after the lazy summer, as if I were still a student. Tomorrow is my ‘first day’ back!

If you read the above linked post, you’ll know that I had many good intentions to get my small home studio in order over the summer. It did not happen. I’m still looking for used flat files too. Maybe with a more structured routine this fall I’ll get to it. I feel guilty that I have not yet put up my past year’s work on this blog, which requires first scanning the smaller works and taking good photographs of the larger ones.

Oh, and speaking of smaller works, one or more of my prints was accepted into the BIMPE VI exhibition! The opening is on Saturday September 11th, but that’s a subject for the next post.