Lea, an etching

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an early trial proof

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a later colour trial proof, almost there

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Lea – etching, 1983
image: 22.2 x 22.5 cm. (8.75″ x 8.8″)
Paper: 38 x 38 cm. (15″ x15″)

Here is one of my very early etchings from the time when I returned to printmaking. As I’ve mentioned in the past, I fell in love with printmaking in my last year at art school, too late to major in it, but left with the feeling that I wanted to return to it some day. The opportunity came much much later and of course, I had to spend time relearning the processes.

After deep etching this plate, I worked on numerous proofs, trying out different colours and various ways of inking it. I wrote many notes on the proofs about those processes. The top one is getting close to what I wanted, to my eye at the time, with the technique of intaglio wiping (the blues), then with a relief roll (red) over it. More colour trials were made, with the second image above getting very close. The final editioned version is shown last.

I’m not overly fond of how I designed the image and I now rather prefer the colours in the first one shown, but it’s an example of the process of learning technique before mastering the image along with it.

another batik

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STRATA – batik on cotton, 100 x 147 cm. (39″ x 58″), 1981

In the previous post about batiks and in the conversation with commenters, I recalled a commissioned batik hanging I’d done. Marly’s question about it inspired me to hunt and luckily find the only photo I think I have of it. It is not a good photograph, lacking sharpness and taken hanging in front of a window to utilize some bright backlighting, and thus revealing a shadow from the window frame running down on the right of the tree. Askew too, but straightened thanks to photo-editing software. Fortunately I’d written a wee bit of information (size, date) on the back of the photo… which leads to my next observation.

All this digging out and revisiting of older works this past few weeks has reminded me about how negligent I used to be in my early years regarding documentation of my work with high quality photographs and slides along with written material about the techniques and materials used, sizes, dates, and even ownership if sold. I think I was not taking myself and my work seriously enough. As a serious artist, even as a craftsperson which I felt to be with batiking, I should have been professional enough to keep proper records.

Later, when I joined the Art Institute program at Capilano University, I learned all about this and have been quite meticulous with my record-keeping. In fact, those records are extremely handy when I need to look up information about a piece of work without having to pull it out of storage…. to measure it, for instance. The biggest challenge for me was achieving good slides, then the expense in having duplicates made for submissions to juries. Nowadays I’m very grateful for much improved digital photography and computer technology and that digital files are accepted everywhere (that took a while, too).

batiks

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Needing a break from all the ‘spring projects’ and while waiting for the fumes of varnish to dissipate, I felt the call of my studio. Impulsively I delved into the bottom drawer of my old wooden flat files where I keep a variety of work from other artists, part of my collection, and some small older works of my own. I found these two batiks that I had made in the early 80’s. I have few left from those days when I was really ‘into it’ for a few years. Many were given as gifts or sold. It is kind of interesting, if even a wee bit embarrassing, for me to look back on these pieces, and to show them here. It has me remembering that time in my life when I was an at-home mother before I returned to printmaking. I still have those supplies stored somewhere but have not done any more batiking since then.

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UPDATE, 11:00 am May 29th, 2012: Suddenly remembering some posts I had written on batiking back in 2006, I searched and found three about Annabel Carey’s beautifully made and researched batik art based on the stone circles around the UK. As you know, ancient stones are a favourite subject of mine. (My examples here do not compare!) It is an interesting story if you would like to visit/revisit these links in their order of appearance:
a batik exhibition
update on batik show
more on Annabel Carey’s Spirit of the Stones

still here

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…and still busy with the spring projects. The new wood floor in the bedroom is done; work on the adjoining bathroom is in progress. The whole house is dusty and messy with displaced furniture and may be for a while yet until we finish. Gardening season is in full swing when the days are dry. Artmaking and further studio reorganization is on hold.

We did take time out last week to have a little celebratory anniversary dinner in Deep Cove and enjoy watching the activity of many different kinds of boats. Notice the class of kayakers in the bottom photo. Later today we are meeting good friends who have moved back to Vancouver. We look forward to seeing the progress on the beautiful house that is being built for them, and it will be interesting to compare it to the house that is developing next door to us here.

Last but not least, we are eagerly looking forward to the return of our daughter and granddaughters from England next week. Life is very full.

drawings again

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Still more drawings for my digital archives. I keep thinking about the model in the first one… how long did he hold that pose? I cannot crouch like that, never have, not even for a minute.

Wish You Were Here

This is for artists in British Columbia….

I have just put together my little package of prints to mail to CARFAC BC’s inaugural postcard fundraiser called Wish You Were Here. If you are a member, or wish to join if you are an artist in BC, you are invited to send in up to 5 works in your choice of suitable media on a 5″ x 7″ surface. Deadline is June 8th, 2012. This event is taking place on Friday, June 22 at Woodward’s Atrium, 111 West Hastings Street, Vancouver from 10 AM – 6 PM. Please read more about it at the link, join in and tell your friends to come and purchase small art works.

If you are an artist in Canada, you are likely already familiar with CARFAC, the Canadian Artist’s Representation, with each province having their own provincial chapter. I have long been a member as this is a most worthwhile organization working on artists’ behalf on many issues. Check it out.

torn drawings

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As I go through numerous life drawings from decades ago, the least favourite are being ripped up and put into the paper recycling bin. Today, I decided to rip these into even smaller pieces and feed them to the compost as carbon material to balance the current overload of nitrogen from lawn clippings. A few little pieces attracted me and I thought I’d scan them.

The first ones are reminding me too much of kitchen towels drying on the clothesline, maybe because I do have stuff on the line at present! The second set makes me think of ancient Greek or Roman fresco pieces, which is so much more artistic. What fun!

last tulips

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While deadheading the last of the tulips in the garden today, the dry crinkly petals and the still rich colour of these inspired some play with the scanner.

a reminder

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Dear friends and readers, this is just a gentle reminder to register as a commenter as I explained a little while ago, in case you missed it. If you have any trouble doing so, please contact me. I am missing a number of you and hope to hear from you soon!

standing figures

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More life studies from 1983….