Bonnie Jordan

Another artist-friend of mine, Bonnie Jordan, has been doing exciting, yet very thoughtful and very leading edge digital printmaking for several years. Here are some of her latest works. Images are copyright Bonnie Jordan, used here with her permission.

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Journey Series #1 archival inkjet print 51 x 152 cm.

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Journey Series #2 archival inkjet print 56 x 152 cm.

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Journey Series #4 archival inkjet print 55 x 152 cm.

Bonnie says about her work:

The portrait has been an ongoing theme for me. Through the years this theme has undergone many transformations, each change bringing additional depth and texture to the concept of the portrait. I’ve always been interested in layers – looking beneath the surface of things. Working with mixed media excites me, specifically how that translates to the various print media. Before the advent of the computer I found myself exploring the possibilities of layers through multiple plate etchings. Since discovering the computer I have employed the digital means of exploring layers.

I’m interested in ‘people tracks’. Genealogy has been a great motivator in my art. Family history inspired yet another evolution of my portraits. I love to utilize images that I find through ancestral research, such as letters, articles, artifacts and objects. These objects/artifacts develop into symbols representitive of the sort of ‘time travel’ that takes place within the work. The images here are representative of the ‘Journey’ series, my most recent work.

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Journey Series #3 archival inkjet print 49 x 33 cm.

Besides being a practising and exhibiting artist, Bonnie is also a Studio Art Technician in printmaking at Capilano University**, including the Art Institute. We both began the first digital experiments in this printmaking studio in 1998.

We have been in many exhibitions together, the most exciting one being our Traces exhibition at the Pohjanmaan Museum in Vaasa, Finland, also including Steven Dixon, in 2002. The Traces site shows some images of our work and the connections in theme.

Relating to that exhibition Bonnie and I were fortunate to have a great interview by Michael Boxall, editor of Art Alive Magazine at that time, which gives additional insight into Bonnie’s work!

Further reading:
North Shore News Interview about Bonnie’s project for the “Visions of the North Shore”
Bonnie Jordan’s CV (pdf)
c2si – Bonnie Jordan & Dennis Creighton’s business site

**Since writing this, the College has since been designated a University so name and link have been updated.
Edited January 15th, 2013 to enable larger views of images. Since writing this Bonnie’s name has appeared several times in various exhibitions, expecially our joint show in Squamish . Apologies for some now dead links.

Janet Strayer

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Perishable Goods

Janet Strayer, a friend and past member of the Art Institute, Printmaking at Capilano College (later University) has a large solo exhibition of her paintings, etchings, and mixed media works on display at the Enigma Restaurant in Vancouver during March-April (and possibly extending until June 15). I was very sorry to miss her opening that she so delightfully called “an art-warming event”, held this past Tuesday evening while we were traveling home from our little holiday.

Janet has kindly allowed me to post a few images of some of the work in her show. (Copyright is hers) Please visit her brand-new website to view more.

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Grief & Enigma

She says, My artwork has in the past accompanied my career as a university professor and psychology researcher, writer and consultant — somewhat in the way an incorrigibly curious, energetic, and adventuresome younger child accompanies a grown-up. Now, my artwork and explorations into art have themselves become a vital sustaining force that seeks to be known on its own terms. My workplace, Insights Studio on Saturna Island, is a magical place for inspiration and dedication to a process of artmaking that integrates imagination and observed realities. My artwork is both introspective and expansive. It explores the strange and human, adores color, and plays with form, line, memory and visual poetics. I hope that it also communicates the wonder and range of feeling that comes with being human and alive in a living world.

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Checkered Frame

To me, much of Janet’s work has captured the magic, the mystery and that little quiver of something a bit scary that exists in the world of fairy tales. I asked her about this and she replied:

For some of my work, I deliberately roam into “the deepest, darkest, part of the forest” (as is a major motif in fairy tales) and I usually trust in something (strange little creatures: things not being what they seem) to see me safely through. In this sense, much of my work has a fairy-tale/mythic motif. But in only some of the work (Hansel & Gretel, for example) do I actually “think” of fairy-tales in any “whimsical” way. I would hope that the body of the work suggests more than fairytale or mythic themes — I am very interested in psychology and psychological development, as you know, and in being human and what that individually means. But, as you noted, this is certainly one stream that runs through it.

The Enigma Restaurant is at 4397 10th Avenue at Trimble, Vancouver. Open from 11am to 1am. Janet says this is a very cordial restaurant and bar, that serves both good cuisine and drinks at moderate prices, and it is hosted in a very personal manner by a lovely family from South Africa.

Update: Went to see it on March 11th – looking good!

