more drawings

LifeDrwg_male_2b.jpg

LifeDrwg_MaleSept83.jpg

LifeDrwg_fem_Sept83.jpg

I am continuing to go through some rolls of old life drawings and document a few of them. The one on the top here was rolled next to the first drawing I showed yesterday and seems to be of the same model. The lower two drawings are from a roll which does have a date: September 1983.

The light in my studio is not as bright as I wish with our rainy and cloudy days at present so there are strange shadows here and there, some revealing the curves in the paper from being rolled up for so long, even streaks from light exposure coming in at the end of the roll. Though I tried to fix them as best as I could, I rather like the aged look, even if these are not such professional photos.

I know, I should wait for better light conditions but I’m eager to carry on with the tidying and organizing before I lose interest. There are decisions to be made – which to keep, which to discard, and how to store these more safely. Hmm, I do have some new large tubes with end caps and some acid free liner paper to wrap them in. No room in the flat files, sorry, those are reserved for my prints.

detailLifeDrwg_fem_Sept83.jpg

studio update

studioApr2012.jpg

As mentioned a couple of weeks ago, I have been reorganizing and cleaning my small home studio to make room for a very large set of used flat files which I’d finally found after years of searching. What a job! Though not finished, the studio is looking much better and my editions have a clean, flat, accessible home, except for one over-sized edition which is staying in its porfolio for now. Though the file cabinet is too high as a working surface, it provides much-needed space to spread out my papers, such as many print proofs, thus leaving the table top free to work on.

It was interesting to revisit my older work as I was organizing them into the drawers. I have now made a start at some of the many rolls of life-drawings on newsprint, stashed in tall boxes in a former bedroom/storage room. Most of these were done in the 70’s and early 80’s when I attended various life-drawing workshops. Drawing and especially life drawing was my favourite class back in art school where we had two days a week of it (you don’t see that anymore in most art schools). What I’ve kept of those are probably somewhere in the bowels of the crawlspace under the house. Being newsprint, these are yellowed, fragile, torn and hard to unroll flat, but I am going to try to photo document some of the better ones. Here is the first, a fairly quick though imperfect study:

LifeDrawing_male.jpg

Inspiration hit me a couple of days ago, from admiring my clean studio, the pile of proofs and from Welsh artist Clive Hicks-Jenkin’s blog. Clive frequently makes wonderful maquettes for his various projects which he so generously shows readers. Recently he put out a call for readers to make their own and submit them to him to feature on May 1st. I have never made any and had no plans to start at this time, but the other day, Clive’s post on artist Jodi le Bigre’s stunning maquette must have left a deep impression on me, for lo! I suddenly started cutting up some of my collagraph proofs to create the figure below. It is not a maquette for the paper is too light and I had no appropriate fastenings, but I had fun! I’m not sure what will happen to this creature, maybe it will become a maquette yet, though of course too late for Clive.

CutOutFigure.jpg

Added May 4th: As I wrote later, my maquette in other poses made it into the five-part online exhibition of maquettry hosted by Clive Hicks-Jenkins on his Artlog!

magic moments

sunset23Apr12.jpg

sunset23Apr12_2.jpg

sunset23Apr12_3.jpg

What an incredible sunset sky on Monday evening, April 23rd, taken from our back deck. Do you see the magnolia tree in the top two images? Here it is again below, taken this afternoon just when the sun came out after a few very dreary rainy days.

magnolia26Apr12.jpg

magnoliaDetail2012.jpg

Finnish ABCs 2

aapinen4.jpg

As mentioned earlier about this old Finnish primer, I became most fascinated by the variety of fonts shown side by side. Imagine a young child just learning the ABCs and beginning to read, also learning to read along with what I would call a regular print text, a German Gothic or fraktur font and a copperplate style script. I used to be able to read the Gothic in my childhood because the Finnish church in Winnipeg had very old hymn books with that font. Now I struggle with some of the letters, though the little tales in this reader really help with context. Hand writing styles surely aren’t that easy for new readers either.

I’ve zoomed in on a few pages of the alphabet itself below, so you can see how complex it all is. Vieraat kirjaimet translates as foreign letters, that is, those not part of the native Finnish alphabet. Aakkoset is alphabet.

ForeignLetters.jpg

FinnAlphabet1.jpg

FinnAlphabet2.jpg

(Apologies with the varied colours of each page as I struggled to make the letters appear clearer and sharper.)

I just had to go find my own Finnish Aapinen, printed in 1954, to check out its fonts. The first part of the book has all capital letters, then soon after the small case are introduced along with it. Though there are a few other fonts later in the book, they are all fairly standard and easy to read. One page near the end shows a handwriting exercise on ruled paper like we see even today. Gothic and copperplate were not to be found.

the Finnish language

This sounds most interesting to me. As a member of this organization, I am going to attend and will report back here afterwards. Everyone is welcome of course.
Talk_FinnLanguage.jpg
from Canadian Friends of Finland in British Columbia
———————————————————-
Added 9:30 pm. Sunday 22nd April:

The lecture was excellent, very informative and fascinating. Ms Elg began in Finnish, so wonderful and rare now to my ear – then switched to English, with a Finnish accent. I often have trouble understanding accents, even Finnish ones but still I was able to catch most of the information along with the help of the slides of language charts and maps. A good turnout and lots of questions throughout and everyone most appreciative.

