artists in conversation

Yesterday afternoon we went to see an exhibition at the Seymour Art Gallery called Odd Occurrences: Narrative in the Art of Kristin Bjornerud, Tamara Bond, Tomoyo Ihaya, and Carrie Walker.

Here is the exhibition statement:
The artists in Odd Occurrences build on centuries-old traditions of oral and visual storytelling to create images that are wildly imaginative and intriguingly strange, mysteriously disturbing or oddly funny. In days gone by people were familiar with stories told through the spoken and written word and pictures because they usually depicted events from religious life, history, and traditions or communicated prevailing myths and legends. Today, however, in our pluralistic, postmodern society, we cannot simply assume commonalities of experience-there is no single narrative. Instead, the artists in Odd Occurrences offer a rich mixture of fabricated narratives derived from personal experience, cultural origins, current events, dreams, myths, and folk-tales. Telling their tales with human figures, animals, and objects, the four artists use formats that range from symbolic descriptions of occurrences to odd juxtapositions of found and newly invented imagery. These open-ended, nonlinear narratives, often stories suggested but not fully realized, allow for multiple levels of viewer interpretation.

Beautiful, exquisitely created work by all, using various drawing and painting media.

We timed it to also take in the Conversation with Guest Curator Rachel Rosenfield Lafo and three of the artists and the audience. It centered and elaborated on the above themes and was very accessible and enjoyable for the audience and added to the appreciation of the work. I found it most interesting to learn that the curator had seen these artists’ works in separate exhibitions and had noted certain similarities between them. And as curators sometimes do, she came up with an exhibition theme and proposal, invited the artists to take part, and arranged this exhibition venue.

On a more personal note, I want to mention that Tomoyo Ihaya is a long time friend whose work I’ve written about here many times (search here if you like). I was sorry to miss the opening night when she gave a talk, for she was unable to join the others at this later date because by then she had already returned to northern India where she spends much of each year. In addition I have met Tamara, a friend and fellow art school graduate of our daughter Elisa.

The exhibition continues to October 14th, so if you are in the Vancouver area, I highly recommend a visit to see this wonderful art, in this lovely location in Deep Cove.

Regarding the images below, these are quick photos of some of the work in the gallery taken just as the chairs were being set up for the talk, and with permission and a promise not to take closeups. I hope these give a slight idea of each artist’s work and that you may be intrigued enough to visit their websites or other links.

KristinBjornerud_SAG.jpg
by Kristin Bjornerud

Tamara-Bond_SAG.jpg
by Tamara Bond

Tomoyo-Ihaya_SAG.jpg
by Tomoyo Ihaya

Carrie-Walker_SAG.jpg
by Carrie Walker

autumn equinox

VineMaple2.jpg

MapleLeaf.jpg

One day last week when I was leaving the studio and walking back to my car, the changing colours on the trees and shrubs along the path made me slow down to enjoy them. Feeling as if I were five years old, I picked a bunch to take home and have fun with the scanner.

Along the south side of the road home are many tall trees. The sun was low even in the early afternoon so there was a lovely flickering of light and shadow through the trees as I passed. It’s something I love and have noticed many filmmakers do as well.

The last day of summer was cloudy, such a change from the bright sunny and sometimes hot weather we’ve had so far this month, though the shadows have been lengthening increasingly every day. This morning is cloudy/foggy and today is the first day of fall for those of us in the northern hemisphere. The coming of spring seems to be celebrated more because of winter’s end but autumn is a favourite of mine as well. To me all the four seasons make a wonderful cycle and marker of time’s passing with its variety in light, weather and changes in the gardens and woods.

sunflower

Sunflower.jpg

sunflower_back.jpg

Last weekend I received a magnificent bouquet of sunflowers from a visiting sister-in-law. Sadly they wilted some days later so I cut the heads off to spread on a plate, and scanned the freshest looking one for posterity. Sunflowers are so appropriate right now as we are having a very warm Indian summer. May the sun shine on you too, my dear readers!