Setsuko Piroche

Setsuko Piroche is another good friend and printmaking colleague who works in the Art Institute printmaking studio. Before coming to printmaking, Setsuko worked in a wide variety of media – paintings, ceramics, textile art and woven sculptures. She has had numerous solo shows (including at the Vancouver Art Gallery) and group exhibitions around the world, becoming especially well-known for her unique soft sculptures, such as these below.

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Feather(left) and Morning Dew (right) – woven sculptures

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Book cover: The Daughters of the Star from Thirty Indian Legends by Margaret Bemister.
Illustrated and translated into Japanese by Setsuko Piroche Hane

This is one of five childrens’ books she has illustrated; these ones were done first as collagraphs. Of the many printmaking techniques she uses, collagraphs are Setsuko’s favourite. I think that method of working really suits her whimsical portrayal of flora and fauna, circuses and toys.

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Circus Memory – collagraph

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In the Sky; etching

(Images are copyright Setsuko Piroche, used here with her permission.)

In 2000 Setsuko was one of twelve artists chosen to be part of the “Visions of the North Shore” Art and Heritage Millennium Project. Read about her project in the North Shore News.

If you are in the area, do come and see The Diverse Earth, Setsuko Piroche’s and Jean Morrison’s exhibition at the Capilano College (now University) Studio Art Gallery in North Vancouver, ending December 3rd.

Edited January 17th, 2013 to show larger images. Some links are no longer active.

Jean Morrison & Setsuko Piroche

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Artists Jean Morrison and Setsuko Piroche invite you to their exhibition of print media and objects entitled “the diverse earth”. The opening reception is on Wednesday, November 17th, 2004 from 4:30 to 7:30 pm. The exhibition runs from Nov.15 – Dec.3. Gallery hours: 9 am-4 pm Mon-Fri. At the Studio Art Gallery, Capilano College**, 2055 Purcell Way, North Vancouver, BC

Mark your calendars! If you are in the Vancouver area, do come and see their excellent work. Check back here for updates such as a show description, hopefully.

Read about Jean’s work in this recent post. I hope to do an article on Setsuko’s work very soon. Added later: here it is

(P.S. Isn’t this a gorgeous invitation incorporating images from Jean’s and Setsuko’s work? It was designed by artist Bonnie Jordan, our most super technical assistant at the Art Institute, Printmaking. Bonnie was one of the artists with me in our exhibition in Finland two years ago.)

Update Nov.17.04:
Exhibition Statement:
Our choice of media combines diverse print techniques with the use of natural objects.
Our viewpoint is to celebrate the diversity of life in this world.
Our concern is the world wide human impact keeps lessening the natural diversity on this planet.
What are your thoughts?

**has since become University

Jean C. Morrison

Jean Morrison and I have been friends and printmaking colleagues for a long time, working together in the Art Institute printmaking studio. Jean has worked in a wide variety of printmaking media, even venturing recently into digital inkjet printing, yet she is best known here for her wonderful cyanotypes.

Jean says of her work: “My interest is in the forms and processes in the natural world and in the artifacts and ceremonies of humanity.” The Nest Series consists of 28 variable editions using cyanotypes with other media, based on the numerous discarded bird’s nests that she has collected. Shown below are two examples from this series. The etching and inkjet print, though not part of that series, reveal her continuing fascination for nests and eggs.

Images are copyright Jean C. Morrison, used here with her permission.

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Nest Series #15
cyanotype, etching & collage
38 x 56 cm.

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Nest Series #18
cyanotype, etching & collage
38 x 56 cm.

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Nest Egg
etching
56 x 48 cm.

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Nest Egg II
inkjet print
21 x 27 cm.

In 2000 Jean was one of twelve artists chosen to be part of the “Visions of the North Shore” Art and Heritage Millennium Project. Read about it in the North Shore News and the Capilano College (now University) website, and have a look at this group photo of the artists.

UPDATE Nov.20: See post about her current exhibition

Edited January 16th, 2013 to show larger images and update links, though some have expired.

Wayne Eastcott exhibition

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Wayne Eastcott: Generation #3 1983 silkscreen

As I wrote earlier, October is a busy month for art shows here!
The Lookout Gallery, Regent College is presenting “Wayne Eastcott: Selected Works” – a survey of his printworks from 1965 to 2002.

Eastcott uses diverse mediums including riveted aluminum, silkscreening, etching and lithograph to invoke feelings of both calm and chaos as he exemplifies the dialogue between nature, humankind and technology. “I have always been intrigued by the various systems that make up the created universe as well as the relationship between chance, order, structure and randomness”, says Eastcott as he discusses his work. This exhibit covers 40 years of Eastcott’s work in printmaking and provides powerful, innovative examples of why he is recognized as one of Canada’s foremost printmakers.

This exhibition has been travelling for two years, beginning at Seymour Art Gallery, North Vancouver, and touring southern BC galleries, and has now returned to Vancouver. Selections from 50 pieces were made by the curators at each gallery to fit their space, such as at Grand Forks Art Gallery and Kootenay Gallery of Art.

