Saariaho and Sibelius
This seems to be the week for music themes on my blog. First, I learned that Kaija Saariaho has been named Composer of the Year by Musical America:
Finnish composer Kaija Saariaho swore she would never write an opera and then went on to win the 2003 Grawemeyer for her first one, “L’Amour de loin,” premiered at the 2000 Salzburg Festival. Her second, “Adriana Mater,” receives its U.S. premiere at the Santa Fe Opera next summer. The beneficiary of Finland’s remarkable musical education system, Saariaho is among the few contemporary composers to achieve public acclaim as well as universal critical respect. In the last decade alone she has had commissions from the major orchestras of Cleveland, Boston, New York, Los Angeles, Berlin, and Paris.
Finnish musicians have done very well. In 2005 the Musical America Award was given to the Finnish soprano Karita Mattila, while the Conductor of the Year 2006 was the Finnish conductor and composer Esa-Pekka Salonen.
After I wrote about Saariaho and the opening of her second opera in Paris last year, I succumbed to temptation and bought the L’Amour de Loin DVD. I meant to write about it after viewing it but never got around to it – it’s fantastic – I must view it again.
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The second musical item is also about a Finnish composer. Thanks to Jörg Colberg who wrote:
I am currently reading Alex Ross’ The Rest Is Noise: Listening to the Twentieth Century, which I couldn’t recommend more – provided you have an interest in either the (cultural) history of the 20th Century and/or “classical” music. If you want to get an idea of the style and contents of the book, check out Alex Ross’ article about Finnish composer Jean Sibelius, which also appears in the book.
I’ve read some of Alex Ross’ excellent critiques on music, so this one really piqued my interest. It’s very long and very interesting for the biographical material as well as an analysis of Sibelius’ music in the context of its time. I learned some new things about Finland’s most revered composer and the eternal struggle that many artists suffer. In fact, some years ago we saw a very moving play about Sibelius in his late years when he could no longer compose music.
Some further links for interested readers (some expired links have been removed since this posting):
Ainola, the home of Aino and Jean Sibelius is not just a rustic cottage (below, as it is today)
The Jean Sibelius website
Wikipedia on Sibelius
November 15, 2007 in Finland, Estonia & Finno-Ugric, Music by Marja-Leena
Ainola – what a lovely name for the beautful house of Aino and Jean Sibelius.
My mother’s name was Aino. So Ainola has a familiar ring for me.
Olivia – Aino and Ainola are lovely names and I can understand how special those names are for you. Isn’t it wonderful that Jean Sibelius honoured his wife by naming their home after her? I gather it was a very special place for them both, a retreat after the busy-ness of life in Helsinki.
I really will check out the links, ML, when I’ve a little more time, as this has whetted my appetite. Was it sibelius who saw keys as colours, and painted a wall of his room a certain shade of green which he said was the colour of F sharp?
Another thing to keep in mind is Finland’s artistic support, as exemplified in the fact that Jan Sibelius never had to worry about where his next meal was coming from–the state supported him and his family for the rest of his life, whether he composed another single note.
Think of the dreadfully impoverished artists the world over, some of whose works are making more money in one week now than the artists ever made in their entire lives.
Oi, Saariahon Kaukainen rakkaus on lumoava teos! Näin kaksi vuotta sitten Helsingissä Suomen Kansallisoopperan esityksen (alkuperäinen versio sai ensi-iltansa Salzburgin musiikkijuhlilla), jossa pääosissa lauloivat Dawn Upshaw, Gerald Finley ja Monica Groop. Se on yksi upeimmista oopperakokemuksistani, ja Saariahon musiikki soi niin kauniisti, suorastaan sydäntä riipaisevalla tavalla. Kirjoita ihmeessä blogiisi oma merkintä dvd-versiosta!
Lucy, that’s a good question! Maybe it’s Hockney? or Scriabin ?
Peter, a lot of European countries have supported their top artists more than nowadays. Now Finland supports arts education very well. Canada certainly doesn’t do much, and again only a small percentage of artists get Canada Council grants, for example.
Viides Rooli, ihana että näit esityksen! Aivan samaa mieltä olen tästä Saariahon teoksesta! Kyllä täytyy katsoa uudelleen ja yrittää kirjoittaa siitä – kiitos vain kehoituksesta! Oletko nähnyt “Adriana Materin”?
Adriana Materin Suomen ensi-ilta on vasta ensi helmikuussa. Yritän saada esitykseen lipun, sillä haluan ehdottomasti nähdä myös tämän Saariahon teoksen.
Minulle oli yllätys, että Kanada tukee taiteilijoita taloudellisesti vähän. Huomasin juuri, miten olen selvästi kanadalaisen taiteen lumoissa. Juuri eilen kirjoitin Joni Mitchellistä, olen aivan ihastunut Loreena McKennittin musiikkiin ja lempikirjailijani – jolta olen ottanut myös blogini nimen – on hänkin Kanadasta: Robertson Davies. Spooky…
Hei taas, Viides Rooli! Haluan tulla Suomeen näkemään Adriana Materin! Ei ole toivettakaan saada sen Vancouveriin. Olemme liian pieni paikka vaikka meillä on ooppera mutta ei kovin paljon varoja – voi taas valittaa valtion vähäisestä tuesta.
Kanadalaiset ovat aika hyvin menestyneet musiikin ja varsinkin kirjallisuuden alalla. Monet taitelijat, varsinkin kuvauksen täytyy usein ensin menestyä ulkomailla ennen kuin oma maa tuntee. Miten on Suomessa nykyään? Mukava että tykkäät monesta kanadalaisista, luulen että pohjoismaina meillä on jotakin yhteläistä sielua? Ja muistan hyvin blogisi nimen pohjaa siitä kun alkuun tutustuin!
I’d really like to see Ainola; mmmmnn, it would make an interesting trip, Helsinki and where else in Finland for 4/5 days? I’m down for Berlin next spring, but 2009?
Gordon sometimes gets caught by me playing the CD of and conducting the Karelia Suite, lots of good vigorous baton work. He does look sheepish.
Oh, Anna, I could give you a long list of what to see in Finland! Lots in and around Helsinki of course and because I know you love music – the opera in the castle in Savonlinna! Check out Virtual”>http://virtual.finland.fi/Travel/”target=”_blank”>Virtual Finland for a few ideas. The white nights of summer…
Berlin will be wonderful too. We were there a couple of days in year 2000. Besides walking miles everywhere, we checked out my late father-in-law’s childhood home, which still stands but the property has been cut up.
How sweet a picture you’ve described of your Gordon, heh. I like him already.