Fragments in qarrtsiluni

detail_FRAGMENTS-VI.jpg
detail of Fragments VI

I’m delighted that two of my Fragments prints are up in the fabulous online literary and art journal Qarrtsiluni. My thanks to guest editors Olivia Dresher and Catherine Ednie for including my work in this issue, called Fragments (!). Also congratulations to Dave Bonta, one of the founding editors, for the success of Q. as it is about to have its 7th anniversary. He tells me this is my 17th appearance in qarrtsiluni.

signs of autumn

AutumnLeaves2012.jpg

AutumnLeaves2012_detail.jpg

AutumnLeaves2012_detail2.jpg

– when a grandchild brings you a couple of leaves in the colours of fall
– when going back to the print studio feels like going back to school
– when dear artist friends gather together again after a summer break
– when Indian summer comes with hot afternoons and cool nights with heavy dews
– when the last of the tomatoes are almost all ripe
– when the bell peppers are finally turning red
– when juggling new schedules and fitting in visitors too

the bowl breaks (3)

MixingBowl8.jpg

MixingBowl9.jpg

MixingBowl10.jpg

I love the more abstract images where one doesn’t know what one is seeing… just enjoying the shapes, textures and tonal variations.

the promised links to other ‘breaks’ (oh my, too many!):
broken,
butter dish
the broken bowl
broken glass
everyday object
reflections in broken glass

the bowl breaks (2)

MixingBowl4.jpg

MixingBowl5.jpg

MixingBowl6.jpg

MixingBowl7.jpg

More fragments, shards, the saving of memories present to past… all themes in my printworks and photoworks

Please see the bowl breaks (1) for the update should you have missed it.

the bowl breaks (1)

MixingBowl.jpg

MixingBowl2.jpg

MixingBowl3.jpg

… an addition to my ‘breaks’ series of a sort, with more photos to come…

Added the next day, this note from Elisa, whose bowl this was:
One of the casualties of our return from the English countryside to the Pacific coast. Three months boxed up in a boat and rattling across the length of Canada proved too much for my beloved Mason Cash mixing bowl. I used it lovingly for sourdoughs and homemade mozzarella and birthday cakes, and often let it sit out on the counter as it was ever so good-looking. I’m sure it is glad that my mother has transformed its shattered state into art, and that we will bury it at the base of a potted plant. Not a bad life, surely, but I’ll miss it.

View it whole here

nuts

hazelnuts.jpg

hazelnuts2.jpg

hazelnuts3.jpg

Hazelnuts or filberts drying in the sun
granddaughters picked this first crop ever to be harvested from our tree
only because we cut it down before the squirrels got them all
a tree that was planted by squirrels in an unsuitable place
how we are all looking forward to a taste!

Added later, the gorgeous photo below of the nuts still with their “skins”, taken by Elisa and found on her blog

E.RathjeHazelnuts.jpg

Added September 5th:
hazelnuts_cracked.jpg

After a few days of sunning (the nuts, not me!), I could not resist the urge to crack open just a few as I wondered if they might just all be hollow as we’ve found them in the past. Indeed the first few proved to be so, but the next few had the withered and undeveloped beginnings of nuts. I suspect we picked them too early even though the squirrels had already been investigating them. I’ll wait for daughter and granddaughters to crack the rest to see if any good ones can be found. We’re all quite green regarding nut harvesting, though Elisa is a keen forager.

B-Gallery exhibition photos

B-GalleryOpening2.jpg

B-GalleryInstallation-1.jpg

B-GalleryInstallation-2.jpg

B-GalleryInstallation-3.jpg

B-GalleryInstallation5.jpg

B-GalleryInstallation6.jpg

B-GalleryInstallation7.jpg

B-GalleryInstallation9.jpg

B-GalleryInstallation10.jpg

As I wrote in the spring along with a poster image, our Art Insitute printmakers group had an exciting exhibition at the B-Gallery in Tokyo. I was lucky during the show to capture one photo from the gallery’s site before it was gone so I’ve been eagerly looking forward to seeing more, as have all the artists who were not there. Today Michiko Suzuki, one of the artists who was there in person, wrote that the exhibition was successful, well attended and well received. She kindly sent many opening and installation photos to share here. Enjoy!

I want to add the artist’s names under their images, and though I know many of them, I’m not sure of all, so shall add that information sometime later when I get to see the catalogue.