The exhibition opening is on Wed. Oct.13, 2004 4:30-7:30 and runs to November 6th, 2004. The Lookout Gallery in Regent College is on the UBC campus at 5800 University Blvd., Vancouver, B.C. Hours: Monday – Friday: 8:30 am – 5:00 pm Saturday: 12:00 pm – 4:00 pm. Everyone welcome!

In case you missed it, please see my recent article about Wayne’s collaboration with a visiting artist, with some more links to visit.

Totally Manipulated

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X Faces by Robert Jackson

Another exhibition happening this month, and one in which I am also participating in is:

TOTALLY MANIPULATED: Digital Art Today
at CityScape Community Art Space,
335 Lonsdale Avenue in North Vancouver, BC.
Opening reception is on Thursday Oct.14, 7-9 pm.
Runs from October 15th to November 6th, 2004.
Gallery hours are 12-5, Wed-Sat., 1-4 Sunday.

This exhibition showcases sixteen accomplished and emerging artists pushing the boundaries of what we call art: Pierre Coupey, Wayne Eastcott, Carl Fletcher, Peter Frey, Grace Gordon-Collins, Robert Jackson, Bonnie Jordan, Mohsen Khalili, Maria Lobo, Irwin Oostindie, Sabrina Ovesen, Marja-Leena Rathje, Nicole Rigets, Michiko Suzuki, Joe Tompai and Biliana Velkova.

If you are in the Vancouver area, please come visit! This attractive gallery is run by the North Vancouver Community Arts Council. Also visit the North Vancouver Arts & Culture Commission pages and read ARTS ALIVE (.pdf) magazine.

Interestingly, eleven of the exhibiting artists are, or have been, associated in some way with the Art Institute at Capilano College**. Many thanks to Robert Jackson, a new member, for organizing this exhibition!

** Since this post was written, it has become Capilano University.

Michiko Suzuki’s exhibition

Michiko sent this link about her newly opened exhibition in Tokyo’s Gallery 219. Have a look at her series of archival inkjet prints. You may remember Michiko from my article about her collaboration with Wayne Eastcott.

Writing on the Wall

As part of an occasional series about the printmaking studio that I am happily associated with at Capilano College**, I will be posting about exhibitions that members are involved in.

Robert Jackson is a new artist member this fall. He brings with him an extensive background in digital art work on a variety of media. He is currently participating in a group show, “Writing on the Wall” – a mixed media art exhibition featuring work that incorporates text, symbols, images or a combination of these elements to convey a message.

This is at CityScape Community Art Space, 335 Lonsdale Avenue in North Vancouver, BC, until October 10th, 2004. Hours: Wed-Sat.12-5, Sunday 1-4.

UPDATE: Sept.30.04 Today I was at Opus Framing & Art Supplies on Lonsdale, picking up a frame I’d ordered, so afterwards I walked two blocks up the hill to CityScape to see this show. I was pleased to see Robert’s two digital/mixed media pieces and an acrylic on canvas by Margaret Witzsche, a friend and past Institute member. Other memorable works for me were those by Sharon Christian and Shakun Jhangiani.

** Since this was written, Capilano College has been designated Capilano University.

Institute Printmaking Studio

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the printmaking studio at Capilano College** with Wayne Eastcott, printmaking faculty, and Bonnie Jordan, technical assistant, at the largest printing press

This has been a very hectic week for me as I return to the printmaking studio after the summer hiatus. Printmaking requires a fair amount of specialized equipment, investment and space. So, I sign up as a member of the Art Institute at Capilano College**, North Vancouver, BC. I have mentioned this before in earlier articles, but some of you may be interested to know more about this great place where I do my printmaking.

The Institute, specializing in printmaking and sculpture, each with dedicated studios, is equivalent to a graduate level fine arts program, comparable to artist-in-residencies. It is meant for artists with previous extensive education and experience, who will serve as mentors for the students in the Studio Art program. Some of us return with continuing projects and there are always some new artists, so we make an interesting mix that is wonderful for the interchange of new ideas, critiques, exposure to new techniques, support and opportunities to exhibit together.

The well-equipped printmaking studio has several printing presses for intaglio and relief, including a very large 56″ x 97″ one (in above photo), possibly the largest in western Canada. Equipment includes a nuARC exposure unit and large vacuum table, and for digital printmaking there is a 42″ large format archival inkjet printer and computer lab. There are etching and silk-screen facilities and a spray booth, all with an extensive ventilation system.

It’s pretty hard to have all this in my small home studio!

** Since this post was written, it has become Capilano University.
***Sadly, as of June 2013, this 30 year old program has been cut so links to it no longer work and have been removed.