Ms Elg described the Finnish language program at the University of Washington, one of many universities around the world that teach Finnish as I found out earlier.

I am poorly versed in the academic study of language and its structure and terms so hope I explain this correctly. The Finnish language is ‘synthetic’ or mostly agglutinating as opposed to ‘analytic’. What that means is that It modifies and inflects the forms of nouns, adjectives, pronouns, numerals and verbs, depending on their roles in the sentence. (thanks wikipedia). An interesting simple example she used was with the word:
talo – a house
talo/ssa – in a house
talo/ssa/ni – in my house
talo/ssa/ni/kin – in my house too (4 words)
So, one word replaces many words in the equivalent English and many other languages. Some words can be from 6 to 10 cases. Hungarian can have up to 24 cases!

The study of language can aid in the study of racial genetics. In the case of the Basque, they are a unique language and people unrelated to any other, never mixed. Not so with the Finns, it seems. They have lived in Finland up to 6000 years. Other peoples came in later at different times from east, southeast, south and west and blended genes and language, mostly along the coastal regions but not much in the north. (See more about the Finno-Ugric peoples in wikipedia.)

What I don’t understand is how the study of languge can determine its age. For example the oldest Finnish word kala (fish) is 6000 years old. Loan words have been dated to reveal the periods of movement by different groups into Finland. Very personal words like äiti (mother), which came from German less than 1000 years ago (a surprise to us all), reveal close relationships like marriage and children. Yet that word is not currently in the German language.

A brief mention was made of a controversial theory presented by Professor Emeritus Kalevi Wiik of the University of Turku in Finland. He argues that Finno-Ugrian languages may originally have been spoken by the whole of northern Europe, that it may be Europe’s oldest language. More about his theories here or his home page in Finnish.

So much more but I’ll leave it at that! No definitive answers but interesting food for thought on our language, where we came from and who we mixed with. This has been a wonderful addition to my readings over the years and to the numerous links, many in Finnish, which I’ve gathered here and there.

Finnish ABCs

aapinen1.jpg

aapinen2.jpg

aapinen3.jpg

When I found my mother’s old Finnish cookbook, with it was a little aapinen, a Finnish ABC book or primer. A sad little thing without a cover, unlike this one, so I don’t know when it was published, possibly in the 1940s. I don’t recall if it was one of my books. Next time I will show you more pages of the fascinating fonts.

red pepper

Section1doublepepper.jpg

doublePepper.jpg

section2doublepepper.jpg

a double bell pepper! a pregnant pepper?

spring projects

TomatoLeaves.jpg

TomatoSeedling.jpg

TomatoSeedling2.jpg

WhiteGeranium.jpg

ScentedGeranium.jpg

– potting up tomato seedlings and rooted cuttings of flowers (and taking photos above), getting down close and personal with weeds in the garden

– moving everything out of our bedroom including ourselves, removing 27 year old carpet, painting walls and ceilings, lay down hardwoood flooring

– refreshing this and that in adjoining bathroom after 27 years of use

– found used large flat files at long last to store my prints! painting them when warm (?!) enough in the garage; another coat to cover the original black; rearrange studio to make room, then organize work into these…. hope to be inspired to get back to artmaking in my spring-cleaned studio!

Mauricio Lasansky

Lasansky_daVinci.jpg
Mauricio Lasansky: da Vinci 1987 from LasanskyArt

Visiting wood s lot a couple of days ago, two powerful and familiar prints caught my eye immediately for I recognized them as the work of Mauricio Lasansky, even before seeing the name below each. Then I see that he has died this week at the remarkable age of 97 after an amazing life as an artist printmaker.

Lasansky was born in Argentina, and later emigrated to the USA where eventually, in 1945, he became professor (later emeritus) of art and art history at the University of Iowa, where he established a highly respected program in printmaking. He was a very highly skilled graphic artist who used numerous techniques and plates to create his huge prints.

As a printmaker, I’ve been a long time admirer of Lasansky’s work and certainly was influenced by his excellent drawing and graphic style. Some decades ago now, I enjoyed a fantastic monograph about him borrowed from a library; I’ve forgotten the name and must now look for it again. I still remember how very searing, disturbing, and haunting his work is as it dealt with so much of the worst of human conditions. Sadly, I’ve never seen any of his work in person.

Here are two obituaries: a family one in his hometown paper in Iowa and a professional one in the New York Times. To learn more about his art and achievements and see a catalogue of his work, visit his extensive website.

I have mentioned his name in two posts long ago, one regarding Original Prints vs. Reproductions, and one linking to PrintFreak, who wrote about him. I don’t know why I have not written more about this powerful artist before, perhaps because words are not enough.

lost & found

FoundWrenchB.jpg

FoundWrenchA.jpg

It’s been a most glorious Easter weekend weatherwise and we really have deserved it. Over just these few days I have been astonished by the huge burst of new growth, of fresh green leaves on shrubs and the magnolia buds now revealing their fat white tips above their grey furry sheaths. I’ve been truly enjoying puttering about in the garden. You say you want to see more flower photos?

Oh, but the amateur archaeologist in me was quite tickled to find this strange rust and dirt encrusted metal object when cleaning leaves along the back fence. I wonder what it is*, how long it’s been there, and who lost it? Anyway, I’ve had fun scanning it and adding it to my collection of images of strange and often rusty found objects, such as this one and another one.

*Husband tells me it is a bike wrench.